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Philosophy --- Aesthetics of art --- kunsttheorie --- kunstonderwijs --- kunstpedagogie --- onderzoek in de kunsten --- 373.67 --- 7.01
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kunst --- media --- kunsttheorie --- 130.2 --- 7.01 --- 791.41 --- cultuurfilosofie --- mediakunde --- mediatheorie --- film --- filmtheorie
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Groys, Boris --- kunst --- #SBIB:316.7C200 --- kunsttheorie --- musea --- museologie --- verzamelingen --- collecties --- archieven --- archivering --- 7.01 --- Sociologie van de cultuuruitingen: algemeen
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"Recent encounters between art and real life, the ubiquity of images of violence and humiliation in visual culture and the media, and the persistence of controversial debates on public and participatory art projects are raising fundamental questions about the importance of ethical decisions in art and curating. How far can provocation in art go, before it becomes cynical and abusive? Does 'good censorship' exist? Are ethical decisions seen as more urgent in participatory art? This reader introduces current notions of ethics in several contexts related to the cultural field. Responding to the instrumentalization of ethics as a privileged tool of neoliberalism, the reader claims the need for an ethics that critically reflects the mechanisms of contemporary global power structures. The contributions discuss models of subjective and situational ethics and pit them against a canon of unquestioned principles and upturned notions of ethics and human rights" --Publisher's description
kunst --- kunsttheorie --- esthetica --- ethiek --- kunst en ethiek --- censuur --- politiek --- kunst en politiek --- 7.01 --- Art --- Art and morals --- Arts
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Shaughnessy, Adrian --- grafisch ontwerp --- grafisch design --- grafische vormgeving --- designtheorie --- kunst --- kunsttheorie --- muziek --- onderwijs --- kunstonderwijs --- cultuurfilosofie --- 130.2 --- 7.01 --- 766.01
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Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization-demonstrating how each work influences the next as part of a linear sequence-which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Durer, Matthias Grunewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.
Art --- History as a science --- Time and art --- 7.01 --- Kunsttheorie ; over tijd en kunst --- Historiografie --- Art and time --- Historiography --- Kunst ; theorie, filosofie, esthetica --- Art - Historiography
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"Long after painting, sculpture, photography, and film developed along with their materials - canvas and panel, marble and bronze, and celluloid film - a new generation of art has emerged in which digital, electronic, architectural, and performative materials have offered new forms for creative expression and experience. In much of this new art, the medium - no longer composed of passive materials - now embraces and challenges viewers to work as co-creators of aesthetic experience. Starting from the impossibility of understanding this new and complex art solely within the framework of contemporary art history and criticism, The Engagement Aesthetic offers new modes of critique for new media works of art, literature, and performance that operate in complex ways. Blending a range of methodologies from phenomenology, art history, linguistics, and statistical analysis, Ricardo explores how a new kinship between individual participation, electronic media, virtual and actual space, and mediated language results in a new aesthetic of mutual engagement."--Bloomsbury Publishing.
Aesthetics of art --- New media art --- 7.01 --- digitale kunst --- fenomenologie --- kunst --- kunsttheorie --- media --- mediatheorie --- Merleau-Ponty Maurice --- nieuwe media --- Arts, Modern --- New media art.
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7 <01> --- 7 <01> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Bibliografieën. Catalogi --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Bibliografieën. Catalogi --- Schongauer, Martin --- Dürer, Albrecht --- Solis, Virgil --- Graphic arts --- woodcuts [prints] --- anno 1400-1499 --- anno 1500-1599 --- Germany --- Iconography --- History --- prints [visual works] --- iconography --- ICONCLASS --- Duitse school
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The magic word these days is 'creativity'. And not just for artists: managers and policymakers alike demand creativity. Even family therapists and mediators urge us to find more creative solutions. Nowadays, creativity is all about positive morality. We expect nothing but good from it. But what remains of the meaning of the word when just about everybody is using it to death? And where does this hunger for creativity come from? Isn't it instead a sign of a creeping loss of true creativity?This essay primarily concerns itself with the social context of creativity. Pascal Gielen relates the story of the process of the social (re)creation of creativity by taking you on an eight-day journey.The text is part of a series issued by the Mondriaan Fund to promote thinking about visual art and artisthood.Bron : https://www.japsambooks.nl/products/creativity-and-other-fundamentalisms
Creativiteit --- Essays --- Cultuursociologie --- Massamedia --- Neoliberalisme --- Philosophy and psychology of culture --- Political philosophy. Social philosophy --- Art --- Architecture --- philosophy of art --- architectuurtheorie --- architectuur --- kunst --- kunsttheorie --- 7.01 --- Kunsttheorie ; Pascal Gielen over creativiteit --- Kunst ; theorie, filosofie, esthetica --- Essay --- Musiceren --- kunstsociologie
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"With the prevalence of computer technology and outsourcing, new jobs and fulfilling lives will rely heavily on creativity and innovation. Keith Sawyer draws from his expansive research of the creative journey, exceptional creators, creative abilities, and world-changing innovations to create an accessible, eight-step program to increasing anyone's creative potential. Sawyer reveals the surprising secrets of highly creative people (such as learning to ask better questions when faced with a problem), demonstrates how to come up with better ideas, and explains how to carry those ideas to fruition most effectively. This science-backed, step-by step method can maximize our creative potential in any sphere of life. Offers a proven method for developing new ideas and creative problem-solving no matter what your profession. Includes an eight-step method, 30 practices, and more than 100 techniques that can be launched at any point in a creative journey. Psychologist, jazz pianist, and author Keith Sawyer studied with world-famous creativity expert Mihaly Csikszentmihalyi. Sawyer's book offers a wealth of easy to apply strategies and ideas for anyone who wants to tap into their creative power."--Publisher's website.
creativity --- thinking --- Industrial psychology --- Creativiteit --- Creative ability. --- Creative ability --- Creativity --- 7.01 --- Artistic Creativity --- Creative Ability --- Creative Thinking --- Creativeness --- Innovativeness --- Originality --- Ability, Creative --- Creative Abilities --- Creativity, Artistic --- Thinking, Creative --- Ability --- Creation (Literary, artistic, etc.) --- Kunst ; theorie, filosofie, esthetica
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