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""Tucker, a respected military historian and senior fellow of military history at ABC-CLIO, has assembled a group of scholars to provide greater understanding of the war and its significance for both countries. . . . The greatest strength of this encyclopedia is its third volume, which contains 146 primary source documents. Each has an introduction that places the document in its proper context. Recommended."" - Choice
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Several biographies of Américo Paredes have been published over the last decade, yet they generally overlook the paradoxical nature of his life’s work. Embarking on an in-depth, critical exploration of the significant body of work produced by Paredes, José E. Limón (one of Paredes’s students and now himself one of the world’s leading scholars in Mexican American studies) puts the spotlight on Paredes as a scholar/citizen who bridged multiple arenas of Mexican American cultural life during a time of intense social change and cultural renaissance. Serving as a counterpoint to hagiographic commentaries, Américo Paredes challenges and corrects prevailing readings by contemporary critics of Paredes’s Asian period and of such works as the novel George Washington Gómez, illuminating new facets in Paredes’s role as a folklorist and public intellectual. Limón also explores how the field of cultural studies has drifted away from folklore, or “the poetics of everyday life,” while he examines the traits of Mexican American expressive culture. He also investigates the scholarly paradigm of ethnography itself, a stimulating inquiry that enhances readings of Paredes’s best-known study, “With His Pistol in His Hand,” and other works. Underscoring Paredes’s place in folklore and Mexican American literary production, the book questions the shifting reception of Paredes throughout his academic career, ultimately providing a deep hermeneutics of widely varied work. Offering new conceptions, interpretations, and perspectives, Américo Paredes gives this pivotal literary figure and his legacy the critical analysis they deserve.
Authors, Mexican. --- Paredes, Américo, --- Criticism and interpretation. --- Mexican authors
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Too frequently, the media and politicians cast Mexican immigrants as a threat to American society. Given America's increasing ethnic diversity and the large size of the Mexican-origin population, an investigation of how Mexican immigrants and their descendants achieve upward mobility and enter the middle class is long overdue. Barrios to Burbs offers a new understanding of the Mexican American experience. Vallejo explores the challenges that accompany rapid social mobility and examines a new indicator of incorporation, a familial obligation to "give back" in social and financial support. She investigates the salience of middle-class Mexican Americans' ethnic identification and details how relationships with poorer coethnics and affluent whites evolve as immigrants and their descendants move into traditionally white middle-class occupations. Disputing the argument that Mexican communities lack high quality resources and social capital that can help Mexican Americans incorporate into the middle class, Vallejo also examines civic participation in ethnic professional associations embedded in ethnic communities.
Middle class Mexican Americans. --- Mexican Americans --- Social mobility --- Middle class Mexican Americans --- Middle class --- Social conditions.
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Mexican poetry --- Mexican poetry --- Mexican poetry. --- Poésie mexicaine --- Poésie mexicaine --- 1900 - 2099.
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La risa en la literatura mexicana (apuntes de poética) es una propuesta de relectura de la tradición literaria mexicana que, a contracorriente de la crítica empeñada en ver sólo el lado melancólico y trágico en el perfil de la cultura mexicana, busca develar las formas en las que la risa ha sido la fuerza organizadora de géneros y obras fundamentales. En este estudio se explora la vida de lo satírico, lo grotesco, lo lúdico para comprender de una manera renovada los diálogos y pugnas entre distintos proyectos estéticos que han convivido en México.
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