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Processus de création --- Livre --- Littérature

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Presents a collection of questions to help readers determine where they are in their life and career, formulate goals, and how to achieve them, along with questions and answers from a variety of writers, musicians, and artists that they were asked on their way to success.

Processus de création --- Processus de conception --- Psychologie --- Création artistique --- Self-evaluation --- Self-perception --- Self-realization --- Self-actualization (Psychology)

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Inspiration: Méthodes de conception contemporaine de l'architecture est une compilation exhaustive des échantillons de travail et d'idées sur la conception et la gestalt. Ce livre présente plus de 800 exemples de compositions abstraites qui se rapportent à des méthodes et des principes de conception architecturale. Ces méthodes trouvent leur source dans le travail de la pratique contemporaine de la conception architecturale, tout en étant très applicable à d'autres domaines de la création connexes. Inspiration présente des centaines d'exemples, des modèles, des croquis, et des illustrations d'application abstraites de conception architecturale.

Architectural design --- Design architectural --- Methodology --- Méthodologie --- Conception architecturale --- Processus de création --- Processus de conception --- 72.01 --- ontwerpmethoden --- architectuur 21e eeuw --- ontwerpmethodiek --- 710.9 --- architectuurtheorie, ontwerp, vormgeving --- architectuur, overige bijzondere onderwerpen --- Méthodologie

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The evolution of studio and “post-studio” practice over the last half century. With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of “post-studio practice.” But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio and “post-studio” practice over the last half century. In recent decades many artists have turned their studios into offices from which they organize a multiplicity of operations and interactions. Others use the studio as a quasi-exhibition space, or work on a laptop computer mobile, flexible, and ready to follow the next commission. Among the topics surveyed here are the changing portrayal and experience of the artist's role since 1960; the diversity of current studio and post-studio practice; the critical strategies of artists who have used the studio situation as the subject or point of origin for their work; the insights to be gained from archival studio projects; and the expanded field of production that arises from responding to new conditions in the world outside the studio. The essays and artists' statements in this volume explore these questions with a focus on examining the studio's transition from a workshop for physical production to a space with potential for multiple forms of creation and participation.

art theory --- studios [work spaces] --- kunstbeschouwing --- hedendaagse kunst --- Contemporary [style of art] --- Art --- art [fine art] --- Nauman, Bruce --- Arceneaux, Edgar --- Höller, Carsten --- Venlet, Richard --- Orozco, Gabriel --- Goldstein, Jack --- Warhol, Andy --- Tillmans, Wolfgang --- Weiner, Lawrence --- McCarthy, Paul --- Smithson, Robert --- Bourgeois, Louise --- Hesse, Eva --- Bacon, Francis --- Wallace, Ian --- Irwin, Robert --- Acconci, Vito --- Woodman, Francesca --- Keita, Seydou --- Duchamp, Marcel --- Krasiński, Edward --- Schneemann, Carolee --- Murakami, Takashi --- Rosler, Martha --- Nelson, Mike --- Kippenberger, Martin --- Roth, Dieter --- Brancusi, Constantin --- Laboratoire Agit-Art [Dakar] --- Atelier Van Lieshout [Rotterdam] --- Art & Language --- anno 2000-2009 --- anno 1900-1999 --- Artists' studios --- Artists' studios. --- Laboratoire Agit'Art [Dakar] --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Corps humain, thème --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops --- Kunst --- kunst --- kunsttheorie --- ateliers [werkruimten] --- art [discipline] --- Atelier d'artiste --- Art conceptuel --- Espace de travail --- Fonds d'archives --- Muséologie --- Exposition --- Scénographie

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Contemporary artists' radical investigations of nature, juxtaposed with the eclectic scientific and philosophical sources that inform their art. Nature, as both subject and object, has been repeatedly rejected and reclaimed by artists over the last half century. With the dislocation of disciplinary boundaries in visual culture, art that is engaged with nature has also forged connections with a new range of scientific, historical, and philosophical ideas. Developing technologies make our interventions into natural systems both increasingly refined and profound. Advances in biological and telecommunication technology continually modify the way we present ourselves. So too are artistic representations of nature (human and otherwise) being transformed. This anthology addresses these issues by considering how the rise of transdisciplinary practices in the postwar era allowed for new kinds of artistic engagement with nature. These include the postminimalist inscriptions associated with Land art; environmentally engaged practices designed to propose novel forms of stewardship; and more recent projects concerned with relationships between the most subtle and minute components of life and the large-scale appearance of the world. These projects unsettle the most basic operations of “natural” personhood and identity. Including a wide range of writings by and about artists, juxtaposed with influential texts from diverse theoretical bases, this collection provides an overview of the eclectic scientific and philosophical sources that inform contemporary art's investigations of nature.

hedendaagse kunst --- ecology --- theme --- thema's in de kunst --- Art --- art [fine art] --- art theory --- Nature --- science --- Contemporary [style of art] --- Tiravanija, Rirkrit --- Ballengée, Brandon --- Fulton, Hamish --- Jeremijenko, Natalie --- Maria, de, Walter --- Aziz + Cucher --- Sonfist, Alan --- Harrison, Helen Mayer --- Ukeles, Mierle Laderman --- Rockman, Alexis --- Vesna, Victoria --- Kac, Eduardo --- Smithson, Robert --- Denes, Agnes --- Beuys, Joseph --- Huyghe, Pierre --- Zurr, Ionat --- Morris, Robert --- Harrison, Newton --- Berwick, Rachel --- Sherk, Bonnie --- Chin, Mel --- Cooper, Justine --- Mendieta, Ana --- Coates, Marcus --- Håkansson, Henrik --- Stelarc --- Haacke, Hans --- Catts, Oron --- Prophet, Jane --- Zittel, Andrea --- Dion, Mark --- Mignonneau, Laurent --- Sommerer, Christa --- Critical Art Ensemble --- anno 2000-2009 --- anno 1900-1999 --- Nature in art --- Arts, Modern --- Themes, motives --- 7.047 --- Iconografie ; landschappen, zeegezichten, panorama's, land-art --- 7.01 --- Kunst en natuur ; 20ste en 21ste eeuw --- Kunst ; theorie, filosofie, esthetica --- Nature (Aesthetics) --- Art and nature --- Nature and art --- Aesthetics --- Modern arts --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Nature, thème --- Kunst --- kunst --- technologische wetenschappen --- ecologie --- kunsttheorie --- natuur --- thema --- land art --- 7.038/039 --- biologie --- landschap --- kunst en natuur --- 130.2 --- platteland --- 7.039 --- ruimtelijke ordening --- stedenbouw --- economie --- cultuurfilosofie --- kunst en ecologie --- twintigste eeuw --- eenentwintigste eeuw --- science [modern discipline] --- Arts, Modern - Themes, motives --- art [discipline] --- Land art --- Minimalisme --- Histoire de l'art --- Art minimal --- Information - communication --- Art conceptuel --- Théorie de l'art