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Koran

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Qur'an --- Criticism, interpretation, etc. --- History. --- History --- Coran --- Exegese --- Tafsir --- Commentaires --- Critique et interprétation --- Qurʼan --- Koran --- Geschichte 700-1500 --- 297.181 --- Islam: canonieke boeken; Koran --- Quran --- 297.181 Islam: canonieke boeken; Koran --- Exegese. --- Koran. --- Tafsir.

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In Abraham's Ashes, Peter Heinegg uncovers the truth behind the bizarre, contradictory, and oppressive fantasy known as monotheism. He offers a forceful critique of the biblical and Qur'anic views of Abraham, showing how at the heart of all prophetic religions lies an untenable myth of suprarational magical thinking about "revelation."

Monotheism. --- Abraham (Biblical patriarch) in the New Testament. --- Abraham --- In the Koran. --- In rabbinical literature.

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Islam --- Bible --- Koran --- Reading --- Qur'an --- Qurʼan --- Relation to the Bible --- Reading. --- Coran --- Religion --- Philosophy --- Religions --- History --- Bible. --- Islam.

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Dans Le Coran par lui-même , Anne-Sylvie Boisliveau livre une analyse passionnante de la manière dont le Coran est l’architecte de sa propre image. Loin d’être un texte sans relief, celui-ci utilise un vocabulaire, des procédés rhétoriques et une argumentation soigneusement choisis pour orienter l’image qu’auditeurs ou lecteurs se feront de lui. Une analyse serrée du vocabulaire autoréférentiel montre que le Coran se décrit lui-même comme Ecriture « façon judéo-chrétienne » représentant un enjeu de communication. Mais surtout, par un triple discours – sur les actions divines, sur les Ecritures révélées antérieurement, telles la Bible, et sur la fonction prophétique –, le Coran se confère à lui-même le monopole de l’autorité issue de la révélation divine et pousse l’auditeur/lecteur à s’y soumettre. In Le Coran par lui-même , Anne-Sylvie Boisliveau provides a ground-breaking analysis of the way the Qurʾān is the architect of its own image. Far from being a flat text, the Qurʾān uses carefully chosen vocabulary, rhetorical tools and argumentation to direct the image that listeners or readers will then have in mind. A close analysis of its self-referential vocabulary shows that the Qurʾān describes itself as a Scripture “in a Judeo-Christian style” which communicative function is stressed. By a triple discourse (on divine actions, on previous Scriptures such as the Bible and on prophethood), the Qurʾān grants itself the monopoly of divine authority through revelation and pushes the listener/reader into a decisive submission. Winner of the I. R. Iran World Award for the Book of the Year 2014

Qurʼan --- Qur'an --- Names --- Criticism, interpretation, etc. --- Language, style --- 297.181 --- Islam: canonieke boeken Koran --- Qurʾan --- Names. --- Language, style. --- 297.181 Islam: canonieke boeken Koran --- Qur'an -- Criticism, interpretation, etc. --- Qur'an -- Language, style. --- Qur'an -- Names. --- Religion --- Philosophy & Religion --- Islam --- Al-Coran --- Al-Qur'an --- Alcorà --- Alcoran --- Alcorano --- Alcoranus --- Alcorão --- Alkoran --- Coran --- Curān --- Gulan jing --- Karan --- Koran --- Koranen --- Korani --- Koranio --- Korano --- Ku-lan ching --- Ḳurʼān --- Kurāna --- Kurani --- Kuru'an --- Qorān --- Quräan --- Qurʼān al-karīm --- Qurʺon --- Xuraan --- Κοράνιο --- Каран --- Коран --- קוראן --- قرآن --- Exégètes coraniques --- Arabe (langue) coranique --- 297.181 Islam: canonieke boeken; Koran --- Islam: canonieke boeken; Koran --- Exégètes coraniques. --- Arabe (langue) coranique.