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"A reprint of a 1904 novel by Pennsylvania State College (now University) professor of English Fred Lewis Pattee, set in the 1890s in central Pennsylvania. Includes a preface by poet and essayist Julia Spicher Kasdorf and endnotes by Joshua R. Brown" --Provided by publisher.
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This collection maps the Beat Generation movement globally, exploring American Beat writers alongside parallel movements in other countries that shared a critique of global capitalism and a sense of the permeability of national and cultural boundaries. Ranging from the immediate post-World War II period and continuing into the 1990s, the essays illustrate Beat participation in the global circulation of a poetics of dissent that both affirms and transforms nation/state identities
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"An examination of the relationship between contemporary fiction and new media from a narratological perspective"--
LITERARY CRITICISM / American / General. --- Mass media and literature --- Narration (Rhetoric) --- American fiction --- Literature and mass media --- Literature --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- American literature --- History --- History and criticism --- Theory, etc.
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"Investigates the life and works of Etheridge Knight (1931-1991), one of the foremost American poets in the black oral tradition"--
SOCIAL SCIENCE / Ethnic Studies / African American Studies. --- LITERARY CRITICISM / American / General. --- LITERARY CRITICISM / American / African American. --- African American poets --- Poets, American --- Knight, Etheridge, --- Criticism and interpretation. --- Knight, Etheridge --- Criticism and interpretation --- Poets [American ] --- 20th century --- Biography
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"Experimentation with the speech of characters has been hailed by Gerard Genette as "one of the main paths of emancipation in the modern novel." Dialogue as a stylistic and narrative device is a key feature in the development of the novel as a genre, yet it is also a phenomenon little acknowledged or explored in the critical literature. Fictional Dialogue demonstrates the richness and versatility of dialogue as a narrative technique in twentieth- and twenty-first-century novels by focusing on extended extracts and sequences of utterances. It also examines how different versions of dialogue may help to normalize or idealize certain patterns and practices, thereby excluding alternative possibilities or eliding "unevenness" and differences. Bronwen Thomas, by bringing together theories and models of fictional dialogue from a wide range of disciplines and intellectual traditions, shows how the subject raises profound questions concerning our understanding of narrative and human communication. The first study of its kind to combine literary and narratological analysis with reference to linguistic terms and models, Bakhtinian theory, cultural history, media theory, and cognitive approaches, this book is also the first to focus in depth on the dialogue novel in the twentieth and twenty-first centuries and to bring together examples of dialogue from literature, popular fiction, and nonlinear narratives. Beyond critiquing existing methods of analysis, it outlines a promising new method for analyzing fictional dialogue"--
LITERARY CRITICISM / American / General. --- Postmodernism (Literature) --- Modernism (Literature) --- Dialogism (Literary analysis) --- Conversation in literature. --- Dialogue in literature. --- English fiction --- American fiction --- Literary movements --- Literature, Modern --- Crepuscolarismo --- Dialogics (Literary analysis) --- Criticism --- American literature --- History and criticism. --- Dialogism (Literary analysis). --- Modernism (Literature). --- Postmodernism (Literature). --- Literary criticism --- American --- General.
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"The Myth of Ephraim Tutt explores the true and previously untold story behind one of the most elaborate literary hoaxes in American history. Arthur Train was a Harvard-educated and well-respected attorney. He was also a best-selling author. Train's greatest literary creation was the character Ephraim Tutt, a public-spirited attorney and champion of justice. Guided by compassion and a strong moral compass, Ephraim Tutt commanded a loyal following among general readers and lawyers alike--in fact, Tutt's fictitious cases were so well-known that attorneys, judges, and law faculty cited them in courtrooms and legal texts. People read Tutt's legal adventures for more than twenty years, all the while believing their beloved protagonist was merely a character and that Train's stories were works of fiction. But in 1943 a most unusual event occurred: Ephraim Tutt published his own autobiography. The possibility of Tutt's existence as an actual human being became asource of confusion, spurring heated debates. One outraged reader sued for fraud, and the legendary lawyer John W. Davis rallied to Train's defense. While the public questioned whether the autobiography was a hoax or genuine, many book reviewers and editors presented the book as a work of nonfiction. In The Myth of Ephraim Tutt Molly Guptill Manning explores the controversy and the impact of the Ephraim Tutt autobiography on American culture. She also considers Tutt's ruse in light of other noted incidents of literary hoaxes, such as those ensuing from the publication of works by Clifford Irving, James Frey, and David Rorvik, among others. As with other outstanding fictitious characters in the literary canon, Ephraim Tutt took on a life of his own. Out of affection for his favorite creation, Arthur Train spent the final years of his life crafting an autobiography that would ensure Tutt's lasting influence--and he was spectacularly successful in this endeavor. Tutt, as the many letters written to him attest, gave comfort to his readers as they faced the challenging years of the Great Depression and World War II and renewed their faith in humanity and justice. Although Tutt's autobiography bewildered some of his readers, the great majority were glad to have read the "life" story of this cherished character"--
LITERARY CRITICISM / American / General. --- BIOGRAPHY & AUTOBIOGRAPHY / Literary. --- Literary forgeries and mystifications --- Frauds, Literary --- Literary frauds --- Literary mystifications --- Mystifications, Literary --- Authorship --- Errors and blunders, Literary --- Forgery --- Literary curiosa --- Anonyms and pseudonyms --- Imaginary books and libraries --- Pasticcio --- History --- Train, Arthur Cheney, --- Authorship. --- Criticism and interpretation. --- Literary hoaxes --- Hoaxes --- Train, Arthur,
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In American history and throughout the Western world, the subjugation perpetuated by slavery has created a unique 'culture of slavery'. That culture exists as a metaphorical, artistic and literary tradition attached to the enslaved - human beings whose lives are 'owed' to another, who are used as instruments by another and who must endure suffering in silence. Tim Armstrong explores the metaphorical legacy of slavery in American culture by investigating debt, technology and pain in African-American literature and a range of other writings and artworks. Armstrong's careful analysis reveals how notions of the slave as a debtor lie hidden in our accounts of the commodified self and how writers like Nathaniel Hawthorne, Rebecca Harding Davis, Booker T. Washington, W. E. B. Du Bois, Ralph Ellison and Toni Morrison grapple with the pervasive view that slaves are akin to machines.
Commodificatie --- Commodification --- Esclavage dans la littérature --- Esclaves dans la littérature --- Marchandisation --- Reification --- Reïficatie --- Réification --- Slaven in de literatuur --- Slavernij in de literatuur --- Slavery in art --- Slavery in literature --- Slaves in literature --- Slavery in literature. --- American literature --- Slavery in art. --- Slavery --- Commodification. --- Reification. --- LITERARY CRITICISM / American / General. --- History and criticism. --- African American authors --- History and criticism --- History. --- Psychological aspects. --- Economic aspects. --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Slaves --- Slavery and slaves in literature --- Thingification --- Verdinglichung --- Philosophy --- Metaphor --- Commoditization --- Commerce --- Economic aspects --- Psychological aspects --- History --- 19th century --- 20th century --- United States --- Arts and Humanities --- Literature --- Enslaved persons --- Enslaved persons in literature
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