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The Cambridge History of the English Novel chronicles an ever-changing and developing body of fiction across three centuries. An interwoven narrative of the novel's progress unfolds in more than fifty chapters, charting continuities and innovations of structure, tracing lines of influence in terms of themes and techniques, and showing how greater and lesser authors shape the genre. Pushing beyond the usual period-centered boundaries, the History's emphasis on form reveals the range and depth the novel has achieved in English. This book will be indispensable for research libraries and scholars, but is accessibly written for students. Authoritative, bold and clear, the History raises multiple useful questions for future visions of the invention and re-invention of the novel. Some important English novels have been popular; some have not; but ours is not a history of bestsellers. To be sure, the novel is not an entirely autonomous literary form, developing in isolation from the influence of market forces or of politics, national or international. Far from it: no one could seriously make such an argument. And yet if the novel sees at all - if it offers unique insights - it does so above all through the ceaseless making, breaking, and remaking of literary forms. Every decision that a novelist makes is formally mediated, and thinking through those decisions provides access to the history of the novel as such. By attending to this history of formal innovations one begins to understand the range and depth of which the English novel has been capable. We hope, even though the Cambridge History concludes by affirming the enduring power of romance, that our way of turning the novel's progress into history is less quixotic than the quest of the Knight of the Woeful Countenance.
Roman anglais --- English fiction --- Histoire et critique --- History and criticism. --- Histoire et critique.
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In the eighteenth century, the novel became established as a popular literary form all over Europe. Britain proved an especially fertile ground, with Defoe, Fielding, Richardson and Burney as early exponents of the novel form. The Cambridge Introduction to the Eighteenth-Century Novel considers the development of the genre in its formative period in Britain. Rather than present its history as a linear progression, April London gives an original new structure to the field, organizing it through three broad thematic clusters - identity, community and history. Within each of these themes, she explores the central tensions of eighteenth-century fiction: between secrecy and communicativeness, independence and compliance, solitude and family, cosmopolitanism and nation-building. The reader will gain a thorough understanding of both prominent and lesser-known novels and novelists, key social and literary contexts, the tremendous formal variety of the early novel and its growth from a marginal to a culturally central genre.
English fiction --- History and criticism. --- Arts and Humanities --- Literature --- Roman anglais --- 18e siècle --- Histoire et critique
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This book argues that many of the mid-twentieth century's significant novelists were united by a desire to return the increasingly interior novel to ethical engagement. They did not seek morality in society, politics or the individual will, but sought to unveil a transcendent Good by using techniques drawn from the canon of mystical literature.
Roman anglais --- Histoire et critique --- Murdoch, Iris, --- Golding, William, --- White, Patrick, --- Bellow, Saul, --- Critique et interprétation --- Histoire et critique. --- Golding, William --- Critique et interprétation. --- Bellow, Saul
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Roman pour la jeunesse anglais --- Children's literature, English --- Castaways in literature. --- Crusoe, Robinson (Fictitious character) --- Books and reading --- Histoire et critique --- History and criticism. --- History. --- Defoe, Daniel, --- Robinsonade. --- Jugendliteratur. --- Englisch. --- Kinderliteratur. --- Crusoe, Robinson (Fictitious character). --- Histoire et critique. --- Roman anglais pour la jeunesse --- Defoe, Daniel --- Crusoe, Robinson
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In the nineteenth century, the relationship between the human body and the object world was redefined by momentous social, cultural, and scientific changes. This book traces the emergence of an exciting range of ideas about materiality, phenomenological experience, and the realm of objects in nineteenth-century literature and culture. The book features contributions by leading specialists in the field as well as the work of younger colleagues. The collection sheds new light on the porous boundaries, affinities, and frictions between bodies and things in the nineteenth-century imagination by drawing on the insights of gender studies, postcolonial studies, the history of science, and performance studies. The contributors explore canonical nineteenth-century works by Jane Austen, Charlotte Bront︠, Charles Dickens, and Henry James, alongside less-familiar texts, such as travelogues, cartoons and scientific treatises, and a wide range of objects including nineteenth-century automata, scrapbooks, museum exhibits and antiques.
Corps humain dans la littérature --- Corps humain --- Englisch. --- English fiction --- English fiction. --- Human Body. --- Human body in literature --- Human body in literature. --- Human body --- Human body. --- Körper --- LITERARY CRITICISM --- Literatur. --- Literature. --- Medicine in Literature. --- Medicine in literature. --- Médecine dans la littérature. --- Objekt --- Roman anglais --- Sachkultur. --- Aspect social --- Aspect symbolique --- History and criticism --- Social aspects --- Social aspects. --- Symbolic aspects --- Symbolic aspects. --- European --- English, Irish, Scottish, Welsh. --- Histoire et critique --- 1800-1899. --- England.
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The Queer Uncanny: New Perspectives on the Gothic investigates the diverse roles that the uncanny, as defined by Sigmund Freud, Helene Cixous and other theorists, plays in representing lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007. Novels by Christopher Bram, Alan Hollinghurst, Randall Kenan, Shani Mootoo, James Purdy, Sarah Schulman, Ali Smith, Sarah Waters, Jeanette Winterson and other writers are discussed in the context of queer theory and gothic critical writing. The notion of the uncanny as '
Psychanalyse et littérature --- Étrangeté --- Homosexualité --- Roman gothique --- Gothique (subculture) --- Roman anglais --- Dans la littérature --- Histoire et critique --- Gothic fiction (Literary genre) --- Homosexuality in literature. --- Gothic horror tales (Literary genre) --- Gothic novels (Literary genre) --- Gothic romances (Literary genre) --- Gothic tales (Literary genre) --- Romances, Gothic (Literary genre) --- Detective and mystery stories --- Horror tales --- Suspense fiction --- Homosexuality in literature --- Sex in literature --- Psychanalyse et littérature. --- Roman gothique. --- Dans la littérature. --- Histoire et critique. --- English fiction --- Uncanny, The (Psychoanalysis), in literature. --- Gays in literature. --- English literature --- History and criticism. --- Gay people in literature.
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