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Lambaie était un des principaux centres d’élevage de bétail bovin au Congo. Ce reportage y expose les principales caractéristiques des races qui y sont élevées, à savoir les vaches autochtones – à grandes cornes et robe foncée – et les espèces Hereford et Devon importées de Grande-Bretagne. Réunies par cent dans de grands enclos fermés, elles paissent le jour en prairie. Pour lutter contre les parasites tropicaux, le plus grand danger guettant les bêtes, les vaches traversent régulièrement de grands bains de désinfectant. Elles recevaient en outre des soins vétérinaires attentifs, ce qui permit la multiplication des élevages comptant jusqu’à 10000 têtes de bétail
Colonie --- Cinéma --- Sources --- Élevage --- Médecine vétérinaire --- Congo belge --- Belgique --- Lambaie --- Kwilu, rivière
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Luxemburg (Provincie) --- Topographic maps --- La Roche-en-Ardenne (Belgique) --- Maps [Tourist ] --- Ourthe (Rivière) --- Maps [Tourist ]
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"The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of capturing images as studies for final works and of observing the world and the people in it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Rivière, Félix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been published. Juxtaposing personal photographs with the related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting and photography at the end of the 19th century"--
Photography --- Art and photography --- History --- Post-impressionism (Art) --- Art et photographie --- Postimpressionnisme (Art) --- Eastman, George --- Breitner, George Hendrik --- Denis, Maurice --- Rivière, Henri --- Vallotton, Félix --- Vuillard, Édouard --- 1888 - 1915 --- Collections, Catalogs, Exhibitions --- Modern (late 19th Century to 1945). --- Painting --- anno 1910-1919 --- anno 1900-1909 --- anno 1800-1899 --- schilderkunst --- fotografie --- naakt --- Bonnard, Pierre --- Evenepoel, Henri --- 19de eeuw --- 20ste eeuw --- Art --- General. --- History. --- Photographie --- Exhibitions --- Exhibitions. --- Histoire --- Expositions --- schilderkunst. --- naakt. --- Eastman, George. --- Bonnard, Pierre. --- Breitner, George Hendrik. --- Denis, Maurice. --- Evenepoel, Henri. --- Rivière, Henri. --- Vallotton, Félix. --- Vuillard, Édouard. --- 1888 - 1915. --- 19de eeuw. --- 20ste eeuw.
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The headquarters and museum of the Calouste Gulbenkian Foundation are a major work of architecture. The impact it has had and the way it has revealed the effectiveness of qualities, such as formal sobriety and contention have confirmed the magnificent articulation achieved between design and construction. Together with the garden, the complex has constructed the image of prestige and innovation of the Foundation itself. This book is the final product of research that began some years ago, on subject of these buildings and its relevance in affirming modern architecture.
Musée --- Architecture contemporaine --- Concours --- Albini, Franco --- Allen, William Alexander --- Amaral, Francisco Kell do --- Anahory, Eduardo Fortunato Jaime --- Athouguia, Ruy Jervis d' --- Barreto, Antonio Facco Viana --- Cid, Pedro Anselmo Braamcamp Freire --- Costa, Daciano Henrique Monteiro da --- Ferreira, Maria Teresa Monteiro de Andrade e Sousa Gomes --- Fonseca, Mario Sena da --- Lobato, Luis Maria Nolasco Guimaràes --- Machado, Alderico dos Santos --- Martin, John Leslie --- Perdigao, José de Azeredo --- Pessoa, Alberto José --- Ramos, Carlos Joao Chambers --- Ribeiro, José Aleixo Sommer de França --- Ribeiro, Rogério --- Rivière, Georges Henri --- Telles, Gonçalo Pereira Ribeiro --- Portugal --- Lisbonne --- 727.7 --- Museumarchitectuur. Kunstmusea --- Gebouwen voor musea (museumarchitectuur). Kunstmusea --- 727.7 Gebouwen voor musea (museumarchitectuur). Kunstmusea
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