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This present volume is dedicated to Gawdat Gabra, the former director of the Coptic Museum in Cairo and now Professor of Coptology at the University of Claremont in the USA. Dr Gabra is one of the pioneers of Coptic studies in modern times and the author and editor of many valuable and highly regarded monographs, series and articles. Although the papers in this volume do not have a single theme, all of them share an interest and focus on one topic: Egypt. They cover many fields in Coptology and Egyptology, such as art, Biblical studies, liturgy, Copto-Arabic studies and archaeology. They present the results of recent academic research and archaeological excavations. The seventeen contributors to this volume belong to three continents and work in seven countries all over the world, but all of them appreciate the long-time efforts of Gawdat Gabra for Coptic studies on an academic level as well as his indefatigable labour to make laymen aware of Coptic Egypt.
Art [Coptic ] --- Art copte --- Copte (Langue) --- Coptic art --- Coptic language --- Koptisch (Taal) --- Koptische kunst --- Kunst [Koptische ] --- Copts --- Excavations (Archaeology) --- Coptes --- Fouilles (Archéologie) --- Gabra, Gawdat --- Coptic Church --- History. --- Egypt --- Cairo (Egypt) --- Egypte --- Le Caire (Egypte) --- Antiquities. --- Antiquities --- Antiquités --- Coptic literature --- History and criticism --- History --- Fouilles (Archéologie) --- Antiquités --- Festschriften --- Coptic literature - History and criticism
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Female monks have been discussed within the spheres of socio-history, theology, and literary analysis, but no comprehensive study has focused on their historical and gendered context until now. This book reexamines their hagiographies to reveal that female protagonists possess a holy womanhood regardless of having layers of masculinity applied to their characters. Each masculine layer is scrutinized to explore its purpose in the plots and the plausible motivations for the utilization of transvestite figures in religious literature. Hagiographers had no intention of transforming their religious protagonists into anything but determined, holy women who are forced to act drastically in order to sustain ascetic dreams begun while mothers, wives, daughters, and sisters. Through an intertextual method, masculinity and literary themes work to contextualize praise for a holy womanhood within an acceptable gendered language, which seems to support a belief in the spiritual potential of women. This book highlights the potential for complex irony to develop around a female transvestite, which supplies religious tales with intrigue and interest, an ability to instruct/chastise mixed audiences, and a potential to portray the reversal inherent in the human drama of salvation.
Women in Christianity --- Monastic and religious life --- Transvestism --- Femmes dans le christianisme --- Vie religieuse et monastique --- Travestisme --- History --- Religious aspects --- Christianity --- Histoire --- Aspect religieux --- Christianisme --- Cross-dressing --- Christianity. --- 271 <1-11> --- 271 <1-11> Kloosterwezen. Religieuze orden en congregaties. Monachisme--Oosten --- 271 <1-11> Ordres religieux. Congregations religieuses. Monachisme--Oosten --- Kloosterwezen. Religieuze orden en congregaties. Monachisme--Oosten --- Ordres religieux. Congregations religieuses. Monachisme--Oosten --- Monastic life --- Spirituality (in religious orders, congregations, etc.) --- Religious aspects&delete& --- Monasticism and religious orders --- Spiritual life --- Vows --- Crossdressing --- Eonism --- Psychosexual disorders --- Christian hagiography --- To 1500 --- Monastic and religious life of women --- Primitive and early church, ca. 30-600 A.D. --- Human body --- Coptic Church --- Paraphilias --- Travestisme - Histoire --- Travestissement
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