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The most intriguing aspect of Cormac McCarthy's writing is the irresistible premonition that his sentences carry an exceptional potential, that after each subsequent reading they surprise us with increasingly deeper layers of meaning, which are often in c
Authors, American --- American authors --- McCarthy, Cormac, --- מקארתי, קורמאק, --- McCarthy, Charles, --- Criticism and interpretation.
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An exploration of three of the most brilliant American novelists and their country's myths, dreams, outrages, innocence and heartbreak.
American fiction --- Despair in literature. --- Meaning (Philosophy) in literature. --- History and criticism. --- DeLillo, Don --- McCarthy, Cormac, --- Stone, Robert, --- מקארתי, קורמאק, --- McCarthy, Charles, --- Lillo, Don De --- Делилло, Дон --- דלילו, דון --- דלילו, דן --- DeLillo, Donald Richard --- Birdwell, Cleo --- Criticism and interpretation.
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Wayfaring life in literature --- Handke, Peter --- McCarthy, Cormac, --- Simon, Claude --- Criticism and interpretation --- Wayfaring life --- Vie errante --- Fiction --- Literature, Modern --- Roman --- Littérature --- History and criticism --- History and criticism. --- Histoire et critique --- Handke, Peter - Criticism and interpretation --- McCarthy, Cormac, - 1933- - Criticism and interpretation --- Simon, Claude - Criticism and interpretation --- McCarthy, Cormac, - 1933 --- -Simon, Claude
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The Politics and Aesthetics of Cormac McCarthy's The Road brings together several leading literary scholars, one major philosopher, as well as a handful of emerging critical voices, all of whom deploy their own specialist methods in order to think through this bestselling, Zeitgeist-defining event of contemporary literature. There are two dominant modes of analysis gathered here: the first, performed by Julian Murphet, Paul Sheehan, and Mark Steven, is to locate the novel within its political, spiritual, and economic climates; the second, whose exponents include Paul Patton, Sean Pryor, Chris
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Between the Great War and Pearl Harbor, conservative labor leaders declared themselves America's ""first line of defense"" against Communism. In this surprising account, Jennifer Luff shows how the American Federation of Labor fanned popular anticommunism but defended Communists' civil liberties in the aftermath of the 1919 Red Scare. The AFL's ""commonsense anticommunism,"" she argues, steered a middle course between the American Legion and the ACLU, helping to check campaigns for federal sedition laws. But in the 1930s, frustration with the New Dealorder led labor conservatives to redbai
Anti-communist movements --- Communism --- McCarthy, Joseph, --- American Federation of Labor. --- AFL-CIO --- Federation of Organized Trades and Labor Unions of the United States and Canada --- AFL --- AFT --- AF of L --- A.F.L. --- A.F. of L. --- Amerikanskai︠a︡ federat︠s︡ii︠a︡ truda --- Federação Americana de Trabalho --- United States --- Politics and government
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Art --- art [discipline] --- Treiman, Joyce --- Kienholz, Edward --- Zajac, Jack --- Altoon, John --- Baca, Judith F. --- Berman, Eugène --- Berman, Wallace --- Biller, Les --- Buchanan, Nancy --- Burkhardt, Hans --- Cameron --- Caroompas, Carole --- Chavez, Roberto --- Cremean, Robert --- Everts, Connor --- Foulkes, Llyn --- Garabedian, Charles --- Gill, James --- Heinecken, Robert --- Jones, Kim --- Lebrun, Rico --- Mesches, Arnold --- Morphesis, Jim --- Outterbridge, John --- Saar, Betye --- Sakoguchi, Ben --- Smith, Barbara T. --- Strombotne, James --- Stussy, Jan --- Teske, Edmund --- Warshaw, Howard --- Wayne, June --- White, Charles --- Zorthian, Jirayr --- Jones, John Paul --- Chicago, Judy --- McCarthy, Paul --- Brice, William --- Burden, Chris --- Hammons, David --- Kienholz, Nancy --- California --- California [state]
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Iconography --- Art --- Cattelan, Maurizio --- de Coninck, David --- Crumb, Robert --- Minter, Marilyn --- Tuazon, Oscar --- Sherman, Cindy --- Schutz, Dana --- McCarthy, Paul --- Fitch, Lizzie --- Trecartin, Ryan --- Capella, Francesco --- Oehlen, Albert --- Bellucci, Antonio --- Madison, Tobias --- Fischer, Urs --- Couwenbergh, van, Christiaen --- Thater, Diana --- Teller, Jürgen --- Michailov, Boris --- Bocchi, Faustino --- Djurberg, Nathalie --- anno 1600-1699 --- anno 2000-2009 --- anno 1900-1999 --- hedendaagse kunst --- oude meesters --- lust --- zonde --- vanitas --- barok --- Rubens, Peter Paul --- 17de eeuw --- 20ste eeuw --- 21ste eeuw --- human figures [visual works] --- ondeugd, kwade, zonde --- Art, Baroque --- Art, Modern --- Painting, Baroque --- Installations (Art) --- Influence --- Vlaamse school --- hedendaagse kunst. --- oude meesters. --- wellust, luxe, "Luxuria"; "Lussuria" (Ripa) ~ verpersoonlijking van een van de hoofdzonden. --- ondeugd, kwade, zonde. --- vanitas. --- barok. --- Rubens, Peter Paul. --- 17de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- wellust, luxe, "Luxuria"; "Lussuria" (Ripa) ~ verpersoonlijking van een van de hoofdzonden --- Cathédrale Notre-Dame de Paris. --- exterieur van een kerk. --- Parijs.
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The evolution of studio and “post-studio” practice over the last half century. With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of “post-studio practice.” But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio and “post-studio” practice over the last half century. In recent decades many artists have turned their studios into offices from which they organize a multiplicity of operations and interactions. Others use the studio as a quasi-exhibition space, or work on a laptop computer mobile, flexible, and ready to follow the next commission. Among the topics surveyed here are the changing portrayal and experience of the artist's role since 1960; the diversity of current studio and post-studio practice; the critical strategies of artists who have used the studio situation as the subject or point of origin for their work; the insights to be gained from archival studio projects; and the expanded field of production that arises from responding to new conditions in the world outside the studio. The essays and artists' statements in this volume explore these questions with a focus on examining the studio's transition from a workshop for physical production to a space with potential for multiple forms of creation and participation.
art theory --- studios [work spaces] --- kunstbeschouwing --- hedendaagse kunst --- Contemporary [style of art] --- Art --- art [fine art] --- Nauman, Bruce --- Arceneaux, Edgar --- Höller, Carsten --- Venlet, Richard --- Orozco, Gabriel --- Goldstein, Jack --- Warhol, Andy --- Tillmans, Wolfgang --- Weiner, Lawrence --- McCarthy, Paul --- Smithson, Robert --- Bourgeois, Louise --- Hesse, Eva --- Bacon, Francis --- Wallace, Ian --- Irwin, Robert --- Acconci, Vito --- Woodman, Francesca --- Keita, Seydou --- Duchamp, Marcel --- Krasiński, Edward --- Schneemann, Carolee --- Murakami, Takashi --- Rosler, Martha --- Nelson, Mike --- Kippenberger, Martin --- Roth, Dieter --- Brancusi, Constantin --- Laboratoire Agit-Art [Dakar] --- Atelier Van Lieshout [Rotterdam] --- Art & Language --- anno 2000-2009 --- anno 1900-1999 --- Artists' studios --- Artists' studios. --- Laboratoire Agit'Art [Dakar] --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Corps humain, thème --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops --- Kunst --- kunst --- kunsttheorie --- ateliers [werkruimten] --- art [discipline] --- Atelier d'artiste --- Art conceptuel --- Espace de travail --- Fonds d'archives --- Muséologie --- Exposition --- Scénographie
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Art --- Modern [style or period] --- Contemporary [style of art] --- hedendaagse kunst --- moderne kunst --- anno 1900-1999 --- anno 2000-2009 --- kunst --- Gesamtkunstwerk --- twintigste eeuw --- eenentwintigste eeuw --- utopie --- kunst en politiek --- Adrian Marc --- Auderer Klaus --- Bauer Josef --- Beuys Joseph --- Boltanski Christian --- Kabakov Ilya --- Kalman Jean --- Bonvicini Monica --- Broodthaers Marcel --- Buren Daniel --- Burr Tom --- Caramelle Ernst --- Cella Bernhard --- Cityrama II --- Emigholz Heinz --- Export Valie --- Valie Export --- Claire Fontaine --- Friedl Peter --- gelatin --- Genzken Isa --- Gillick Liam --- Graf Franz --- Hirschhorn Thomas --- Hohenwarter Julia --- Hollein Hans --- Inspection medical hermeneutics --- Pepperstein Pavel --- Anufriew Sergej --- Jankowski Christian --- Kaiser Tilman --- Kiaer Ian --- Kiesler Friedrich --- Kippenberger Martin --- Mahony --- Matta-Clark Gordon --- Mayer Ralo --- McCarthy Paul --- Meese Jonathan --- Nitsch Hermann --- Oberhuber Oswald --- Painitz Hermann --- Patane Seb --- Philipp Helga --- Pichler Walter --- Potrc Marjetica --- Rhoades Jason --- Rocha Pitta Thiago --- Rockenschaub Gerwald --- Ruhm Constanze --- Rühm Gerhard --- Schinwald Markus --- Schlick Jörg --- Brus Günter --- Schlingensief Christoph --- Schneider Gregor --- Stocker Esther --- Superflex --- Szeemann Una --- Weibel Peter --- West Franz --- WochenKlausur --- Wotruba Fritz --- Zobernig Heimo --- 7.038/039 --- Exhibitions
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Iconography --- Art --- art [discipline] --- Neto, Ernesto --- Brown, Cecily --- Banksy --- Ford, Walton --- Zipp, Thomas --- Altmejd, David --- White, Pae --- Fischer, Urs --- Gupta, Subodh --- Murakami, Takashi --- Bonin, von, Cosima --- Wiley, Kehinde --- Tuymans, Luc --- Brown, Glenn --- Butzer, André --- Dzama, Marcel --- Gispert, Luis --- Grotjahn, Mark --- Herrera, Arturo --- Houseago, Thomas --- Jacir, Emily --- Koh, Terence --- Marepe --- Dumas, Marlene --- Milhazes, Beatriz --- Phillips, Richard --- Reyle, Anselm --- Snow, Dash --- Stingel, Rudolf --- Tim Noble & Sue Webster --- Uklanski, Piotr --- Heyl, Von, Charline --- Warren, Rebecca --- Koons, Jeff --- Lim, Won Ju --- West, Franz --- Guo-Qiang, Cai --- Sherman, Cindy --- Hatoum, Mona --- Pettibon, Raymond --- McCarthy, Paul --- Kelley, Mike --- Rauch, Neo --- Aitken, Doug --- Friedman, Tom --- Cattelan, Maurizio --- Eliasson, Olafur --- Tillmans, Wolfgang --- Dijkstra, Rineke --- Barney, Matthew --- Dean, Tacita --- Gursky, Andreas --- Hirst, Damien --- Morris, Sarah --- Peyton, Elisabeth --- Walker, Kara --- Gober, Robert --- Doig, Peter --- Ackermann, Franz --- Orozco, Gabriel --- Mueck, Ron --- Gallagher, Ellen --- Oehlen, Albert --- Gordon, Douglas --- Wool, Christopher --- Struth, Thomas --- Havekost, Eberhard --- Harrison, Rachel --- Sasnal, Wilhelm --- Ai Weiwei --- Prince, Richard --- Djurberg, Nathalie --- anno 2000-2099
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