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Yeats, William Butler (1865-1939) --- Yeats, Georgie (1892-1968) --- Correspondance
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McPHERSON Martin --- Dancing at Lughnasa --- Crpple of Inishmaan --- Cathleen, the Daughter of Houlihan --- Riders to the Sea --- Cock A Doodle Dandy --- The Weir --- O'Casey, Sean --- Friel, Brian --- Yeats, William Butler --- Synge, John-Millington --- McDonagh, Martin
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Myth, Language and Tradition is an in-depth study of three modernist poets: W. B. Yeats, Wallace Stevens and T. S. Eliot with regard to the concepts of myth, poetic language and tradition. These are analysed against the later philosophy of Martin Heidegger. Each part of the book is devoted to one poet and one of the abovementioned aspects, the conclusion seeks to consolidate the various ideas explored throughout the book and to propose a new reading of the literary modernism. The main objec...
Gesture in literature. --- Myth in literature. --- Eliot, T. S. --- Stevens, Wallace, --- Yeats, W. B. --- Yeats, William Butler --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Йейтс, У. Б. --- Ĭeĭts, U. B. --- Йейтс, Уильям Батлер, --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Eliot, Thomas Stearns --- Criticism and interpretation. --- Ai-lüeh-tʻe, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס.
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In How the Writings of William Morris Shaped the Literary Style of Tennyson, Swinburne, Gissing, and Yeats; Barthesian Re-Writings Based on the Pleasure of Distorting Repetition she succeeds in combining a clear interpretative line with a cogent methodology .In particular, she is most successful in her deployment of the theories of Roland Barthes which are never transformed into a superimposed discourse on the hermeneutic procedures adopted. In the course of her close reading of William Morris's poetic and narrative texts she identifies a dialogic parallelism with those authors who recognized
Authors and readers -- Great Britain -- History -- 19th century. --- Gissing, George, -- 1857-1903 -- Criticism and interpretation. --- Imitation in literature. --- Morris, William, -- 1834-1896 -- Contemporaries. --- Morris, William, -- 1834-1896 -- Influence. --- Swinburne, Algernon Charles, -- 1837-1909 -- Criticism and interpretation. --- Tennyson, Alfred Tennyson, -- Baron, -- 1809-1892 -- Criticism and interpretation. --- Yeats, W. B. -- (William Butler), -- 1865-1939 -- Criticism and interpretation. --- Imitation in literature --- Authors and readers --- English --- Languages & Literatures --- English Literature --- Readers and authors --- Authorship --- Quotation --- Literary style --- Mimesis in literature --- Originality in literature --- Plagiarism --- History --- Morris, William, --- Tennyson, Alfred Tennyson, --- Swinburne, Algernon Charles, --- Gissing, George, --- Yeats, W. B. --- Influence. --- Contemporaries. --- Criticism and interpretation. --- Gissing, George Robert, --- گيسينگ، جورج --- Morisu, Wiriamu, --- Morris, Uilʹi︠a︡m, --- Morris, William M., --- Moris, V., --- Морис, В., --- Yeats, William Butler --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Йейтс, У. Б. --- Ĭeĭts, U. B. --- Йейтс, Уильям Батлер, --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Tennyson, Alfred --- Alfred
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"Because I am not silent," George Oppen wrote, "the poems are bad." What does it mean for the goodness of an art to depend upon its disappearance? In Being Numerous, Oren Izenberg offers a new way to understand the divisions that organize twentieth-century poetry. He argues that the most important conflict is not between styles or aesthetic politics, but between poets who seek to preserve or produce the incommensurable particularity of experience by making powerful objects, and poets whose radical commitment to abstract personhood seems altogether incompatible with experience--and with poems. Reading across the apparent gulf that separates traditional and avant-garde poets, Izenberg reveals the common philosophical urgency that lies behind diverse forms of poetic difficulty--from Yeats's esoteric symbolism and Oppen's minimalism and silence to O'Hara's joyful slightness and the Language poets' rejection of traditional aesthetic satisfactions. For these poets, what begins as a practical question about the conduct of literary life--what distinguishes a poet or group of poets?--ends up as an ontological inquiry about social life: What is a person and how is a community possible? In the face of the violence and dislocation of the twentieth century, these poets resist their will to mastery, shy away from the sensual richness of their strongest work, and undermine the particularity of their imaginative and moral visions--all in an effort to allow personhood itself to emerge as an undeniable fact making an unrefusable claim.
Poetry, modern --- Modern poetry --- Poetry --- History and criticism --- Theory, etc. --- Poetry, Modern --- A. R. Ammons. --- Anglo-American poetry. --- Bob Perelman. --- Discrete Series. --- Frank O'Hara. --- George Oppen. --- Language poetry. --- Leningrad. --- Robinson Crusoe. --- The Materials. --- William Butler Yeats. --- aesthetics. --- collective intention. --- collectivity. --- completeness. --- conversation. --- counterfactual identity. --- cultural determinism. --- ethics. --- eugenics. --- freedom. --- grammaticality. --- inattention. --- interpretation. --- judgment. --- literary life. --- love. --- minimalism. --- particularity. --- perfection. --- person. --- personhood. --- poem. --- poet. --- poetic agency. --- poetic community. --- poetic difficulty. --- poetic knowledge. --- poetic mastery. --- poetic politics. --- poetry. --- preference. --- reading. --- silence. --- slightness. --- social life. --- social recognition. --- symbolism. --- translation.
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Le catalogue accompagnant et prolongeant la 11e édition de l'exposition internationale, organisée par la commissaire argentine Victoria Noorthoorn (avec 78 artistes du monde entier, venus principalement d'Europe, d'Afrique et d'Amérique latine), conçu comme un montage autonome d'œuvres visuelles et textuelles ouvrant sur une multiplicité de significations.
Art, Modern --- Art --- Art contemporain --- Typographie --- Illustration --- Photographie --- Installation-art --- kunst --- eenentwintigste eeuw --- Biennale de Lyon --- twintigste eeuw --- kunst en literatuur --- Acevedo Velarde Gabriel --- Anastas Ayreen --- Arit Roberto --- The artic perspective intiative --- Azevedo Ronaldo --- Baladran Zbynek --- Ballestreros Ernesto --- de Barros Lenora --- van Bart Hannah --- Basualdo Eduardo --- Beckett Samuel --- Beltran Erick --- Benjamin Walter --- Bernhard Thomas --- Blanchi Diego --- Bijl Guillaume --- Bispo do Rosario Arthur --- Bismuth Pierre --- Bock Katinka --- Borges Jorge Luis --- Bowles Paul --- von Brandenburg Ulla --- Bret Cyrille --- Bryce Fernando --- Bucher François --- Büchner Georg --- Burroughs William --- Cage John --- Lohner Henning --- de Campos Augusto --- Catani Beatriz --- The center for historical reenactments --- Chiota Virginia --- Cornelissen Robbie --- De Caro Marina --- Dehn Jochen --- Discrit Julien --- Drucaroff Elsa --- Dumas Marlene --- Aeschylus --- Farace Ariel --- Feldman Morton --- Filliou Robert --- Filko Stano --- Friedman Yona --- Froment --- uller Richard Buckminster --- Gabri René --- Gamerro Carlos --- Gombrowicz Witold --- de Gongora y argote Luis --- Grygar Milan --- Hadjithomas Joana --- Hernandez Felisberto --- Herrera Arturo --- Homerus --- Huisman Michel --- Hutchins Jessica --- Jacoby Roberto --- Ji Yun-Fei --- Joreige Khalil --- Kafka Franz --- Keller Christoph --- Kirchuk Irina --- Koch Lucia --- Kotatkova Eva --- Kusmirowski Robert --- Lamborghini Osvaldo --- Lamothe Luciana --- Langa Moshekwa --- Langer --- Laskey Ruth --- Leblon Guillaume --- Lehulere Kemang Wa --- Lhopital Christian --- Lima Laura --- Lopes Jarbas --- Macchi Jorge --- Matalon Linda --- Meireles Cildo --- Mira Ruben --- Montaron Laurent --- Moreno Maria --- Mujica Hugo --- Noorthoorn Victoria --- The Otolith group --- Ortiz Bernardo --- Ortiz Juan L. --- Paris Nicolas --- Pierce Sarah --- Petitgand Dominique --- Phelan Garrett --- Rapson Sarah --- Raspail thierry --- Rose Tracey --- Restrepo José Alejandro --- Schellow Alexander --- Seror Benjamin --- Sierra Gabriel --- Stoppard Tom --- Strik Elly --- Swift Jonathan --- Tait Neal --- Tantanian Alejandro --- Tellez Javier --- Thomas Daniela --- Toguo Barthélémy --- Verzutti Erika --- Vitagliano Miguel --- Wavelet Christophe --- Werthein Judi --- Yeats William Butler --- Yiadom-Boakye Lynette --- Zamora Hector --- 7.039 --- Exhibitions --- Ortiz Juan L --- Art, Modern - 21st century - Exhibitions
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