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The work of contemporary Italian thinkers, what Roberto Esposito refers to as Italian Theory, is attracting increasing attention around the world. This book explores the reasons for its growing popularity, its distinguishing traits, and why people are turning to these authors for answers to real-world issues and problems. The approach he takes, in line with the keen historical consciousness of Italian thinkers themselves, is a historical one. He offers insights into the great "unphilosophical" philosophers of life—poets, painters, politicians and revolutionaries, film-makers and literary critics—who have made Italian thought, from its beginnings, an "impure" thought. People like Machiavelli, Croce, Gentile, and Gramsci were all compelled to fulfill important political roles in the societies of their times. No wonder they felt that the abstract vocabulary and concepts of pure philosophy were inadequate to express themselves. Similarly, artists such as Dante, Leonardo Da Vinci, Leopardi, or Pasolini all had to turn to other disciplines outside philosophy in order to discuss and grapple with the messy, constantly changing realities of their lives. For this very reason, says Esposito, because Italian thinkers have always been deeply engaged with the concrete reality of life (rather than closed up in the introspective pursuits of traditional continental philosophy) and because they have looked for the answers of today in the origins of their own historical roots, Italian theory is a "living thought." Hence the relevance or actuality that it holds for us today. Continuing in this tradition, the work of Roberto Esposito is distinguished by its interdisciplinary breadth. In this book, he passes effortlessly from literary criticism to art history, through political history and philosophy, in an expository style that welcomes non-philosophers to engage in the most pressing problems of our times. As in all his works, Esposito is inclusive rather than exclusive; in being so, he celebrates the affirmative potency of life.
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Science --- Philosophy, Italian --- History --- Cardano, Girolamo, --- Natural science --- Science of science --- Sciences --- Italian philosophy --- Cardan, Jerome --- Cardanus, Hieronymus --- Cardano, Girolamo --- Cardan, Jerome, --- Cardanus, Hieronymus, --- Cardano, Gerolamo, --- Cardanus, H. --- Cardano, Hieronimo, --- Kardano, Dzhirolamo, --- Natural sciences
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Philosophy, Italian --- Philosophy, Renaissance --- Philosophie italienne --- Philosophie de la Renaissance --- Bruno, Giordano, --- Philosophy, Modern --- Renaissance philosophy --- Italian philosophy --- Bruno, Giordano --- Giordano, Bruno --- Brono, G'yordano, --- Brouno, Tziorntano, --- Bruno, Dzhordano, --- Bruno, Filippo, --- Bruno, G'yordano, --- Brunus Nolanus, Jordanus, --- Bulunuo, --- Nolanus, Jordanus Brunus, --- Bruno, --- Pu-lu-no, --- Pu-lu-no, Chʻiao-erh-tan-no, --- ברונו, ג׳ורדאנו, --- ברונו, ג׳ורדנו --- ברונו, ג׳יורדנו
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"Both Giorgio Agamben and Franz Kafka are best known for their gloomy political worldview. A cautious study of Agamben's references on Kafka, however, reveals another dimension right at the intersection of their works: a complex and unorthodox theory of freedom. The inspiration emerges from Agamben's claims that 'it is a very poor reading of Kafka's works that sees in them only a summation of the anguish of a guilty man before the inscrutable power'. Virtually all of Kafka's stories leave us puzzled about what really happened. Was Josef K., who is butchered like a dog, defeated? And what about the meaningless but in his own way complete creature Odradek? Agamben's work sheds new light on these questions and arrives, through Kafka, at different strategies for freedom at the point where this freedom is most blatantly violated."--Bloomsbury Publishing.
Political science --- Political philosophy --- Philosophy. --- Agamben, Giorgio, --- Kafka, Franz, --- Ḳafḳa, Frants, --- Kʻapʻŭkʻa, --- Kafka, F. --- Kaphka, Phrants, --- Ḳafḳa, Amshel, --- Kafka, Franc, --- Kʻa-fu-kʻa, --- Kʻa-fu-kʻa, Fu-lang-tzʻu, --- Kāk̲apkā, --- Кафка, Франц, --- Кафка, Ф., --- フランツ・カフカ, --- קאפקא, פראנץ, --- קאפקא, פרנץ, --- קאפקה, פראנץ, --- קפקא, --- קפקא, פרנץ, --- كافكا، فرانتس، --- كفكا، فرنز، --- کافکا، فرانز، --- Criticism and interpretation. --- Influence (Literary, artistic, etc.) --- Liberty. --- Philosophy, Italian. --- Italian philosophy --- Civil liberty --- Emancipation --- Freedom --- Liberation --- Personal liberty --- Democracy --- Natural law --- Equality --- Libertarianism --- Social control --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Agamben, G. --- Agamben, Giorgo, --- Kafka, Franz
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