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The volume explores selected relations between visual and verbal aspects of film, drama, literature and biography. The chapters deal with such areas as film adaptations, remakes, ekphrasis, photography and the novel, feminist rewritings, acts of iconoclasm in postcolonial drama, and biographical studies. Adopting a variety of methodologies, each of the contributors draws a link between the particular and the general, a text or a picture at hand and a mechanism that produces or annihilates meanings. Some big literary names surface in the book, most notably William Shakespeare and Henry James, but forgotten and marginalized writers and artists, such as old Irish poets, Wyndham Lewis, Stefan Themerson, feminist and postcolonial dramatists are also brought into the limelight.
Cinéma et littérature --- Communication visuelle --- Représentation (littérature)
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Design --- Visual communication --- Performing arts --- Communication visuelle --- Arts du spectacle
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Communication --- Visual communication --- Information --- Communication visuelle --- Brazil, Central West.
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Visual Explanations: Images and Quantities, Evidence and Narrative is about pictures of verbs, the representation of mechanism and motion, process and dynamics, causes and effects, explanation and narrative. Practical applications and examples include statistical graphics, charts for making important decisions in engineering and medicine, technical manuals, diagrams, design of computer interfaces and websites and on-line manuals, animations and scientific visualizations, techniques for talks, and design strategies for enhancing the rate of information transfer in print, presentations, and computer screens. The use of visual evidence in deciding to launch the space shuttle Challenger is discussed in careful detail. Video snapshots show redesigns of a supercomputer animation of a thunderstorm. The book is designed and printed to the highest standards, with luscious color throughout and four built-in flaps for showing motion and before/after effects.
Communication visuelle. --- Arts graphiques. --- Perception des images. --- Sémiotique. --- Graphic arts. --- Graphic design (Typography). --- Information visualization. --- Visual communication. --- Visual thinking. --- Communication visuelle --- Sémiotique.
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Communication --- Visual communication --- Information --- Communication visuelle --- Communication. --- Visual communication. --- Brazil, Central West.
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Communication --- Visual communication --- Information --- Communication visuelle --- Communication. --- Visual communication. --- Brazil, Central West.
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Le packaging est omniprésent dans nos vies : chacun de nous manipule près de cinquante packs par jour et en jette au moins cinq dans le même temps. Dans l'histoire du marketing, le passage de "l'emballage" au "packaging" accompagne le déploiement d'une économie du libre-service. Au sein de linéaires marchands encombrés, comment se distinguer, comment donner identité et voix à sa marque ? Situé à la croisée du design graphique et du design volume, le packaging a des fonctions techniques, logistiques, mais il est aussi l'un des principaux vecteurs de communication de la marque. Il est le vêtement symbolique du produit, celui par lequel est proposé au consommateur plus qu'un usage ou une présentation, un scénario de consommation et de vie.
Conditionnement --- Emballage --- Design industriel --- Communication en design --- Communication visuelle --- Packaging --- Packing for shipment --- Conditionnement (Emballage) --- Packaging. --- Commerce --- History. --- Industrial design --- Consumers --- Design --- Consommateurs --- Attitudes --- Conditionnement. --- Emballage. --- Design industriel. --- Communication en design. --- Communication visuelle.
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Une évaluation de l’impact du numérique sur l’architecture de paysage. Landscript 1: Landscape Vision Motion explore le changement de pensée visuelle qui s’est produit à travers le film et la vidéo mettant en mouvement de nouvelles dynamiques spatiales. Des professionnels de diverses disciplines commentent l’impact du film et de la vidéo dans la pensée paysagère contemporaine. Quels objectifs peut-on atteindre dans l’échange théorique entre les études visuelles, les médias numériques, le cinéma, l’espace et le mouvement ? Avec la révolution numérique qui se lève à nos portes, on peut certainement dire qu’une culture visuelle différente relative à l’architecture de paysage est née.
Landscape architecture. --- Landscape assessment. --- Visual communication. --- Landscape architecture --- Landscape assessment --- Visual communication --- Communication visuelle --- Paysage --- Art vidéo --- Art numérique
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