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In her day, Eva Tanguay (1879-1947) was one of the most famous women in America. Widely known as the "I Don't Care Girl"-named after a song she popularized and her independent, even brazen persona-Tanguay established herself as a vaudeville and musical comedy star in 1904 with the New York City premiere of the show My Lady-and never looked back. Tanguay was, at the height of a long career that stretched until the early 1930's, a trend-setting performer who embodied the emerging ideal of the bold and sexual female entertainer. Whether suggestively singing songs with titles like "It's All Been Done Before But Not the Way I Do It" and "Go As Far As You Like" or wearing a daring dress made of pennies, she was a precursor to subsequent generations of performers, from Mae West to Madonna and Lady Gaga, who have been both idolized and condemned for simultaneously displaying and playing with blatant displays of female sexuality. In Queen of Vaudeville, Andrew L. Erdman tells Eva Tanguay's remarkable life story with verve. Born into the family of a country doctor in rural Quebec and raised in a New England mill town, Tanguay found a home on the vaudeville stage. Erdman follows the course of her life as she amasses fame and wealth, marries (and divorces) twice, engages in affairs closely followed in the press, declares herself a Christian Scientist, becomes one of the first celebrities to get plastic surgery, loses her fortune following the Wall Street Crash of 1929, and receives her last notice, an obituary in Variety. The arc of Tanguay's career follows the history of American popular culture in the first half of the twentieth century. Tanguay's appeal, so dependent on her physical presence and personal charisma, did not come across in the new media of radio and motion pictures. With nineteen rare or previously unpublished images, Queen of Vaudeville is a dynamic portrait of a dazzling and unjustly forgotten show business star.
Vaudeville --- Femmes artistes du spectacle --- Women entertainers --- Variety shows (Theater) --- Variety-theaters --- Amusements --- Music-halls (Variety-theaters, cabarets, etc.) --- Entertainers, Women --- Entertainers --- Histoire --- History --- Tanguay, Eva,
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Potatoes --- Variety trials --- Choice of species --- Varieties --- France
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Wheats --- Triticum --- Infrared spectrophotometry --- Baking characteristics --- Crop yield --- Associations --- Variety trials --- Belgium
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"Despite the vibrant, complex, and ubiquitous nature of popular entertainments, the field has suffered from a lack of sustained academic attention. Nevertheless, popular entertainments have a global reach and a transnational significance at odds with the fact that the meaning and definition of both 'popular' and 'entertainment' remain widely contested. Since the late-nineteenth century, class-based prejudices in Western culture have championed the superiority of art and literature over the dubious and fleeting pleasures of 'entertainment.' Similarly, the term 'popular' has carried pejorative connotations, indicating something common and outside the conventional and highbrow productions of the purpose-built theatre house or concert hall"--Publisher.
Entertainment events --- Amusements --- Popular culture --- Music-halls (Variety-theaters, cabarets, etc.) --- Theater --- Children --- Entertainments --- Pastimes --- Recreations --- Entertaining --- Games --- Play --- Recreation --- Cabarets --- Café theater --- Concert gardens --- Concert rooms --- Concert saloons --- Variety shows (Theater) --- Variety-theaters --- Theaters --- Vaudeville --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Culture --- History and criticism. --- History.
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L'histoire illustrée de ce cabaret mythique, avec ses danseurs, ses artistes et son environnement.
Music-halls (Variety-theaters, cabarets, etc) --- Art, French --- Dancers --- Music-halls --- Art français --- Danseurs --- History --- Biography --- Histoire --- Biographie --- Moulin-Rouge (Night club : Paris, France) --- History.
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Popular music --- Music-halls (Variety-theaters, cabarets, etc.) --- World War, 1914-1918 --- History and criticism. --- Social aspects --- History --- Music and the war. --- Great Britain --- Social life and customs
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This monograph summarizes and extends a number of results on the topology of trigonal curves in geometrically ruled surfaces. An emphasis is given to various applications of the theory to a few related areas, most notably singular plane curves of small degree, elliptic surfaces, and Lefschetz fibrations (both complex and real), and Hurwitz equivalence of braid monodromy factorizations. The approach relies on a close relation between trigonal curves/elliptic surfaces, a certain class of ribbon graphs, and subgroups of the modular group, which provides a combinatorial framework for the study of geometric objects. A brief summary of the necessary auxiliary results and techniques used and a background of the principal problems dealt with are included in the text. The book is intended to researchers and graduate students in the field of topology of complex and real algebraic varieties.
Curves, Plane. --- Topological degree. --- Curves, Plane --- Topological degree --- Mathematics --- Physical Sciences & Mathematics --- Geometry --- Degree, Topological --- Degree (Topology) --- Degree theory --- Algebraic topology --- Higher plane curves --- Plane curves --- Braid Monodromy. --- Dessin d’Enfant. --- Elliptic Surface. --- Fundamental Group. --- Lefschetz Fibration. --- Modular Group. --- Monodromy Factorization. --- Plane Sextic. --- Real Variety. --- Trigonal Curve.
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Art --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- Paris --- Music-halls (Variety-theaters, cabarets, etc.) --- Arts, French --- Artists --- Music-halls --- Arts français --- Artistes --- History --- Homes and haunts --- Histoire --- Résidences et lieux familiers --- Chat noir (Cabaret : Paris, France) --- Paris (France) --- Montmartre (Paris, France) --- Intellectual life --- Vie intellectuelle --- Le Chat Noir (1881-1897) --- avant-garde --- cabaret --- bohémiens --- theater --- impressionisme --- post-impressionisme --- 1880 - 1910 --- 19de eeuw --- 20ste eeuw --- Parijs --- Montmartre --- Arts français --- Résidences et lieux familiers --- theater, toneel, toneelvoorstelling --- Le Chat Noir (1881-1897). --- avant-garde. --- cabaret. --- bohémiens. --- theater, toneel, toneelvoorstelling. --- impressionisme. --- post-impressionisme. --- 1880 - 1910. --- 19de eeuw. --- 20ste eeuw. --- Parijs. --- Montmartre.
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Mumford-Tate groups are the fundamental symmetry groups of Hodge theory, a subject which rests at the center of contemporary complex algebraic geometry. This book is the first comprehensive exploration of Mumford-Tate groups and domains. Containing basic theory and a wealth of new views and results, it will become an essential resource for graduate students and researchers. Although Mumford-Tate groups can be defined for general structures, their theory and use to date has mainly been in the classical case of abelian varieties. While the book does examine this area, it focuses on the nonclassical case. The general theory turns out to be very rich, such as in the unexpected connections of finite dimensional and infinite dimensional representation theory of real, semisimple Lie groups. The authors give the complete classification of Hodge representations, a topic that should become a standard in the finite-dimensional representation theory of noncompact, real, semisimple Lie groups. They also indicate that in the future, a connection seems ready to be made between Lie groups that admit discrete series representations and the study of automorphic cohomology on "ients of Mumford-Tate domains by arithmetic groups. Bringing together complex geometry, representation theory, and arithmetic, this book opens up a fresh perspective on an important subject.
Mumford-Tate groups. --- Geometry, Algebraic. --- Algebraic geometry --- Geometry --- Hodge theory --- Mumford-Tate groups --- Deligne torus integer. --- Galois group. --- Grothendieck conjecture. --- Hodge decomposition. --- Hodge domain. --- Hodge filtration. --- Hodge orientation. --- Hodge representation. --- Hodge structure. --- Hodge tensor. --- Hodge theory. --- Kubota rank. --- Lie algebra representation. --- Lie group. --- Mumford-Tate domain. --- Mumford-Tate group. --- Mumford-Tate subdomain. --- Noether-Lefschetz locus. --- Vogan diagram method. --- Weyl group. --- abelian variety. --- absolute Hodge class. --- algebraic geometry. --- arithmetic group. --- automorphic cohomology. --- classical group. --- compact dual. --- complex manifold. --- complex multiplication Hodge structure. --- complex multiplication. --- endomorphism algebra. --- exceptional group. --- holomorphic mapping. --- homogeneous complex manifold. --- homomorphism. --- mixed Hodge structure. --- moduli space. --- monodromy group. --- natural symmetry group. --- oriented imaginary number fields. --- period domain. --- period map. --- polarization. --- polarized Hodge structure. --- pure Hodge structure. --- reflex field. --- semisimple Lie algebra. --- semisimple Lie group. --- Γ-equivalence classes.
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"The irreverent humour that inspired the likes of The Wayne and Shuster Hour and Monty Python was born in the trenches of the First World War, and The Dumbells -- fighting soldiers who entertained at concert parties -- were central to that birth. Soldiers of Song tells their story. Lucky soldiers who could sing a song, perform a skit, or pass as a "lady," were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war. The Dumbells' popularity was not limited to troop shows along the trenches. The group managed a run in London's West End and became the first Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada."--Back cover.
Popular music --- Revues --- World War, 1914-1918 --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- European War, 1914-1918 --- First World War, 1914-1918 --- Great War, 1914-1918 --- World War 1, 1914-1918 --- World War I, 1914-1918 --- World War One, 1914-1918 --- WW I (World War, 1914-1918) --- WWI (World War, 1914-1918) --- History, Modern --- Musical revues --- Musical revues, comedies, etc. --- Musical shows --- Revues (Musical) --- Shows, Musical --- Table entertainments --- Variety shows --- Vaudeville shows --- Dramatic music --- Minstrel music --- History and criticism. --- Music and the war. --- Dumbells (Musical group) --- Canadian soldiers. --- Canadians in first world war. --- Canadians in world war I. --- drag show. --- dumbells. --- entertain the troops. --- military music. --- military skits. --- soldier musicians. --- theatre in First World War. --- theatre in World War I. --- wartime entertainment. --- wartime musicians. --- wartime skits.
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