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book (3)


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2012 (3)

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Book
A performer's guide to seventeenth-century music
Authors: ---
ISBN: 1280596627 9786613626455 0253005280 9780253005281 9781280596629 9780253357069 0253357063 6613626457 Year: 2012 Publisher: Bloomington : Indiana University Press,

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Abstract

Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone-as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible


Book
Just good teaching : comprehensive musicianship through performance (CMP) in theory and practice
Authors: ---
ISBN: 1280658606 9786613635532 1610483413 9781610483414 9781610483391 1610483391 9781610483407 1610483405 9781280658600 6613635537 Year: 2012 Publisher: Lanham, Md. : Rowman & Littlefield Education,

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The Comprehensive Musicianship through Performance (CMP) Model is a framework for planning instruction in school ensembles that promotes a holistic form of music learning. By combining the theoretical foundations of CMP and its practical applications for the teacher, this book will be useful for scholars and persons involved in teacher education as well as practicing teacher-conductors.


Book
Playing to the camera : musicians and musical performance in documentary cinema
Author:
ISBN: 9781906660222 9781906660239 9780231501804 1906660220 1906660239 Year: 2012 Publisher: London : Wallflower,

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Playing to the Camera is the first full-length study devoted to the musical performance documentary. Its scope ranges from rock concert films to experimental video art featuring modernist music. Unlike the 'music under' produced for films by unseen musicians, on-screen 'live' performances show us the bodies that produce the sounds we hear. Exploring the link between moving images and musical movement as physical gesture, this volume asks why performance is so often derided as mere skill whereas composition is afforded the status of art, a question that opens onto a broader critique of attitudes regarding mental and physical labor in Western culture.

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