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2011 (6)

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Book
W.B. Yeats and George Yeats : the letters
Authors: --- ---
ISBN: 9780198184386 Year: 2011 Publisher: Oxford New York : Oxford Univeristy Press,

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Book
Dramaty irlandzkie : W.B. Yeats, J.M. Synge, S. O'Casey, B. Friel, M. McDonagh, M. McPherson
Authors: --- --- --- --- --- et al.
ISBN: 9788361005025 Year: 2011 Publisher: Varsovie Cracovie Dialog Instytut Ksiazki


Book
Myth, Language and Tradition
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ISBN: 1443830798 9781443830799 1443829471 9781443829472 Year: 2011 Publisher: Newcastle upon Tyne Cambridge Scholars Pub.

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Myth, Language and Tradition is an in-depth study of three modernist poets: W. B. Yeats, Wallace Stevens and T. S. Eliot with regard to the concepts of myth, poetic language and tradition. These are analysed against the later philosophy of Martin Heidegger. Each part of the book is devoted to one poet and one of the abovementioned aspects, the conclusion seeks to consolidate the various ideas explored throughout the book and to propose a new reading of the literary modernism. The main objec...


Book
How the writings of William Morris shaped the literary style of Tennyson, Swinburne, Gissing, and Yeats
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ISBN: 0773420487 9780773420489 9780773439139 0773439137 Year: 2011 Publisher: Lewiston, N.Y. Edwin Mellen Press

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In How the Writings of William Morris Shaped the Literary Style of Tennyson, Swinburne, Gissing, and Yeats; Barthesian Re-Writings Based on the Pleasure of Distorting Repetition she succeeds in combining a clear interpretative line with a cogent methodology .In particular, she is most successful in her deployment of the theories of Roland Barthes which are never transformed into a superimposed discourse on the hermeneutic procedures adopted. In the course of her close reading of William Morris's poetic and narrative texts she identifies a dialogic parallelism with those authors who recognized

Keywords

Authors and readers -- Great Britain -- History -- 19th century. --- Gissing, George, -- 1857-1903 -- Criticism and interpretation. --- Imitation in literature. --- Morris, William, -- 1834-1896 -- Contemporaries. --- Morris, William, -- 1834-1896 -- Influence. --- Swinburne, Algernon Charles, -- 1837-1909 -- Criticism and interpretation. --- Tennyson, Alfred Tennyson, -- Baron, -- 1809-1892 -- Criticism and interpretation. --- Yeats, W. B. -- (William Butler), -- 1865-1939 -- Criticism and interpretation. --- Imitation in literature --- Authors and readers --- English --- Languages & Literatures --- English Literature --- Readers and authors --- Authorship --- Quotation --- Literary style --- Mimesis in literature --- Originality in literature --- Plagiarism --- History --- Morris, William, --- Tennyson, Alfred Tennyson, --- Swinburne, Algernon Charles, --- Gissing, George, --- Yeats, W. B. --- Influence. --- Contemporaries. --- Criticism and interpretation. --- Gissing, George Robert, --- گيسينگ، جورج --- Morisu, Wiriamu, --- Morris, Uilʹi︠a︡m, --- Morris, William M., --- Moris, V., --- Морис, В., --- Yeats, William Butler --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Йейтс, У. Б. --- Ĭeĭts, U. B. --- Йейтс, Уильям Батлер, --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Tennyson, Alfred --- Alfred


Book
Being Numerous
Author:
ISBN: 1282964526 9786612964527 1400836522 9781400836529 9780691144832 0691144834 9780691148663 069114866X Year: 2011 Publisher: Princeton, NJ

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"Because I am not silent," George Oppen wrote, "the poems are bad." What does it mean for the goodness of an art to depend upon its disappearance? In Being Numerous, Oren Izenberg offers a new way to understand the divisions that organize twentieth-century poetry. He argues that the most important conflict is not between styles or aesthetic politics, but between poets who seek to preserve or produce the incommensurable particularity of experience by making powerful objects, and poets whose radical commitment to abstract personhood seems altogether incompatible with experience--and with poems. Reading across the apparent gulf that separates traditional and avant-garde poets, Izenberg reveals the common philosophical urgency that lies behind diverse forms of poetic difficulty--from Yeats's esoteric symbolism and Oppen's minimalism and silence to O'Hara's joyful slightness and the Language poets' rejection of traditional aesthetic satisfactions. For these poets, what begins as a practical question about the conduct of literary life--what distinguishes a poet or group of poets?--ends up as an ontological inquiry about social life: What is a person and how is a community possible? In the face of the violence and dislocation of the twentieth century, these poets resist their will to mastery, shy away from the sensual richness of their strongest work, and undermine the particularity of their imaginative and moral visions--all in an effort to allow personhood itself to emerge as an undeniable fact making an unrefusable claim.


Book
Une terrible beauté est née = A terrible beauty is born
Authors: ---
ISBN: 9782840664857 2840664852 Year: 2011 Publisher: Paris: Presses du réel,

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Le catalogue accompagnant et prolongeant la 11e édition de l'exposition internationale, organisée par la commissaire argentine Victoria Noorthoorn (avec 78 artistes du monde entier, venus principalement d'Europe, d'Afrique et d'Amérique latine), conçu comme un montage autonome d'œuvres visuelles et textuelles ouvrant sur une multiplicité de significations.

Keywords

Art, Modern --- Art --- Art contemporain --- Typographie --- Illustration --- Photographie --- Installation-art --- kunst --- eenentwintigste eeuw --- Biennale de Lyon --- twintigste eeuw --- kunst en literatuur --- Acevedo Velarde Gabriel --- Anastas Ayreen --- Arit Roberto --- The artic perspective intiative --- Azevedo Ronaldo --- Baladran Zbynek --- Ballestreros Ernesto --- de Barros Lenora --- van Bart Hannah --- Basualdo Eduardo --- Beckett Samuel --- Beltran Erick --- Benjamin Walter --- Bernhard Thomas --- Blanchi Diego --- Bijl Guillaume --- Bispo do Rosario Arthur --- Bismuth Pierre --- Bock Katinka --- Borges Jorge Luis --- Bowles Paul --- von Brandenburg Ulla --- Bret Cyrille --- Bryce Fernando --- Bucher François --- Büchner Georg --- Burroughs William --- Cage John --- Lohner Henning --- de Campos Augusto --- Catani Beatriz --- The center for historical reenactments --- Chiota Virginia --- Cornelissen Robbie --- De Caro Marina --- Dehn Jochen --- Discrit Julien --- Drucaroff Elsa --- Dumas Marlene --- Aeschylus --- Farace Ariel --- Feldman Morton --- Filliou Robert --- Filko Stano --- Friedman Yona --- Froment --- uller Richard Buckminster --- Gabri René --- Gamerro Carlos --- Gombrowicz Witold --- de Gongora y argote Luis --- Grygar Milan --- Hadjithomas Joana --- Hernandez Felisberto --- Herrera Arturo --- Homerus --- Huisman Michel --- Hutchins Jessica --- Jacoby Roberto --- Ji Yun-Fei --- Joreige Khalil --- Kafka Franz --- Keller Christoph --- Kirchuk Irina --- Koch Lucia --- Kotatkova Eva --- Kusmirowski Robert --- Lamborghini Osvaldo --- Lamothe Luciana --- Langa Moshekwa --- Langer --- Laskey Ruth --- Leblon Guillaume --- Lehulere Kemang Wa --- Lhopital Christian --- Lima Laura --- Lopes Jarbas --- Macchi Jorge --- Matalon Linda --- Meireles Cildo --- Mira Ruben --- Montaron Laurent --- Moreno Maria --- Mujica Hugo --- Noorthoorn Victoria --- The Otolith group --- Ortiz Bernardo --- Ortiz Juan L. --- Paris Nicolas --- Pierce Sarah --- Petitgand Dominique --- Phelan Garrett --- Rapson Sarah --- Raspail thierry --- Rose Tracey --- Restrepo José Alejandro --- Schellow Alexander --- Seror Benjamin --- Sierra Gabriel --- Stoppard Tom --- Strik Elly --- Swift Jonathan --- Tait Neal --- Tantanian Alejandro --- Tellez Javier --- Thomas Daniela --- Toguo Barthélémy --- Verzutti Erika --- Vitagliano Miguel --- Wavelet Christophe --- Werthein Judi --- Yeats William Butler --- Yiadom-Boakye Lynette --- Zamora Hector --- 7.039 --- Exhibitions --- Ortiz Juan L --- Art, Modern - 21st century - Exhibitions

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