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Die Insel Ägina mit ihrem gleichnamigen Hauptort war in der spätarchaischen und klassischen Periode ein wichtiges Zentrum in der zentralen Ägäis. Die Bedeutung und der Wohlstand Äginas resultierten aus der intensiven Handelstätigkeit seiner Flotte mit weit reichenden Verbindungen über den Saronischen Golf hinaus bis in das Schwarzmeergebiet, nach Nordafrika und Italien. Der vorliegende Band untersucht Keramik aus klassischen Kontexten im Gebiet des "Kolonna-Hügels", der Akropolis der antiken Inselhauptstadt. Diese Kontexte enthalten neben einer Reihe von Importen, darunter solche aus Attika, Korinth, Lakonien, Ostgriechenland und der nördlichen Ägäis, auch zahlreiche Gefässe lokaler Herkunft. Also part of series: Contributions to the Chronology of the Eastern Mediterranean; 30 / Ägina Kolonna, Forschungen und Ergebnisse; 6.0.
Pottery --- Apollo --- Cult --- Aigina (Greece : Municipality) --- Antiquities.
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Excavations (Archaeology) --- Sculpture, Greek --- Apollo --- Cult --- Despotiko Island (Greece) --- Antiquities.
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Die Insel Ägina mit ihrem gleichnamigen Hauptort war in der spätarchaischen und klassischen Periode ein wichtiges Zentrum in der zentralen Ägäis. Die Bedeutung und der Wohlstand Äginas resultierten aus der intensiven Handelstätigkeit seiner Flotte mit weit reichenden Verbindungen über den Saronischen Golf hinaus bis in das Schwarzmeergebiet, nach Nordafrika und Italien. Der vorliegende Band untersucht Keramik aus klassischen Kontexten im Gebiet des "Kolonna-Hügels", der Akropolis der antiken Inselhauptstadt. Diese Kontexte enthalten neben einer Reihe von Importen, darunter solche aus Attika, Korinth, Lakonien, Ostgriechenland und der nördlichen Ägäis, auch zahlreiche Gefässe lokaler Herkunft.0Also part of series: Contributions to the Chronology of the Eastern Mediterranean; 30 / Ägina Kolonna, Forschungen und Ergebnisse; 6.0.
Apollo (Greek deity) --- Pottery, Ancient --- Apollon (Divinité grecque) --- Céramique antique --- Cult --- Culte --- Aegina Island (Greece) --- Egine (Grèce : Ile) --- Antiquities. --- Antiquités
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Epic poetry, Greek --- Poésie épique grecque --- History and criticism. --- Histoire et critique --- Homer --- Influence. --- Hymn to Apollo. --- History and criticism --- Homerus --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Apollonhymnus --- Homeric hymns. --- Hymnus in Apollinem
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Esotericism and the Second World War --- Occultism --- irrationalism --- fascism --- Germany --- Hitler --- Dietrich Eckhart --- Nazi Gnosis --- Anthroposophy in fascist Italy --- radical esoteric politics --- Aleksandr Dugin --- Russian neo-eurasianism --- perennial philosophy --- radical traditionalism --- the new right --- political esotericism in America --- Hellenic Neopaganism --- Greece --- the Phalanx --- Socialism --- the American Fourierist Movement --- the Theosophical Temple Movement --- the Iroquois League --- the Brotherhood of Man --- alchemy --- surrealism --- Diane di Prima's Loba --- art --- Neue Slowenische Kunst --- reincarnation --- the psychonoetic body --- Western Esotericism --- the Black Water Apollo
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Integrating Schenkerian tools and an innovative approach to harmony, David Damschroder provides numerous penetrating analyses of works by Haydn and Mozart. A series of introductory chapters assist readers in developing their analytical capacity. Beginning with short excerpts from string quartets, the study proceeds by assessing the inner workings of twelve expositions from Haydn piano sonatas, six arias in G minor from Mozart operas, and three rondos in D major from piano concertos by Haydn and Mozart. In the Masterworks section that follows, Damschroder presents detailed analyses of six movements from symphonies, string quartets and opera by Haydn and Mozart, and compares his outcomes with those of other analysts, including Kofi Agawu, Robert O. Gjerdingen, James Hepokoski and Warren Darcy, Carl Schachter and James Webster. The book represents an important contribution to modern analytical discourse on a treasured body of music and an assessment of recent accomplishments within that realm.
Music --- Harmony. --- Musique --- Harmonie --- History and criticism. --- Analysis, appreciation. --- Histoire et critique --- Analyse et appréciation --- Haydn, Joseph, --- Mozart, Wolfgang Amadeus, --- Criticism and interpretation. --- Analyse et appréciation --- Harmony --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music theory --- Analysis, appreciation --- History and criticism --- Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Gaĭdn, Ĭ., --- Gaĭdn, Ĭosif, --- Gaĭdn, Ĭozef, --- Haiden, Josip, --- Haidnas, J., --- Haidun, --- Hayden, Joseph, --- Haydn, --- Haydn, F. J. --- Haydn, Franz Josef, --- Haydn, Franz Joseph, --- Haydn, Giuseppe, --- Haydn, Ios. --- Haydn, J. --- Haydn, Jos. --- Haydn, Josef, --- Haydn, Joseph --- Heyden, Joseph, --- Khaĭdn, Ĭozef, --- היידן, י., --- Haydn, Franz Joseph --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz
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In exploring the evergreen qualities of Don Giovanni and Le Nozze di Figaro, this collection of studies does not shun approaches that have foundations in established theory, but refracts them through such problems as the tension between operatic tradition and psychological realism, the co-existence of multiple yet equal plots, and the antagonism between the tenets of tradition and the need for self-actualization. In exploring such themes, the authors not only illuminate new aspects of Mozart's operatic compositions, but also probe the nature of musical analysis itself.
Musical analysis. --- Opera. --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music --- Music analysis --- Music theory --- Music appreciation --- Comic opera --- Lyric drama --- Opera --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- Analysis, appreciation --- Analytical guides --- Instruction and study --- History and criticism --- Da Ponte, Lorenzo, --- Mozart, Wolfgang Amadeus, --- Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Aponte, Laurenzo d', --- Ponte, Lorenzo da, --- D'Aponte, Laurenzo, --- Da Ponte, L. --- Conegliano, Emmanuele, --- Criticism and interpretation. --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Da Ponte, Lorenzo --- Aponte, Laurenzo d' --- Ponte, Lorenzo da --- D'Aponte, Laurenzo --- Conegliano, Emmanuele --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz
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In this groundbreaking, historically-informed semiotic study of late eighteenth-century music, Stephen Rumph focuses on Mozart to explore musical meaning within the context of Enlightenment sign and language theory. Illuminating his discussion with French, British, German, and Italian writings on signs and language, Rumph analyzes movements from Mozart's symphonies, concertos, operas, and church music. He argues that Mozartian semiosis is best understood within the empiricist tradition of Condillac, Vico, Herder, or Adam Smith, which emphasized the constitutive role of signs within human cognition. Recognizing that the rationalist model of neoclassical rhetoric has guided much recent work on Mozart and his contemporaries, Rumph demonstrates how the dialogic tension between opposing paradigms enabled the composer to negotiate contradictions within Enlightenment thought.
Enlightenment. --- Music --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Semiotics --- Semiotics. --- History and criticism. --- Mozart, Wolfgang Amadeus, --- Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Criticism and interpretation. --- Enlightenment --- History and criticism --- Musique --- Sémiotique et musique --- Siècle des lumières --- Histoire et critique --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz --- 18th century composers. --- 18th century europe. --- 18th century music. --- 18th century symphonies. --- beethoven. --- church music history. --- classical composers. --- classical music. --- classical musicians. --- classical period. --- composers. --- concertos. --- european music. --- european scholars. --- famous composers. --- famous operas. --- history of music. --- history. --- italian writings. --- literary movements and periods. --- music icons. --- music scholars. --- musical semiotics. --- musicians. --- musicology. --- neoclassical music. --- renaissance humanism. --- the enlightenment period. --- theater.
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