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French fiction --- Popular literature --- Literature and society --- History and criticism --- Roman français --- Paralittérature --- History and criticism. --- Histoire et critique --- French fiction - France - History and criticism --- Popular literature - France - History and criticism --- Literature and society - France --- Roman populaire français

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Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals.

American literature --- Drama --- European literature --- Literature --- Literature, Modern --- Poetry, Modern --- Popular literature. --- Stories, plots, etc. --- History and criticism --- Theory, etc.

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Covers authors who are currently active or who died after December 31, 1959. Profiles novelists, poets, playwrights and other creative and nonfiction writers by providing criticism taken from books, magazines, literary reviews, newspapers and scholarly journals.

American literature --- Drama --- European literature --- Literature --- Literature, Modern --- Poetry, Modern --- Popular literature. --- Stories, plots, etc. --- History and criticism --- Theory, etc.

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The late nineteenth century was a crucial period for the development of German fiction. Political unification and industrialization were accompanied by the rise of a mass market for German literature, and with it the beginnings of the German bestseller.Offering escape, romance, or adventure, as well as insights into the modern world, nineteenth-century bestsellers often captured the imagination of readers well into the twentieth century and beyond. However, many have been neglected by scholars. This volume offers new readings of literary realism by focusing not on the accepted intellectual canon but on commercially successful fiction in its material and social contexts. It investigates bestsellers from writers such as Freytag, Dahn, Jensen, Raabe, Viebig, Stifter, Auerbach, Storm, Möllhausen, Marlitt, Suttner, and Thomas Mann. The contributions examine the aesthetic strategies that made the works such a success, and writers' attempts to appeal simultaneously on different levels to different readers. Bestselling writers often sought to accommodate the expectations of publishers and the marketplace, while preserving some sense of artistic integrity. This volume sheds light on the important effect of the mass market on the writing not just of popular works, but of German prose fiction on all levels.

German fiction --- Popular literature --- History and criticism. --- History and criticism --- Aesthetic Strategies. --- Commercially Successful Fiction. --- German Fiction. --- Late Nineteenth Century. --- Literary Realism. --- Marketplace. --- Mass Market. --- Publishers.

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Les intervenants à ce colloque de 1967, dont notamment Marcel Allain, Francis Lacassin, François Caradec, André Blavier et Jean Follain, soulignaient la valeur d'une production littéraire (policier, bande dessinée, roman photo...) qu'ils estimaient méconnue et sous-estimée.

French literature --- Popular literature --- Popular culture --- Littérature française --- Paralittérature --- Culture populaire --- History and criticism. --- History and criticism. --- History --- Histoire et critique --- Histoire et critique --- Histoire