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Analyse du sens dans le langage, la structure sémantique, du point de vue de l'histoire et de la société, dans le cadre du récit, de la poésie, des proverbes et des dictons.
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This book examines one of the allegedly unique features of human language: structure sensitivity. Its point of departure is the distinction between content and structural units, which are defined in psycholinguistic terms. The focus of the book is on structural representations, in particular their hierarchicalness and their branching direction. Structural representations reach variable levels of activation and are therefore gradient in nature. Their variable strength is claimed to account for numerous effects including differences between individual analytical levels, differences between languages as well as pathways of language acquisition and breakdown. English is found to be consistent in its branching direction and to have evolved its branching direction in line with the cross-level harmony constraint. Structure sensitivity is argued to be highly variable both within and across languages and consequently an unlikely candidate for a defining property of human language.
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Sociolinguistics --- English language --- Dialectology --- Anglais (langue) --- Changement linguistique --- Géographie linguistique --- Variation linguistique --- Géographie linguistique. --- Variation linguistique.
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German language --- Dialectology --- Régionalismes (linguistique) --- Linguistique structurale
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Linguistics --- Linguistics. --- Linguistique structurale. --- Linguistique structurale
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Numéro en hommage à Hubert Guyard, ce linguiste et psychologue qui a apporté une contribution importante à l'étude des aphasies. Il a collaboré avec des informaticiens sur la formalisation d'exercices logiques proposés aux aphasiques. Il a apporté des contributions à la compréhension d'autres syndromes que l'aphasie, qu'ils soient neurologiques ou psychiatriques.
Aphasia --- Linguistics --- Aphasie --- Linguistique
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Gonda is a 16mm film experimenting in cinematic and linguistic registers through a polyphonic monologue. The films screenplay is written by Maria Fusco and commissioned by Film London. Gonda is informed by Ayn Rand’s 1934 play ‘Ideal.’ In the play’s script, controversial Russian-American writer and philosopher Rand lays out her philosophical system of ‘Objectivism’ with its stubbornly anti-altruistic and individualistic position. As a critical counter to Rand’s position, Gonda creates kaleidoscopic printed spaces in which image and text shift roles to affect presupposed ideals of identity and existence. Noting how the cinematic image actually gazes back on us, Mayer utilises highly stylised and precisely composed imagery, featuring Dutch transgender model Valentijn de Hingh. The screenplay was developed from a series of interdisciplinary workshops, which included academics, curators, critics, and writers, and centered on the possibilities of writing through or by, rather than about Rand’s play. Gonda’s text cannibalizes new writing and transcribed workshop material together with five letter-based passages from ‘Ideal.’ With a chorus of voices pronouncing the personal pronoun “I” and chanting aloud the accompanying grammar of “comma, dash, full stop,” Gonda is a film of voices. These sonic interventions serve to further unravel the unified notion of subjectivity central to Rand’s work, replacing it with a mutable entity more aligned with Donna Haraway’s conception of the self as a hybrid cyborg.
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Linguistique --- dictionnaires --- Linguistes --- Linguistique. --- Philologie. --- Språkvetenskap. --- Dictionnaires. --- Biographies. --- dictionnaires.
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Spanish language --- Relative clauses. --- Espagnol (langue) --- Corrélation (linguistique) --- Corrélation (linguistique).
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Psychoanalysis --- Psychotherapy --- Linguistics --- Psychanalyse --- Linguistique
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