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What does it mean to be human? Humanism has mostly considered this question from a Western perspective. Through a detailed examination of a vast literary tradition, Hamid Dabashi asks that question anew, from a non-European point of view. The answers are fresh, provocative, and deeply transformative. This groundbreaking study of Persian humanism presents the unfolding of a tradition as the creative and subversive subconscious of Islamic civilization. Exploring how 1,400 years of Persian literature has taken up the question of what it means to be human, Dabashi proposes that the literary subconscious of a civilization may also be the undoing of its repressive measures. This could account for the masculinist hostility of the early Arab conquest that accused Persian culture of effeminate delicacy and sexual misconduct, and later of scientific and philosophical inaccuracy. As the designated feminine subconscious of a decidedly masculinist civilization, Persian literary humanism speaks from a hidden and defiant vantage point-and this is what inclines it toward creative subversion. Arising neither despite nor because of Islam, Persian literary humanism was the artistic manifestation of a cosmopolitan urbanism that emerged in the aftermath of the seventh-century Muslim conquest. Removed from the language of scripture and scholasticism, Persian literary humanism occupies a distinct universe of moral obligations in which "a judicious lie," as the thirteenth-century poet Sheykh Mosleh al-Din Sa'di writes, "is better than a seditious truth."
Persian literature --- Humanism in literature. --- History and criticism.
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Our culture attempts to separate competing ideological factions by denying relationships between multiple perspectives and influences outside of one's own narrow interpretive community. The distinguished essayists in this volume find Daniel R. Schwarz's pluralistic, self-questioning approach to what he calls "reading texts and reading lives" quite relevant to the current historical moment and political situation. A legendary scholar of modernist literature, Schwarz's critical principles are a healthy corrective to cultural hubris.The essayists treat works ranging from fictions by Joyce, Conrad, Morrison, and Woolf to the poetry to Yeats, to Holocaust literature, to the environmental writings of Wendell Berry, to the photographs of Lee Friedlander. The authors focus on different works, but they follow Schwarz in stressing formal elements most often associated with traditional realism while keeping an eye on historical and author-centered approaches. The essayists also follow Schwarz in their emphasis on narrative cohesion and in how they look for signs of agency among characters who possess the will to alter their fate, even in a seemingly random universe such as the one depicted by Conrad. Readers with eyes to ethics and aesthetics, they follow Schwarz in encouraging a values-centered approach that leaves room for the reader to address the ways in which reading a text correlates to the reader's ability to find meaning and value in experience outside the text. Like Schwarz, the essays look for intentionality of authorial meaning (rather than something called an "author function") as well as for the relationship between lived experience and the imagined world of the literary work (rather than the endless semiotic play of an ultimately indecipherable text).
Humanism in literature --- Ethics in literature --- Poetics --- Literature, Modern --- History and criticism --- Theory, etc.
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L'étude de l'oeuvre de l'écrivain R. Gary met au jour une certaine forme d'humanisme en plaçant l'individu au centre d'un questionnement sur le sens. L'importance laissée à l'imaginaire pour résister au réel et transformer le monde témoigne ainsi d'un indéfectible optimisme et d'un grand désir de fraternité.
Humanism in literature --- Authors, French --- Humanisme dans la littérature --- Ecrivains français --- Gary, Romain --- Humanisme dans la littérature --- Ecrivains français --- Gary, Romain.
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Les lettrés du début du xvie siècle cherchent à modifier la réalité sociale de leur temps en élaborant dans leurs oeuvres des descriptions de société originales, d'intention pragmatique, pour lesquelles ils s'efforcent d'obtenir l'approbation légitimante des instances de pouvoir. La présente étude se propose de lire dans cette perspective l'Utopie de More, l'Institution du prince chrétien d'Érasme, le De subventione pauperum de Vivès, le De philologia de Budé et le Livre du courtisan de Castiglione.
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Renaissance --- humanism --- Petrarca, Francesco --- Alberti, Leon Battista --- Humanism --- Humanism in literature. --- Pétrarque, --- Alberti, Leon Battista, --- Petrarca, Francesco, --- Critique et interprétation --- Criticism and interpretation. --- Humanism in literature --- Pétrarque --- Petrarch --- Petracco, Francesco --- Petrarca, Francesco (1304-1374) --- Albert, Leon Baptiste --- Alberti, Leon Batista --- Alberti, Leo Baptista, --- Alberti, Leon Batista, --- Alberti, Leonis Baptiste, --- Alberti, Leone Battista, --- Alberti, L. B. --- Alberti, Battista, --- אלברטי, ליאון באטיסטה --- Lepidus, --- Critique et interprétation. --- Petrarca, Franciscus, --- Petrarch, --- Petrarch, Francesco, --- Petrarcha, Franciscus, --- Petrark, --- Petrarka, Franchesko, --- Peṭrarḳa, Frants'esḳo, --- Pétrarque, --- Петрарка, Франческо, --- פטררקא, פרנצ׳סקו --- Pétrarque --- Critique et interprétation.
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Das 20. Jahrhundert erlebte eine »Ästhetisierung der Politik« (Benjamin). Humanismus wurde zum politisch beliebigen Slogan, bildete aber gleichzeitig eine gemeinsame Kommunikationsbasis zwischen Künstler und Publikum. Der Band geht der gegenwärtigen interkulturellen Transformation und Verbreitung humanistisch inspirierter Literatur und Theaterkunst am Beispiel der englischen und chinesischen Tradition nach. Damit eröffnet er zugleich einen anschaulichen Blick auf einen wichtigen Aspekt der kulturellen Globalisierung. Es zeigt sich, dass Humanismus in der heutigen Kunst längst kein rigider Rationalismus oder wissenschaftlicher Positivismus mehr ist, mit denen er oft verbunden wurde. Vielmehr beeinflusste er autobiografische Erzählungen und Stücke (Gao Xingjian), favorisierte ganz persönliche Erfahrungen gegenüber einer institutionalisierten und anonymen Geschichte (Mo Yan) und förderte Neuinterpretationen eines westlichen Erzählkanons (Wu Hsing-kuo und sein Stück »Lear«). Besprochen in: Die Deutsche Bühne, 9 (2012) GERMANISTIK, 54/3-4 (2013)
Thematology --- Drama --- anno 2000-2099 --- Literature --- Humanism in literature. --- Humanism in art. --- History and criticism. --- Film; Theater; Shakespeare; Kultur; Humanismus; Konfuzianismus; Exil; Gao Xingjian; Lu Xun; Lao She; Mo Yan; Lin Shu; Liang Shiqiu; Literatur; Mensch; Allgemeine Literaturwissenschaft; Theaterwissenschaft; Globalisierung; Interkulturalität; Literaturwissenschaft; Theatre; Culture; Literature; Human; General Literature Studies; Theatre Studies; Globalization; Interculturalism; Literary Studies --- Culture. --- General Literature Studies. --- Globalization. --- Human. --- Interculturalism. --- Literary Studies. --- Literature. --- Theatre Studies. --- Theatre.
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