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Art, Japanese --- Prints, Japanese --- Art and society --- History

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L'histoire illustrée de la rencontre entre le Japon et l'Occident permet de découvrir les liens et les échanges tant dans les disciplines scientifiques et techniques qu'artistiques, pour une admiration réciproque.

Art, Japanese --- Art Japonais --- History --- Histoire --- Western countries --- Japan --- Japon --- Relations --- Occident

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Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture—one that until now has not been widely visible or thoroughly analyzed outside that country.In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862–1913), whose Book of Tea is still widely read today.Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period

Art, Japanese --- J6008.70 --- ART --- Art, Architecture & Applied Arts --- Asian --- Visual Arts --- Visual Arts - General --- Japan: Art and antiquities -- history -- Kindai (1850s- ), bakumatsu, Meiji, Taishō

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Essays on the Dutch collector and dealer in Japanese art Felix Tikotin (1893-1986) and an overview of the role of ghosts and demons as depicted in Japanese art.

Art, Japanese --- Ghosts in art --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Japanese art --- Andepandan (Group of artists) --- Kyūshū-ha (Group of artists) --- Ryu (Group of artists) --- Tikotin, Felix. --- Tikotin --- Chikochin, Ferikkusu --- SieboldHuis --- Muzeʼon Ṭiḳoṭin le-omanut Yapanit --- Tikotin Museum of Japanese Art --- המוסיאון לאמנות יפאנית (חיפה) --- מוזיאון טיקוטין לאומנות יפנית --- מוזיאון טיקוטין לאמנות יפנית --- Muzeʼon le-omanut Yapanit (Haifa, Israel) --- History. --- J1723.80 --- J6013.25 --- J1612.61 --- Japan: Religion in general -- demonology --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in Europe -- Netherlands --- J6012.61 --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in Asia -- Middle East -- Israel --- Art, Primitive