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In Reading Duncan Reading, thirteen scholars and poets examine, first, what and how the American poet Robert Duncan read and, perforce, what and how he wrote. Harold Bloom wrote of the searing anxiety of influence writers experience as they grapple with the burden of being original, but for Duncan this was another matter altogether. Indeed, according to Stephen Collis, "No other poet has so openly expressed his admiration for and gratitude toward his predecessors." Part one emphasizes Duncan's acts of reading, tracing a variety of his deriva
Duncan, Robert, --- Duncan, Robert Edward, --- Symmes, Robert, --- Duncan, Edward Howard, --- R. D. --- D., R. --- Duncan, Edward Howe, --- Symmes, Robert Edward, --- Criticism and interpretation. --- American poetry. --- American literature
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A landmark in the publication of twentieth-century American poetry, this first volume of the long-awaited collected poetry, non-critical prose, and plays of Robert Duncan gathers all of Duncan's books and magazine publications up to and including Letters: Poems 1953-1956. Deftly edited, it thoroughly documents the first phase of Duncan's distinguished life in writing, making it possible to trace the poet's development as he approaches the brilliant work of his middle period. This volume includes the celebrated works Medieval Scenes and The Venice Poem, all of Duncan's long unavailable major ventures into drama, his extensive "imitations" of Gertrude Stein, and the remarkable poems written in Majorca as responses to a series of collaged paste-ups by Duncan's life-long partner, the painter Jess. Books appear in chronological order of publication, with uncollected periodical and other publications arranged chronologically, following each book. The introduction includes a biographical commentary on Duncan's early life and works, and clears an initial path through the textual complexities of his early writing. Notes offer brief commentaries on each book and on many of the poems. The volume to follow, The Collected Later Poetry and Plays, will include The Opening of the Field (1960), Roots and Branches (1964), Bending the Bow (1968), Ground Work (1984), and Ground Work II (1987).
American literature. --- English literature --- Agrarians (Group of writers) --- Duncan, Robert, --- Duncan, Robert Edward, --- Symmes, Robert, --- Duncan, Edward Howard, --- R. D. --- D., R. --- Duncan, Edward Howe, --- Symmes, Robert Edward, --- 20th century poetry. --- american history. --- american poetry. --- art of poetry. --- books for poetry lovers. --- classical plays. --- classical poetry. --- complex literacy. --- creative writing. --- drama. --- emotional poems. --- engaging. --- gifts for mom. --- hardship. --- how to write a poem. --- inspirational stories. --- intense emotion. --- intense. --- leisure reads. --- literary art. --- literary skills. --- love poems. --- page turner. --- playwright. --- poems and plays. --- poetry book. --- poetry skills. --- robert duncan. --- touching. --- travel books. --- vacation reads.
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Art --- Grant, Duncan --- Picasso, Pablo --- Nicholson, Ben --- Lewis, Wyndham --- Sutherland, Graham --- Bacon, Francis --- Moore, Henry --- Hockney, David --- Great Britain --- moderne kunst --- Penrose, Roland --- Cooper, Douglas --- Lewis, Percy Wyndham --- 20ste eeuw --- Groot-Brittannië --- moderne kunst. --- Picasso, Pablo. --- Grant, Duncan. --- Penrose, Roland. --- Cooper, Douglas. --- Lewis, Percy Wyndham. --- Nicholson, Ben. --- Moore, Henry. --- Bacon, Francis. --- Sutherland, Graham. --- Hockney, David. --- 20ste eeuw. --- Groot-Brittannië. --- conservatie. --- restauratie. --- authenticiteitsonderzoek.
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This definitive biography gives a brilliant account of the life and art of Robert Duncan (1919-1988), one of America's great postwar poets. Lisa Jarnot takes us from Duncan's birth in Oakland, California, through his childhood in an eccentrically Theosophist household, to his life in San Francisco as an openly gay man who became an inspirational figure for the many poets and painters who gathered around him. Weaving together "ations from Duncan's notebooks and interviews with those who knew him, Jarnot vividly describes his life on the West Coast and in New York City and his encounters with luminaries such as Henry Miller, Anaïs Nin, Tennessee Williams, James Baldwin, Paul Goodman, Michael McClure, H.D., William Carlos Williams, Denise Levertov, Robert Creeley, and Charles Olson.
Gay men --- Modernism (Literature) --- Poets, American --- Art and literature --- History --- Duncan, Robert, --- Duncan, Robert Edward, --- Symmes, Robert, --- Duncan, Edward Howard, --- R. D. --- D., R. --- Duncan, Edward Howe, --- Symmes, Robert Edward, --- San Francisco (Calif.) --- San Francisco County (Calif.) --- San Francisco --- San Francisco City & County (Calif.) --- San Francisco City and County (Calif.) --- City & County of San Francisco (Calif.) --- City and County of San Francisco (Calif.) --- Saint Francisco (Calif.) --- Yerba Buena (Calif.) --- Intellectual life --- Duncan, Robert Edward --- Poets [American ] --- 20th century --- Biography --- United States --- 20th century america. --- 20th century lgbt community. --- 20th century literature. --- 20th century poets. --- american poetry. --- american poets. --- books for english majors. --- charles olson. --- coming of age. --- gender studies. --- inspirational biography. --- inspirational poets. --- jack spicer. --- lgbt figures. --- lgbt inspiration. --- lgbt poets. --- life lessons. --- modernism literary criticism. --- poet biography. --- poetry and poets. --- post wwii america. --- postwar literature. --- postwar poetry. --- robert creeley. --- robin blaser. --- san francisco poets. --- san francisco renaissance.
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German-language thinkers such as Kant, Marx, Nietzsche, and Freud are central to modernity. Yet their reception in the English-speaking world has largely depended on translations, a situation that has often hampered full engagement with the rhetorical and philosophical complexity of the German history of ideas. The present volume, the first of its kind, is a response to this situation. After an introduction charting the remarkable flowering of German-language thought since the eighteenth century, it offers extracts -- in the original German -- from sixteen major philosophical texts, with extensive introductions and annotations in English. All extracts are carefully chosen to introduce the individual thinkers while allowing the reader to pursue broader themes such as the fate of reason or the history of modern selfhood. The book offers students and scholars of German a complement to linguistic, historical, and literary study by giving them access to the wealth of German-language philosophy. It represents a new way into the work of a succession of thinkers who have defined modern philosophy and thus remain of crucial relevance today. The philosophers: Immanuel Kant, G. W. F. Hegel, Ludwig Feuerbach, Karl Marx, Arthur Schopenhauer, Friedrich Nietzsche, Sigmund Freud, Martin Heidegger, Walter Benjamin, Georg Lukács, Max Horkheimer and Theodor Adorno, Jürgen Habermas. Henk de Berg is Professor of German at the University of Sheffield. Duncan Large is Professor of German at Swansea University.
Philosophy, German --- German philosophy --- German language --- Philosophy. --- Ashkenazic German language --- Hochdeutsch --- Judaeo-German language (German) --- Judendeutsch language --- Judeo-German language (German) --- Jüdisch-Deutsch language --- Jüdischdeutsch language --- Germanic languages --- Arthur Schopenhauer. --- Duncan Large. --- Freud. --- Friedrich Nietzsche. --- G. W. F. Hegel. --- Georg Lukács. --- German History of Ideas. --- German-Language Thinkers. --- Henk de Berg. --- Immanuel Kant. --- Jürgen Habermas. --- Kant. --- Karl Marx. --- Ludwig Feuerbach. --- Martin Heidegger. --- Marx. --- Max Horkheimer. --- Modern German Thought. --- Nietzsche. --- Sigmund Freud. --- Theodor Adorno. --- Walter Benjamin.
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Opera often seems to arouse either irrational enthusiasm or visceral dislike. Such madness, as Goethe wrote, is indispensable in all theater, and yet in practice, sentiment and passion must be balanced by sense and reason. Exploring this tension between madness and reason, Not without Madness presents new analytical approaches to thinking about eighteenth- and nineteenth-century opera through the lenses of its historical and cultural contexts. In these twelve essays, Fabrizio Della Seta explores the concept of opera as a dramatic event and an essential moment in the history of theater. Examining the meaning of opera and the devices that produce and transmit this meaning, he looks at the complex verbal, musical, and scenic mechanisms in parts of La sonnambula, Ernani, Aida, Le nozze di Figaro, Macbeth, and Il trovatore. He argues that approaches to the study of opera must address performance, interpretation, composition, reception, and cultural ramifications. Purely musical analysis does not make sense unless we take into account music's dramatic function. Containing many essays available for the first time in English, Not without Madness bridges recent divisions in opera studies and will attract musicologists, musicians, and opera lovers alike.
Opera --- Verdi, Giuseppe, --- Criticism and interpretation. --- opera, performing arts, music, la sonnambula, ernani, aida, le nozze di figaro, macbeth, il trovatore, madness, reason, instability, mental health, rationality, insanity, passion, emotion, theater, drama, performance, interpretation, composition, reception, culture, verdi, italy, history, nonfiction, musicology, musicians, singers, aria, carlo quinto, exoticism, discourse, king duncan, shakespeare, french revolution, monarchy, kings, murder, assassination, melody, creativity, gabriele baldini, parola scenica, criticism, alberto mazzucato.
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Art --- labor --- Contemporary [style of art] --- hedendaagse kunst --- Burtynsky, Edward --- Boom, Irma --- Geers, Kendell --- Timmermans, Ante --- Ni Haifeng --- Visible Solutions --- Amorales, Carlos --- Apóstol, Alexander --- Biscotti, Rossella --- Cain, Ben --- Campbell, Duncan --- Cvijanovic, Nemanja --- Furlan, Tomaz --- Goldin+Senneby --- Hüner, Emre --- Izquierdo, Jota --- Jafri, Maryam --- Jitrik, Magdalena --- Karikis, Mikhail --- Kozakis, Nicolas --- Shen, Kuai --- Macià, Oswaldo --- Matthys, Michaël --- Monko, Marge --- Orlow, Uriel --- Pijnappel, Johan --- Schlingelhoff, Bea --- Selander, Lina --- Soi, Praneet --- Tomaszewski, Yan --- Harskamp, van, Nicoline --- Eynde, Vanden, Maarten --- Vega Macotela, José Antonio --- Vermeir, Katleen --- Woods, Paolo --- Claire Fontaine --- Konrad, Aglaia --- Heiremans, Ronny --- Lieshout, van, Erik --- Torfs, Ana --- Foundation Manifesta 9 Limburg --- Raqs Media Collective [New Delhi] --- IRWIN [Ljubljana]
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Trouble in the workplace - whether it is bullying, harassment or stress - is always in the headlines. Yet, in many discussions, the research and statistics that are cited prove unreliable. This book summarizes the largest specialist research programme on ill-treatment in the workplace so far undertaken. It provides a powerful antidote to half-truths and misinformation and offers a new way of conceptualizing trouble at work, moving the discussion away from individualized explanations - and talk of ''bullies'' and ''victims'' - towards the workplace characteristics that cause trouble at work. T
DOAB: Directory of Open Access Books. --- Jones,Trevor Author. --- Lewis,Duncan Author. --- Robinson,Amanda Author. --- Business & Economics --- Commerce --- Labor & Workers' Economics --- Marketing & Sales --- Employee rights. --- Bullying in the workplace. --- Labor laws and legislation. --- Employees --- Employment law --- Industrial relations --- Labor law --- Labor standards (Labor law) --- Work --- Working class --- Mobbing, Workplace --- Workplace bullying --- Workplace mobbing --- Employee rights --- Labor rights --- Rights of employees --- Legal status, laws, etc. --- Law and legislation --- Civil rights --- Industrial laws and legislation --- Social legislation --- Work environment --- Labor laws and legislation --- Employee rules --- Bullying in the workplace --- E-books --- Problem employees. --- Employees, Problem --- Work environment. --- Climate, Workplace --- Environment, Work --- Places of work --- Work places --- Working conditions, Physical --- Working environment --- Workplace --- Workplace climate --- Workplace environment --- Worksite environment --- Environmental engineering --- Industrial engineering --- Harassment. --- Business and Management. --- Harassment in the workplace --- Workplace harassment --- Offenses against the person --- Intimidation
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Art styles --- Art --- History --- art history --- Abstract [modern European style] --- Brancusi, Constantin --- Arp, Hans --- Eggeling, Viking --- Berlewi, Henryk --- Coburn, Alvin Langdon --- Richter, Hans --- Tatlin, Vladimir --- Lissitzky, El --- Stieglitz, Alfred --- Severini, Gino --- Delaunay, Robert --- Duchamp, Marcel --- Lewis, Wyndham --- Picasso, Pablo --- Albers, Josef --- Atkinson, Lawrence --- Kupka, Frantz --- Leck, van der, Bart --- Schönberg, Arnold --- Chlebnikow, Welimir --- Doesburg, van, Theo --- Hartley, Marsden --- Léger, Fernand --- Szpakowski, W. --- Krucenych, Aleksej --- Whistler, James Abbott McNeill --- Cendrars, Blaise --- Itten, Johannes --- Russell, Morgan --- Klee, Paul --- Gontcharova, Natalia --- Rodtschenko, Alexander Michajlowitsch --- Marinetti, Filippo Tommaso --- Moholy-Nagy, László --- Schlemmer, Oskar --- Tzara, Tristan --- Strand, Paul --- Cézanne, Paul --- Marc, Franz --- Majakovskij, Vladimir V. --- Ball, Hugo --- Kandinsky, Wassily --- Picabia, Francis --- Vantongerloo, Georges --- Boccioni, Umberto --- Carrà, Carlo --- Braque, Georges --- Mondriaan, Piet --- Covarrubias, Miguel --- Bomberg, David --- Delaunay, Sonia --- Apollinaire, Guillaume --- Duchamp-Villon, Raymond --- Depero, Fortunato --- Stella, Joseph --- Dove, Arthur Garfield --- Balla, Giacomo --- Bell, Vanessa --- Bortnyik, Sandor --- Cangiullo, Francesco --- Schwitters, Kurt --- Gaudier-Brzeska, Henri --- Giacometti, Augusto --- Grant, Duncan --- Hoelzel, Adolf --- Huszár, Vilmos --- Kliun, Ivan --- Klucis, Gustavs --- Kobro, Katarzyna --- Larionov, Michail Fiodorovich --- Matyushin, Mikhail Vasilievich --- O'Keeffe, Georgia --- Popova, Lyubov Sergeevna --- Russolo, Luigi --- Strzeminski, Wladyslaw --- Survage, Léopold --- Taeuber-Arp, Sophie Henriette Gertrud --- Weber, Max --- Malevitsj, Kasimir --- Buonarroti, Michelangelo --- Bragaglia, Anton Giulio --- Macke, August --- Man Ray --- anno 1900-1999 --- anno 2000-2099 --- Whistler, James McNeill
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hedendaagse kunst --- industrieel erfgoed --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- kunst --- eenentwintigste eeuw --- Genk --- steenkoolindustrie --- steenkoolmijnen --- industriële archeologie --- kunst en sociologie --- Limburg --- België --- steenkool --- mijnen --- mijnbouw --- erfgoed --- Alexandrov Grigori --- Almarcegui Lara --- kunst en politiek --- Amalrik Leoni --- Babichenko Vladimir --- Polkovnikov Vladimir --- Amorales Carlos --- Anthoine Roger --- twintigste eeuw --- Apostol alexander --- The Ashington group --- Auden Winston Hugh --- Becher Bernd --- Becher hilla --- Beehive design collective --- negentiende eeuw --- Bevierre Olivier --- fotografie --- Biscotti Rosselle --- Bissill George --- Boltanski Christian --- Boom Irma --- Pijnappel Johan --- Brandt Bill --- Britten Benjamin --- Broodthaers Marcel --- Buckle Janet --- Burian Zdenek --- Burtynsky Edward --- Cain Ben --- Campbell Duncan --- Cavalcanti Alberto --- Claire fontaine --- Claus Emile --- Cobb francis William --- Cornish Norman --- Cvijanovic Nemanja --- Daykin Gilbert --- Deller Jeremy --- Demuth Charles --- Douard Cécile --- Duchamp Marcel --- Duran Manuel --- Ernst Max --- Furlan Tomaz --- Geers Kendell --- Geerts Paul --- Granata Rocco --- Gronbach Eva --- Grubic Igor --- Guillaumin Armand --- Habex Jan --- Hair Thomas harrison --- Hammons David --- Harrison Tony --- van Harskamp Nicoline --- herman Josef --- Hüner Emre --- IRWIN --- Ivens Joris --- Storck henri --- Izquierdo Jota --- Jafri Maryam --- Jitrik magdalena --- Kaliski Kevin --- Karikis Mikhail --- Orlow Uriel --- Kessels Willy --- Kilbourn Oliver --- Klutsis Gustav --- Konrad Aglaia --- van Konijnenberg Willem Adriaan --- Kozakis Nicolas --- Vaneigen Raoul --- van der Leck Bart --- van Lieshou Erik --- Long Richard --- de Loutherbourg Philippe Jacques --- Luce maximilien --- Luque Manuel --- Macia Oswaldo --- Martin John --- Masereel Frans --- Mass-observation movement --- Matthys MichaëlMcCullin don --- McGuiness Tom --- McPhee Donn --- Meunier onstantin --- Mies van der Rohe Ludwig --- Monko Marge --- Moore Henry --- Munby Arthur --- Ni Haifeng --- Pabst Georg Wilhelm --- Perlee Parker Henry --- Paullus de Châtelet Pierre --- Raqs media collective --- Rittase William --- Robinson William Heath --- Ruegenberg Sergius --- Schlingelhoff Bea --- Selander Lina --- Shen Kuai --- Sime Sidney --- Smithson Robert --- Soi Praneet --- Stella Joseph --- Sutherland Graham Vivien --- Timmermans Ante --- Tomaszewski Yan --- Torfs Ana --- 2012architects --- REFUNC --- Vanden Eynde Maarten --- Vega Macotela José Antonio --- Venet Bernar --- Vermeir Katleen --- Heiremans Ronny --- Visible solutions, LLC --- Woods Paolo --- Zola Emile --- 7.03 --- 7.039 --- kunst 21e eeuw --- Manifesta --- kunstgeschiedenis - kunst vanaf 2001 --- Exhibitions --- MAD-faculty 12 --- Europese Biënnale --- Manifesta 2012 --- Kunsten --- Industriële archeologie --- Tentoonstellingen --- Biënnale --- Limburg (België) --- Steenkoolmijnen --- 20e eeuw --- 21e eeuw --- Kunst --- Tentoonstelling --- Limburg (Belgische provincie) --- Steenkoolmijn --- hedendaagse kunst. --- industrieel erfgoed. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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