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"This exhibition will take a new look at the dynamic relationship between performance and painting since 1950. Contrasting key paintings by Jackson Pollock and David Hockney, the exhibition considers two different approaches to the idea of the canvas as an arena in which to act: one gestural, the other one theatrical. The paintings of the Vienna Actionists or the Shooting Pictures of Niki de St Phalle will be re-presented within the performance context that they were made, and juxtaposed with works by artists such as Cindy Sherman or Jack Smith that used the face and body as a surface, often using make-up in work dealing with gender role-play. The exhibition proposes a new way of looking at the work of a number of younger artists whose approach to painting is energised by these diverse historical sources, drawing upon action painting, drag and the idea of the stage set"--Tate website.
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Fauvism --- Painting, Modern --- Fauvisme --- Peinture
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Chagall, Marc --- Chagall, Marc, --- Painting, Modern --- Exhibitions
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Biographie du peintre américain, à la première personne à la manière d'un journal intime, pour mieux comprendre son oeuvre.
Painters --- Painting, Modern --- Peintres --- Peinture --- Biography --- Biographies --- Hopper, Edward,
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The Paris Salons of the mid-nineteenth century are famous today above all for the paintings that were rejected more than for those that were actually shown. The rejected works form today's canon of art history and are regarded as heralds of a modern age. This book looks to reassess the other side of the art history of the nineteenth century. Salon Painting has often been dismissed as overly academic or staid. Now art historian Norbert Wolf turns back the pages of history as he reintroduces readers to the artistry and excellence of the Salon Painting in Europe, Britain, Russia and the US. In an opulent new book, illustrated throughout with gorgeous reproductions, Wolf looks at Salon painting from a variety of perspectives, such as the rise of the bourgeoisie and Paris's position as Europe's cultural capitol. Wolf examines masterpieces by Cabanel, Manet, Bierstadt, The Pre-Raphaelites, and Sargent, demonstrating how classical subjects gave way to modern concerns.
Salons --- academisme --- Wereldtentoonstellingen --- 19de eeuw --- Målarkonst --- Painting, Modern --- Painting, Modern. --- Salongskultur. --- Salons. --- Historia. --- History --- 1800-1899. --- 1800-talet. --- Painting --- anno 1800-1899 --- academisme. --- Wereldtentoonstellingen. --- 19de eeuw.
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"Comment concevoir un dictionnaire à la mesure de Pablo Picasso (1881-1973) ? Pierre Daix a relevé le défi en réunissant en plus de 2 000 entrées tout ce qu'on peut savoir des lieux, des amis, des amours qui ont compté dans la vie de Picasso, mais aussi de l'histoire de ses oeuvres importantes et de leurs expositions. Il fait le point sur ses révisions des arts classiques ou archaïques et de l'art nègre, des réussites de ses contemporains, mais aussi des techniques de la peinture, de la sculpture, de la gravure. Il analyse les relations que l'artiste entretint avec tous les grands mouvements du XXe siècle des fauves au cubisme, au surréalisme, à l'art abstrait, ses problèmes avec les marchands de Vollard aux Rosenberg ou à Kahnweiler, ses idées sur l'art, la politique, le communisme, les faux Picasso, comme les malentendus provoqués par son humour. Cette nouvelle édition est enrichie de tout ce qui a été publié des archives de Picasso depuis 1995 (comme sa demande de naturalisation française de 1940) et de tout ce qu'ont révélé les expositions internationales et les études, lesquelles ont permis d'éclairer les rapports du jeune Picasso avec Derain, avec Matisse, ou encore de réhabiliter ses oeuvres érotiques. En somme, tout Picasso !
Painting, Modern --- Peinture --- Dictionaries --- French --- Dictionnaires français --- Picasso, Pablo, --- French. --- Picasso, pablo (1881-1973) --- Dictionnaires
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Catalogue de l'exposition consacrée au peintre et architecte autrichien (1928-2000). A la fois visionnaire et pluridisciplinaire, sa quête de la couleur repose sur le foisonnement organique des formes. Empreinte d'un certain degré d'utopie, son expression artistique est un véritable appel aux sens voulant régénérer la vision et les modes de vie.
Painting, Modern --- Architecture, Modern --- Peinture --- Architecture --- Exhibitions --- Exhibitions --- Expositions --- Expositions --- Hundertwasser, Friedensreich, --- Exhibitions.
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Painting --- Aesthetics of art --- anno 2000-2099 --- Painting, Modern --- Painting, Modern. --- Malerei --- Kunstkritik --- Målarkonst --- Criticism and interpretation. --- teori, filosofi. --- Geschichte 2000-2011 --- 2000-2099 --- Malerei. --- Kunstkritik. --- Geschichte 2000-2011. --- 2000-2099. --- Teori, filosofi. --- Criticism and interpretation
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Art [Pop ] --- Neo-Dadaism --- New super-realism --- Pop art --- Painting, Modern --- Pop art. --- Peinture --- Pop'art --- Painting [Modern ] --- 20th century --- Lichtenstein, Roy --- Criticism and interpretation --- Warhol, Andy --- Richter, Gerhard --- Ruscha, Edward --- Hamilton, Richard William
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The Phillips Collection, America's first museum of modern art, was founded in 1921 by Duncan Phillips (1886?1966), a Washington D.C. collector who played a vital role in introducing America to contemporary art. Unusually for his time, Phillips saw American artists as fully equal to their European counterparts, often hanging their works side by side. Moreover, Phillips chose to buy and exhibit works according to stylistic continuities and affinities, reflecting the visual connections between various artistic expressions, past and present. Master Paintings from The Phillips Collection offers a unique insight into the creation of one of the world?s greatest private collections of modern art. Featuring works by 85 artists, including major European artists Degas, Cézanne, Gauguin, Van Gogh, Bonnard, and Picasso, El Greco who was ?discovered? by Phillips, and celebrated American artists championed by Phillips: Georgia O'Keeffe, Arthur Dove, Milton Avery, and Augustus Vincent Tack, this volume aims to re-create what Duncan Phillips considered the ?life-enhancing? experience of seeing new or challenging forms of artistic expression in an intimate setting
Painting, Modern --- Painting --- Phillips Collection --- Phillips, Duncan --- easel paintings [paintings by form] --- Phillips Collection [Washington, D.C.]
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