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Yan boldly plunges into the psychic gap between China's decades-old conditioned response to communist doctrine and its redefinition of itself as a capitalist power, creating with bold, carnivalesque strokes a heartbreaking story of greed, corruption, and the dangers of utopia.
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What does it mean for a cinematic work to be 'Chinese'? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like 'Chinese cinema' difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations.
Motion pictures --- Cinéma --- S17/2000 --- S17/0100 --- China: Art and archaeology--Film --- China: Art and archaeology--Bibliographies, dictionaries, yearbooks and collections --- Cinéma --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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Enfant de la noblesse espagnole, féru de chevalerie et soldat de l'armée de Navarre, Saint Ignace est grièvement blessé lors du Siège de Pampelune. Sa convalescence marque le début d'une radicale conversion. C'est le début d'une quête spirituelle qui le mènera à Jérusalem et à travers les villes d'Europe. Pèlerin et ermite vivant dans la mendicité, il finit par fonder la Compagnie de Jésus.
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Issue de la haute noblesse d'Asssise, servante de la pauvreté, interpellée par l'oeuvre de François d'Assise dés sa jeunesse, fondatrice de l'ordre des pauvres dames, Sainte Claire est inséparable du fondateur de l'ordre Franciscain.
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Une biographie de l'homme qui est passé d'une vie militaire au service de Dieu, devenu célèbre pour avoir fondé la Compagnie de Jésus
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