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Carleton Watkins : the complete mammoth photographs
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ISBN: 9781606060056 1606060058 Year: 2011 Publisher: Los Angeles : J. Paul Getty Museum,

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View-based textual modelling
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ISBN: 1000022234 386644642X Year: 2011 Publisher: KIT Scientific Publishing

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This work introduces the FURCAS approach, a framework for view-based textual modelling. FURCAS includes means that allow software language engineers to define partial and overlapping textual modelling languages. Furthermore, FURCAS provides an incremental update approach that enables modellers to work with multiple views on the same underlying model. The approach is validated against a set of formal requirements, as well as several industrial case studies showing its practical applicability.


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Enacting pleasure: artists and scholars respond to Carol Gilligan's new map of love
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Year: 2011 Publisher: London Seagull Books

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Wat wil de vrouw ?
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Year: 2011 Publisher: Amsterdam Contact

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Evolving Men. Initial Results from the International Men and Gender Equality Survey
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Year: 2011 Publisher: Washington ICRW

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Islam pride: derrière le voile
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Year: 2011 Publisher: Place of publication unknown Gallimard

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Philosophy of law
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ISBN: 1782689508 1282976486 9786612976483 1400838703 Year: 2011 Publisher: Princeton, N.J. : Princeton University Press,

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In Philosophy of Law, Andrei Marmor provides a comprehensive analysis of contemporary debates about the fundamental nature of law--an issue that has been at the heart of legal philosophy for centuries. What the law is seems to be a matter of fact, but this fact has normative significance: it tells people what they ought to do. Is the normative content of a law entirely determined by the facts that make it a law? Are there some normative moral constraints on what the law can be? And can we fully characterize and define the law without assuming a moral conception about what the law oug


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Subjectivity : filmic representation and the spectator's experience
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ISBN: 9789089643179 9789048514205 9089643176 Year: 2011 Publisher: Amsterdam University Press

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Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.


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La subjectivité au cinéma : représentations filmiques du subjectif
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ISBN: 9782753517233 2753517231 Year: 2011 Publisher: Rennes : Presses universitaires de Rennes,

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La subjectivité au cinéma est considérée à travers trois niveaux d'interrogation : le rapport sujet-objet en tant qu'il participe de la relation au monde, les contenus subjectifs, allant de l'affectivité à l'idéologie et enfin le degré d'objectivité de ces contenus.


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The flipside of feminism: what conservative women know - and men can't say
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Year: 2011 Publisher: Washington, D.C. WND Books

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