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Watkins, Carleton E., --- California --- Landscape photography --- View cameras
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This work introduces the FURCAS approach, a framework for view-based textual modelling. FURCAS includes means that allow software language engineers to define partial and overlapping textual modelling languages. Furthermore, FURCAS provides an incremental update approach that enables modellers to work with multiple views on the same underlying model. The approach is validated against a set of formal requirements, as well as several industrial case studies showing its practical applicability.
Textual Modelling --- Model-Driven Engineering --- View-Based Modelling --- Domain Specific Languages
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Psychology --- Sociology of the family. Sociology of sexuality --- Sexology --- Feminism --- Love --- Sexuality --- Points of view --- Theory --- Book --- Gilligan, Carol
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Developmental psychology --- Sociology of the family. Sociology of sexuality --- Points of view --- Images of women --- Féminité --- Book
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Sociology of the family. Sociology of sexuality --- Social policy --- Equal opportunities --- Gender --- Men --- Attitudes --- Points of view --- Reports [materialtype] --- Croatia --- India --- Rwanda --- Mexico --- Brazil --- Chile
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Religious studies --- Islam --- Sociology of culture --- Sociology of the family. Sociology of sexuality --- Feminism --- Norms --- Patriarchy --- Points of view --- Book --- Veil
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In Philosophy of Law, Andrei Marmor provides a comprehensive analysis of contemporary debates about the fundamental nature of law--an issue that has been at the heart of legal philosophy for centuries. What the law is seems to be a matter of fact, but this fact has normative significance: it tells people what they ought to do. Is the normative content of a law entirely determined by the facts that make it a law? Are there some normative moral constraints on what the law can be? And can we fully characterize and define the law without assuming a moral conception about what the law oug
Law --- Philosophy. --- Dworkin. --- H. L. A. Hart. --- Hans Kelsen. --- Joseph Raz. --- antireductionism. --- detachment view. --- detachment. --- factual. --- interpretation. --- language. --- law. --- legal philosophy. --- legal positivism. --- legal thought. --- legal validity. --- moral views. --- nature of law. --- nondetachment view. --- normative consideration. --- normative. --- political views. --- reduction. --- social rules. --- state sovereignty. --- substance method. --- theory of law.
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Subjectivity is a central concept in film theory, philosophy and cultural studies. It was also a key term in the reception of the Nouvelle Vague film movement in France and Italy from the start of 1945. This timely volume explores the ways in which the concept of subjectivity has made its way into film theory, history, practice and criticism, as well as the confrontations of the subject with this rapidly changing medium.Contributors to this timely study include Francesco Casetti, Gregory Currie, Marina Grzinic, Maria Klonaris and Katerina Thomadaki, Jacinto Lageira, José Moure, Pere Salabert, Céline Scemama, Karl Sierek, Vivian Sobchack, and Pierre Taminiaux. Their illuminating essays are a testimony to their profound involvement in the subjectivity debate, enriching our perception of film history and our understanding of the medium.
Subjectivity in motion pictures --- Motion pictures. --- Subjectivity. --- Point of view (Literature) --- Film --- Music, Dance, Drama & Film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Point of view in motion pictures --- Subjective camera --- Motion pictures --- Fiction --- Narration (Rhetoric) --- Subjectivism --- Knowledge, Theory of --- Relativity --- Philosophy. --- History and criticism --- Technique --- subjectivity --- nouvelle vague --- Consciousness --- Duchy of Münsterberg --- Point-of-view shot --- Robert Bresson --- Subjectivity in motion pictures. --- Subjectivité au cinéma --- Cinéma --- Subjectivité --- Point de vue (Littérature) --- Philosophie --- Cinéma --- Théorie du cinéma. --- Philosophie et cinéma. --- Philosophie. --- Esthétique.
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La subjectivité au cinéma est considérée à travers trois niveaux d'interrogation : le rapport sujet-objet en tant qu'il participe de la relation au monde, les contenus subjectifs, allant de l'affectivité à l'idéologie et enfin le degré d'objectivité de ces contenus.
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Sociology of the family. Sociology of sexuality --- Sociology of work --- Political sociology --- Social policy --- Human rights --- Sexology --- Feminism --- Equal opportunities --- Marriage --- Motherhood --- Labour --- Government policy --- Sexuality --- Points of view --- Book --- Conservatism --- Women's rights --- United States of America
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