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Book
Authoring the past : history, autobiography, and politics in medieval Catalonia
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ISBN: 1280125950 9786613529817 0226032345 Year: 2012 Publisher: Chicago ; London : University of Chicago Press,

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Abstract

Authoring the Past surveys medieval Catalan historiography, shedding light on the emergence and evolution of historical writing and autobiography in the Middle Ages, on questions of authority and authorship, and on the links between history and politics during the period. Jaume Aurell examines texts from the late twelfth to the late fourteenth century-including the Latin Gesta comitum Barcinonensium and four texts in medieval Catalan: James I's Llibre dels fets, the Crònica of Bernat Desclot, the Crònica of Ramon Muntaner, and the Crònica of Peter the Ceremonious-and outlines the different motivations for the writing of each. For Aurell, these chronicles are not mere archaeological artifacts but rather documents that speak to their writers' specific contemporary social and political purposes. He argues that these Catalonian counts and Aragonese kings were attempting to use their role as authors to legitimize their monarchical status, their growing political and economic power, and their aggressive expansionist policies in the Mediterranean. By analyzing these texts alongside one another, Aurell demonstrates the shifting contexts in which chronicles were conceived, written, and read throughout the Middle Ages. The first study of its kind to make medieval Catalonian writings available to English-speaking audiences, Authoring the Past will be of interest to scholars of history and comparative literature, students of Hispanic and Romance medieval studies, and medievalists who study the chronicle tradition in other languages.


Book
When art makes news
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ISBN: 1501758101 1609090756 9781609090753 9780875804606 0875804608 Year: 2012 Publisher: DeKalb, Ill. Chichester

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From the time the word kul'tura entered the Russian language in the early nineteenth century, Russian arts and letters have thrived on controversy. At any given time several versions of culture have coexisted in the Russian public sphere. The question of what makes something or someone distinctly Russian was at the core of cultural debates in nineteenth-century Russia and continues to preoccupy Russian society to the present day. When Art Makes News examines the development of a public discourse on national self-representation in nineteenth-century Russia, as it was styled by the visual arts and in popular journalism. Katia Dianina tells the story of the missing link between high art and public culture, revealing that art became the talk of the nation in the second half of the nineteenth century in the pages of mass-circulation press. At the heart of Dianina's study is a paradox: how did culture become the national idea in a country where few were educated enough to appreciate it? Dianina questions the traditional assumptions that culture in tsarist Russia was built primarily from the top down and classical literature alone was responsible for imagining the national community. When Art Makes News will appeal to all those interested in Russian culture, as well as scholars and students in museum and exhibition studies --

Keywords

Nationalism in art. --- National characteristics, Russian --- Art and popular culture --- History --- Russia --- Civilization --- Intellectual life --- kul'tura, national self-representation, culture as a national idea, Russian public sphere. --- Konstmuseer --- Konst --- Nationalism och konst. --- Konst och samhälle --- Gesellschaft --- Museum --- Massenkultur --- Kultur --- Künste --- Selbstbild --- Selbstrepräsentation --- Nationalbewusstsein --- Nationalism and art. --- Museums. --- Civilization. --- Art, Russian. --- Art and society. --- Museums --- Art, Russian --- Art and society --- Nationalism and art --- Russian art --- Krug khudozhnikov (Group of artists) --- NOMA (Group of artists) --- Trinadt︠s︡atʹ (Group of artists) --- Public institutions --- Cabinets of curiosities --- Art --- Art and sociology --- Society and art --- Sociology and art --- Barbarism --- Civilisation --- Auxiliary sciences of history --- Culture --- World Decade for Cultural Development, 1988-1997 --- Art and nationalism --- historia. --- History and criticism. --- Social aspects --- Mir Iskusstva --- Welt der Kunst --- Vereinigung Russischer Künstler Welt der Kunst --- World of Art --- World of Art Movement --- Mir iskusstwa --- Künstlervereinigung --- Künstlerverband --- Sowjetunion --- 1890-1924 --- Mir iskusstva --- Kunstzeitschrift --- Russland --- Russia. --- Ryssland. --- Soviet Union --- Russian S.F.S.R. --- Russia (Territory under White armies, 1918-1920) --- Russie --- Rossīi︠a︡ --- Rossīĭskai︠a︡ Imperīi︠a︡ --- Russia (Provisional government, 1917) --- Russia (Vremennoe pravitelʹstvo, 1917) --- Ṛusastan --- Russia (Tymchasovyĭ uri︠a︡d, 1917) --- Russian Empire --- Rosja --- Nationale Identität --- Nationales Bewusstsein --- Nationalgefühl --- Historische Identität --- Bewusstsein --- Nationalismus --- Nationenbildung --- Patriotismus --- Wissensrepräsentation --- Selbst --- Selbstkonzept --- Autostereotyp --- Selbstwahrnehmung --- Selbstentwurf --- Selbstkonzeption --- Selbstverständnis --- Bild --- Interpersonale Wahrnehmung --- Fremdbild --- Selbsteinschätzung --- Kunst --- Schöne Künste --- Arts --- Populäre Kultur --- Populärkultur --- Popularkultur --- Alltagskultur --- Arbeiterkultur --- Industriekultur --- Volkskultur --- Pop-Kultur --- Öffentliche Sammlung --- Museen --- Kulturelle Einrichtung --- Museumskunde --- Musealisierung --- Sammlung --- Sein --- 1917 --- Rußland --- Krievija --- Federazione Russa --- RF --- Großrussland --- Großrußland --- Rossijskaja Imperija --- Empire de Russie --- Russian Federation --- Federacja Rosyjska --- Rossija --- Rossijskaja Federacija --- Russische Föderation --- Russisches Reich --- РФ --- Российская Федерация --- Российская Империя --- Russische SFSR --- -1917 --- 25.12.1991 --- -Civilization

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