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On peut entendre la couleur d'un sourire : l’oreille voit, pense dans la peinture. On peut voir un grincement d’angoisse : l’œil entend, pense dans la musique. Un son peut suggérer une couleur, pendant qu’une couleur peut suggérer un son. Le temps musical est visible, l’espace pictural audible : c’est en ce qui les désaccorde que musique et peinture s’interpénètrent.Fusions et correspondances, analogies ou disparités, sont étroites entre ces deux activités, la musique et la peinture, qui du fond des âges furent intimement liées à la vie des hommes.En inversant les principes traditionnels – musique, art du temps ; peinture, art de l’espace – Jean-Noël von der Weid incite à un doute fécond. Il nous fait découvrir que les sens pensent. Pour nous, regardeur et auditeur transformés, voir et écouter ainsi cela signifie penser autrement, percevoir autrement : nos sens buissonniers, œil, oreille, éclatés et indivis, forment moins une association qu’une intrication. En commentant de nombreuses œuvres picturales et musicales (de Véronèse à Klee en passant par Corot et Picasso ; de Monteverdi àWagner, Schoenberg ou Rihm), Jean-Noël von der Weid met au jour ces correspondances.

Art and music --- Art et musique --- Kunst en muziek --- Music and art --- Music and painting --- Musique et art --- Musique et peinture --- Muziek en kunst --- Muziek en schilderkunst --- Art and music. --- Music --- Philosophy and aesthetics. --- Aesthetic aspects --- Music - Philosophy and aesthetics.

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The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars f

Popular music --- Sound recordings in musicology. --- Musicology --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Analysis, appreciation. --- History and criticism. --- Songs - Analysis, appreciation --- Popular music - Philosophy and aesthetics --- Popular music - Analysis, appreciation --- Popular music - History and criticism --- Sound recordings in musicology

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Winner of the 2013 Reading Committee Accolade for a Specialist Publication in the Humanities presented by the International Convention of Asia ScholarsIn early China, conceptions of music became important culturally and politically. This fascinating book examines a wide range of texts and discourse on music during this period (ca. 500–100 BCE) in light of the rise of religious, protoscientific beliefs on the intrinsic harmony of the cosmos. By tracking how music began to take on cosmic and religious significance, Erica Fox Brindley shows how music was used as a tool for such enterprises as state unification and cultural imperialism. She also outlines how musical discourse accompanied the growth of an explicit psychology of the emotions, served as a fundamental medium for spiritual attunement with the cosmos, and was thought to have utility and potency in medicine. While discussions of music in state ritual or as an aesthetic and cultural practice abound, this book is unique in linking music to religious belief and demonstrating its convergences with key religious, political, and intellectual transformations in early China.

China -- History -- Han dynasty, 202 B.C.-220 A.D. --- China -- History -- Qin dynasty, 221-207 B.C. --- China -- History -- Zhou dynasty, 1122-221 B.C. --- Music -- Philosophy and aesthetics. --- Music -- Political aspects -- China -- History. --- Music -- Social aspects -- China -- History. --- Music --- Music, Dance, Drama & Film --- Music Philosophy --- Political aspects --- History --- Social aspects --- Philosophy and aesthetics --- Han-dynastin --- Qin-dynastin --- Zhou-dynastin --- Musik --- History. --- Philosophy and aesthetics. --- politiska aspekter --- historia --- estetiska aspekter --- sociala aspekter --- 1122-220 B.C. --- China --- Kina --- S18/0200 --- China: Music and sports--Music and musical instruments --- Han-dynastin. --- Qin-dynastin. --- Zhou-dynastin. --- historia. --- Kina. --- Politiska aspekter --- Historia. --- Estetiska aspekter --- Sociala aspekter --- Hermeneutics (Music) --- Musical aesthetics --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Aesthetics --- Philosophy --- Music theory --- Political aspects&delete& --- Social aspects&delete&