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Digging, recording, and writing are the three main processes that archaeologists undertake to analyze a site, yet the relationships between these processes is rarely considered critically. Reconsidering Archaeological Fieldwork asserts that each of these processes involve active interpretation. When a group of archaeologists works together to reconstruct the past, at a particular time, at a particular site, their field methods and interpretations affect the final analysis and constantly test the boundaries of what is subjective and what is objective. This volume explores the important nature of the relationship between fieldwork, analysis, and interpretation. Containing contributions from a diverse group of archaeologists, both academic and professional, from Europe and the Americas, it critically assesses accepted practices in field archaeology, and provides thoughtful and innovative analysis of these procedures. By combining the experiences of both academic and professional archaeologists, Reconsidering Archaeological Fieldwork highlights key differences and key similarities in their concerns, theories, and techniques. This volume will incite discussion on fundamental questions for all archaeologists, both old and new to the field.
Archaeology -- Fieldwork. --- History & Archaeology --- Archaeology --- Methodology. --- Social sciences. --- Cultural heritage. --- Archaeology. --- Social Sciences. --- Cultural Heritage. --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization
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The practice of archaeology has many different facets: from academia, to government, to cultural resource management, to public media. Considering the place of archaeology in society means understanding the roles that archaeology has in the present day and a sense of the contributions that it can make in each of these areas, both now and in the future. Archaeologists come to the field to pursue a variety of interests: teaching, examining history, preserving the environment, or studying a specialized time period or interest. The outside world has a number of other expectations of archaeology: preservation, tourism, and education, to name but a few. From a broad and varied background, the editors have compiled a rare group of contributors uniquely qualified to address questions about the current state of archaeology and its relevance in society. There is no single answer to the question of how the field of archaeology should develop, and what it can do for society. Instead, the authors in this volume lay out the many ways in which archaeology is relevant to the present day - considering, for example, climate change, energy exploration, warfare, national identity, the importance of stories and how they are told, and how and why opportunities to engage with the past through museums, digs, television, classes, and the print media have the forms they currently do - creating a state-of-the-art tool for archaeologists, policymakers and the public alike to understand the work of many in the field and address the challenges we all face.
Archaeology. --- Archaeology --- History & Archaeology --- Social aspects --- Social aspects. --- Archeology --- Social sciences. --- Cultural heritage. --- Social Sciences. --- Cultural Heritage. --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas
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Moving Collections: Processes and Consequences is the result of an initiative from the Norwegian section of the Nordic Conservators Association (NKF-N) which organised a conference entitled 'Planning to move? Processes and consequences for collections, objects and society' in Oslo. The articles in this publication are based upon the presentations at that conference.Working with cultural heritage objects requires knowledge-based decisions on transportation on a regular basis whether moving a single object from storage to exhibition, or moving a whole collection to new storage facilities. Articles in this publication include: new research on the response of different materials to climatic change and vibrations; packaging standards and logistics when moving collections or individual objects; objects with special needs. The necessity of cross-disciplinary cooperation to facilitate the moving process is discussed in several articles.Planning the movement of cultural heritage objects is a task relevant to a variety of professionals working with artefacts or in other areas of cultural heritage. This publication, with both practical and other contributions, will be useful to museum managers, conservators, transport companies, project leaders, art handlers, storage managers, exhibition technicians and others working with, and managing, collections.
Cultural property --- Art objects --- Museums --- Transportation --- Collection management --- Public institutions --- Cabinets of curiosities --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Bric-a-brac --- Objects, Art --- Objets d'art --- Art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques --- Cultural property - Transportation - Congresses --- Art objects - Transportation - Congresses --- Museums - Collection management - Congresses
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This is an innovative exploration of cultural heritage and the literary traditions that shape the contemporary literary scene in Spain. Through a coalescence of museum studies, metacriticism and traditional literary criticism the study interweaves discussion of museum spaces with literary analysis, exploring them as agents of memorialisation and a means for preserving and conveying heritage. Following introductory explorations of the development of museums and the literary canon, each chapter begins with a "visit" to a Spanish museum, establishing the framework for the subsequent discussion of critical practices and texts. Case studies include examination of the palimpsest and unconscious influence of canonical cores; the response to masculine traditions of poetry and art; counter-culture of the 1990s; and the ethical concerns of postmemory writing. STUART DAVIS is a Lecturer in Spanish, Girton College, and Newton Trust Lecturer in the Department of Spanish and Portuguese, University of Cambridge.
Spanish literature --- Criticism --- Canon (Literature) --- History in literature. --- Cultural property --- Museums --- Public institutions --- Cabinets of curiosities --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Literature --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- History and criticism. --- History and criticism --- Technique --- Evaluation --- Spain --- Civilization.
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Essays looking at heritage practices and the construction of the past, along with how they can be used to build a national identity. The preservation of architectural monuments has played a key role in the formation of national identities from the nineteenth century to the present. The task of maintaining the collective memories and ideas of a shared heritage often focused on the historic built environment as the most visible sign of a link with the past. The meaning of such monuments and sites has, however, often been the subject of keen dispute: whose heritage is being commemorated, by whom and for whom? The answers to such questions are not always straightforward, particularly in Central and Eastern Europe, the recent history of which has been characterized by territorial disputes, the large-scale movement of peoples, and cultural dispossession. This volume considers the dilemmas presented by the recent and complex histories of European states such as Germany, Greece, Poland, Hungary, Romania and Bulgaria. Examining the effect ofthe destruction of buildings by war, the loss of territories, or the "unwanted" built heritage of the Communist and Nazi regimes, the contributors examine how architectural and urban sites have been created, destroyed, or transformed, in the attempt to make visible a national heritage. Matthew Rampley is Professor of History of Art at the University of Birmingham. Contributors: Matthew Rampley, Juliet Kinchin, Paul Stirton, SusanneJaeger, Arnold Bartetzky, Jacek Friedrich, Tania Vladova, George Karatzas, Riitta Oittinen
National characteristics, East European. --- Cultural property --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- East European national characteristics --- Architectural Monuments. --- Central and Eastern Europe. --- Construction of the Past. --- European States. --- Heritage Practices. --- National Identity.
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Excavations (Archaeology) --- Fouilles (Archéologie) --- Exhibitions --- Expositions --- Marseille (France) --- Delphi (Extinct city) --- Delphes (Ville ancienne) --- Antiquities --- Foreign economic relations --- Buildings, structures, etc. --- Antiquités --- Relations économoiques extérieures --- Construction --- Fouilles (Archéologie) --- Antiquités --- Relations économoiques extérieures --- Cultural property --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Delphi (Ancient city) --- Pytho (Extinct city) --- Greece --- Marseilles (France) --- Marsel' (France) --- Marsiglia (France) --- Marsiho (France) --- Marsella (France) --- History
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Patrimoine culturel --- Entraide judiciaire internationale --- Droit international et droit interne --- Protection --- Droit international --- Dispositions pénales --- Droit --- 351.854 --- Overheidstaken, administratieve maatregelen i.v.m. wetenschap, kunst, literatuur. Cultuurpolitiek --- 351.854 Overheidstaken, administratieve maatregelen i.v.m. wetenschap, kunst, literatuur. Cultuurpolitiek --- Cultural property --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- International law --- Protection (International law) --- Law and legislation --- E-books --- Dispositions pénales.
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Every aspect of the personality of Janssen (1824—1907) – that D’Artagnan of science, this bard of the Sun, and this audacious master builder – is covered here by Françoise Launay, his attentive and equally erudite biographer. A physicist, inventor and builder, Janssen was guided by his energy and curiosity. His research followed two directions: on the one hand the atmospheres of the Earth and the Sun, and on the other, two techniques: spectroscopy and photography. Among his numerous voyages across the globe, he went to Japan in 1874 to follow the transit of Venus in front of the Sun, the same year in which he invented his famous photographic revolver, which was, in truth, a great technical success. To observe the Sun during total eclipses he traveled to the Indies in 1868, to Oran in 1870 (escaping from besieged Paris by balloon!), returned to India in 1871, left for Siam in 1875 and, in 1883, for an island in the Pacific. One can thus understand why Henriette often complained of the solitude in which she was left by her peripatetic husband: “There are men who leave their wives for mistresses; you do it for journeys!” ... Basking in the glow of his success, Janssen was able to undertake the construction of the great astrophysical observatory of which he had dreamed. It was at Meudon that he had it built. From the Preface by Jean-Claude Pecker.
Astronomers -- France -- Biography. --- Astronomers --- Astronomy & Astrophysics --- Physical Sciences & Mathematics --- Astronomy - General --- Janssen, Jules, --- Cultural heritage. --- Astronomy, Observations and Techniques. --- Cultural Heritage. --- History and Philosophical Foundations of Physics. --- Physical scientists --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Observations, Astronomical. --- Astronomy—Observations. --- Physics. --- Natural philosophy --- Philosophy, Natural --- Physical sciences --- Dynamics --- Astronomical observations --- Observations, Astronomical --- Physics
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"Cultural Composition" discusses the intrinsic relationship between culture imagery and visual expression, and for the first time proposed the concepts and methods that take culture as some design elements. Recursive mathematical logic is introduced to resolve the dynamic constitution of culture elements. The multi-level distribution of cultural elements has been demonstrated, the object of which can be refined as ICON. Culture is streamlined for ICON so as to enable it to be used in a creative way. With a cultural image mapping, ICON evokes the values of identity from the depths of feeling, making products endless charming. The proposition of "Cultural Composition" discovered the law how culture appears and changes in design. "Cultural Composition" takes Chinese culture as an example, through hundreds of illustrations, enumerated a large number of design work which contain typical culture elements, showing how culture elements appeals in daily-use things intuitively. It has both high theory value and practical value. Prof. Yunhe Pan is a member of Chinese Academy of Engineering, and also a professor at the College of Computer Science and Technology, Zhejiang University, China. His research area includes digital preservation for cultural heritages, digital library, and intelligent human animation.
Cultural pluralism -- Virginia -- Congresses. --- Physical Sciences & Mathematics --- Sciences - General --- Design --- Culture. --- Cultural sociology --- Culture --- Sociology of culture --- Social aspects --- Cultural heritage. --- Cultural and Media Studies. --- Regional and Cultural Studies. --- Cultural Heritage. --- Study and teaching. --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Cultural studies --- Civilization --- Popular culture --- Creation (Literary, artistic, etc.) --- Culture-Study and teaching. --- Culture—Study and teaching.
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This monograph analyzes current cultural resource management, archeological heritage management, and exhibitionary practices and policies in the People’s Republic of China. Academic researchers, preservationists, and other interested parties face a range of challenges for the preservation of the material past as rapid economic and social changes continue in China. On the one hand, state-supported development policies often threaten and in some cases lead to the destruction of archeological and cultural sites. Yet state cultural policies also encourage the cultivation of precisely such sites as tourism development resources. This monograph aims to bring the concepts of world heritage sites, national tourism policies, ethnic tourism, and museum display together for a general cultural heritage audience. It focuses on a central issue: the tensions between a wide range of interest groups: cultural anthropologists and archeologists, tourism officials, heritage proponents, economic development proponents, a new class of private rich with the means to buy artifacts, and a fragmented regulatory system. Behind all of them lies the political role of heritage in China, also addressed in this monograph. .
Heritage tourism --- Tourism --- China --- Politics and government. --- Cultural tourism --- Heritage tourism -- China. --- Historic preservation -- China. --- Historic sites -- China. --- Social sciences. --- Culture --- Cultural heritage. --- Archaeology. --- Social Sciences. --- Cultural Heritage. --- Regional and Cultural Studies. --- Study and teaching. --- Culture-Study and teaching. --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Culture—Study and teaching.
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