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"A lively and comprehensive account of the whole tradition of European fiction for students and teachers of comparative literature, this volume covers twenty-five of the most significant and influential novelists in Europe from Cervantes to Kundera. Each essay examines an author's use of, and contributions to, the genre and also engages an important aspect of the form, such as its relation to romance or one of its sub-genres, such as the Bildungsroman. Larger theoretical questions are introduced through specific readings of exemplary novels. Taking a broad historical and geographic view, the essays keep in mind the role the novel itself has played in the development of European national identities and in cultural history over the last four centuries. While conveying essential introductory information for new readers, these authoritative essays reflect up-to-date scholarship and also review, and sometimes challenge, conventional accounts"--
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This study bridges literature and music at an exciting and controversial point, offering the lover of music and literature and the specialist reader an insight into the relationship between Wagner’s operas and the nineteenth century novel, including comparisons with Rigoletto and Der Rosenkavalier in their evolution from other forms. It discusses matters of genre and national tradition, placing Wagner’s works in the heritage of the European Enlightenment. Comparisons of Wagner’s works with the novel have been fleeting, denoting only their length and complexity. Examining in principle and in detail the proximity of Wagner’s themes and techniques to the practices of the Realist novel, this study sheds original light on major issues of Wagner’s works and on opera as genre. The book trawls extensively in two research fields. It looks to the established Wagner literature for understandings of the musical procedures which map his works onto the prose fiction, while reading Wagner’s operas against the backdrop of the European novel, rather than against German Romantic fiction. It revisits Adorno’s music sociology and his seminal study of Wagner, but repositions many elements of his argument. Unusually, this book adopts a critical stance to Nietzsche’s view of Wagner. In marked contrast to Nietzsche, the study regards parallels between Wagner and Flaubert as an enrichment of our understanding of Wagner’s achievement. The book concludes with a major question of European cultural history: why it is that – in common with Italy, but in marked contrast to France or England – Germany’s most representative works in the nineteenth century are operas rather than novels.
Fiction --- Comparative literature --- Literary semiotics --- Wagner, Richard --- European fiction --- European fiction. --- European literature --- History and criticism. --- Wagner, Richard, --- Operas (Wagner, Richard) --- Musikdramen (Wagner, Richard) --- 1800-1899
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A lively and comprehensive account of the whole tradition of European fiction for students and teachers of comparative literature, this volume covers twenty-five of the most significant and influential novelists in Europe from Cervantes to Kundera. Each essay examines an author's use of, and contributions to, the genre and also engages an important aspect of the form, such as its relation to romance or one of its sub-genres, such as the Bildungsroman. Larger theoretical questions are introduced through specific readings of exemplary novels. Taking a broad historical and geographic view, the essays keep in mind the role the novel itself has played in the development of European national identities and in cultural history over the last four centuries. While conveying essential introductory information for new readers, these authoritative essays reflect up-to-date scholarship and also review, and sometimes challenge, conventional accounts.
European fiction --- History and criticism. --- Novel·la europea --- Història de la literatura
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"This critical text offers an introduction to current European crime writing by exploring ten of the best new crime and mystery authors from Sweden (Stieg Larsson and Henning Mankell), Norway (Karin Fossum and Jo Nesbø), Iceland (Arnaldur Indridason), Italy (Andrea Camilleri), France (Fred Vargas), Scotland (Denise Mina and Philip Kerr), and Ireland (Ken Bruen)"--Provided by publisher.
Detective and mystery stories --- Detective and mystery stories --- European fiction --- European fiction --- Roman policier --- Roman policier --- Roman européen --- Roman européen --- History and criticism. --- Appreciation --- History and criticism. --- History and criticism. --- Histoire et critique --- Appréciation --- Histoire et critique --- Histoire et critique
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The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature.Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls "cosmopolitan remainders," identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation.In Formative Fictions, Boes presents readings of a number of novels-Goethe's Wilhelm Meister's Apprenticeship, Karl Leberecht Immermann's The Epigones, Gustav Freytag's Debit and Credit, Alfred Döblin's Berlin Alexanderplatz, and Thomas Mann's Doctor Faustus among them-that have always been felt to be particularly "German" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature.
Bildungsromans --- German fiction --- European fiction --- Nationalism and literature. --- City and town life in literature. --- Comparative literature --- History and criticism. --- German and European. --- European and German. --- Literature, Comparative --- Literature and nationalism --- Bildungsroman --- History and criticism --- Philology --- Literature --- Literature: history & criticism
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Ends of Enlightenment explores three realms of eighteenth-century European innovation that remain active in the twenty-first century: the realist novel, philosophical thought, and the physical sciences, especially human anatomy. The European Enlightenment was a state of being, a personal stance, and an orientation to the world. Ways of probing experience and knowledge in the novel and in the visual arts were interleaved with methods of experimentation in science and philosophy. This book's fresh perspective considers the novel as an art but also as a force in thinking. The critica
Enlightenment - Influence. --- Enlightenment -- Influence. --- European fiction - 18th century - History and criticism. --- European fiction -- 18th century -- History and criticism. --- Literature - Philosophy. --- Literature -- Philosophy. --- Literature and science - Europe - History - 18th century. --- Literature and science -- Europe -- History -- 18th century. --- Realism in literature. --- European fiction --- Literature and science --- Realism in literature --- Literature --- Enlightenment --- Languages & Literatures --- Literature - General --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Morals and literature --- Ethics --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- European literature --- History and criticism --- History --- Philosophy --- Influence --- Moral and ethical aspects --- Roman européen --- Littérature et sciences --- Réalisme dans la littérature --- Littérature --- Siècle des Lumières --- History and criticism. --- Philosophy. --- Influence. --- Histoire et critique --- Histoire --- Philosophie --- Literature and morals
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Srinivas Aravamudan here reveals how Oriental tales, pseudo-ethnographies, sexual fantasies, and political satires took Europe by storm during the eighteenth century. Naming this body of fiction Enlightenment Orientalism, he poses a range of urgent questions that uncovers the interdependence of Oriental tales and domestic fiction, thereby challenging standard scholarly narratives about the rise of the novel. More than mere exoticism, Oriental tales fascinated ordinary readers as well as intellectuals, taking the fancy of philosophers such as Voltaire, Montesquieu, and Diderot in France, and writers such as Defoe, Swift, and Goldsmith in Britain. Aravamudan shows that Enlightenment Orientalism was a significant movement that criticized irrational European practices even while sympathetically bridging differences among civilizations. A sophisticated reinterpretation of the history of the novel, Enlightenment Orientalism is sure to be welcomed as a landmark work in eighteenth-century studies.
Orientalism --- Orientalism in literature. --- European fiction --- Enlightenment --- East and West --- History --- History and criticism. --- Orient --- In literature. --- enlightenment, orientalism, exotification, folklore, fairy tales, 1001 nights, ethnography, fantasy, sexuality, satire, domestic fiction, rise of the novel, literature, classics, british, 18th century, voltaire, montesquieu, diderot, france, defoe, swift, goldsmith, rationality, nation, identity, othering, nonfiction, literary theory, marana, behn, galland, hamilton, allegory, fontenelle, discovery, exploration, unknown, talking animals, bidpai, libertines, prevost, manley, sheridan, smollett, crebillon, scheherezade, sinbad, joyce, benjamin.
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