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Pʻansori is the quintessential traditional Korean musical drama, in which epic tales are sung and narrated by a solo singer accompanied by a drummer. Drawing on her extensive research in Korea and its diasporas, Haekyung Um describes and analyses the creative processes of pʻansori , weaving into her discussion musical, social and cultural aspects that include the evolution of pʻansori performance, origins and historical development, textual and musical materials, stylistic features of different pʻansori schools, transmission of knowledge, aesthetics, and changing interpretations of tradition. Also explored is the complexity of historical and contemporary influences that give shape to pʻansori as a "living tradition" across the ages and into the present, and as a cultural icon with an enduring narrative and emotional impact. Social, economic and political dynamics are created in the nexus of traditional feudal values, colonial modernity and nationalism. The impact of aspects of late modernity such as technology, mass media, migration and globalization, has transported pʻansori into digital and transnational domains. By bringing all these creative and contextual processes together, Haekyung Um explains how a tradition is created, maintained and redefined by the dynamic interactions of agents, values, meanings, strategies, identities and artistic hybridity [Publisher description]

Music --- P'ansori --- Social aspects --- History and criticism --- Histoire et critique --- 78.33.8 --- K9768 --- Korea: Performing and media arts -- music -- vocal music and songs

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Le témoignage que nous livre, ici, Alfred Testard de Marans date de 1889, peu après son séjour entre 1887 et 1888 en qualité de vice-résident. Il est capital pour ceux qu’intéressent les îles Marquises, qu’ils y résident, y aient séjourné ou souhaitent tout simplement les connaître. C’est le récit d’un homme de qualité tel qu’on l’entendait dans la deuxième partie du xixe siècle. Il est curieux et intéressé par ce qu’il découvre. Il sert dans la Marine nationale et, à ce titre, a déjà connu des pays lointains et considérés comme exotiques, c’est-à-dire caractérisés par l’archaïsme du mode de vie. C’est en érudit et en homme instruit qu’il observe cette population marquisienne. Il livre à notre curiosité une époque postérieure à la deuxième conquête qui eut lieu en 1880, époque qui n’apparaît pas vieillie au regard des écrits rapportés un siècle plus tôt par Cook.

Marquesas Islands (French Polynesia) --- Description and travel. --- Social life and customs. --- Archipel des Marquises (French Polynesia) --- Iles Marquises de Mendoça (French Polynesia) --- Islas Marquesas de Mendoza (French Polynesia) --- Marquesas de Mendoza (French Polynesia) --- Marquezas (French Polynesia) --- Mendaña (French Polynesia) --- Isles Marquises (French Polynesia) --- Sociology & Anthropology --- Îles Marquises --- Tahiti --- histoire polynésienne --- histoire du Pacifique