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French poetry --- 21st century --- 21st century.
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Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì--who dubbed it the most "ungraspably poetic" work of the era--André Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery. Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism. This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.
POETRY / European / General. --- French poetry --- Roussel, Raymond,
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Comment participer à ce que la vie a de divin – si on ne croit plus en Dieu ? Comment lui donner une signification, si on la sent privée du fondement ontologique qui autrefois lui garantissait sa cohérence? Que deviennent enfin l’ espérance , et surtout la charité , dans un monde où la foi ne semble plus praticable ? Voici les questions que ce livre propose d’aborder, en étudiant cinq réponses apportées par la poésie moderne à la crise métaphysique qu’elle se voit contrainte d’affronter. Celle de Baudelaire, dont le rapport à la tradition chrétienne est resté profondément ambigu. Celle de Rimbaud, dont le projet poétique a remis en cause cette tradition au nom d’une réinvention de l’amour et d’une réintégration de l’être. Celle de Claudel, seul à avoir vécu la foi sans équivoque, mais au prix d’un refus péremptoire de bien des aspects de la pensée moderne. Celles, pour finir, de Louis-René des Forêts et d’Yves Bonnefoy, conscients l’un et l’autre de venir « après les dieux », ce dernier pourtant voulant identifier poésie et espoir, et affirmant avec insistance que « l’acte vraiment moderne est de vouloir fonder une vie ‘divine’ sans Dieu ».
French poetry --- French poetry. --- French literature --- History and criticism. --- 1800 - 1999
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Version augmentée d'une conférence au Collège de France du poète, philosophe et universitaire, consacrée à l'oeuvre de Baudelaire et à sa poétique.
French poetry --- Poésie française --- Baudelaire, Charles, --- Poésie française
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Multiculturalisme. --- Poésie. --- Multiculturalism in literature. --- French poetry --- Poésie.
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