Listing 1 - 10 of 74 | << page >> |
Sort by
|
Choose an application
Choose an application
Choose an application
Oral tradition --- Tradition orale --- Africa --- Afrique --- Historiography. --- Historiographie
Choose an application
Writing --- Oral tradition --- Philosophy. --- Plato.
Choose an application
Choose an application
English language --- Oral tradition --- History --- Variation --- England.
Choose an application
"Told-to narratives, or collaboratively produced texts by Aboriginal storytellers and (usually) non-Aboriginal writers, often confound traditional literary understandings of voice and authorship. In this innovative exploration, these unique narratives are not romanticized as unmediated translations of oral documents, nor are they dismissed as corruptions of original works. Rather, the approach emphasizes the interpenetration of authorship and collaboration. Discussing a wide range of told-to narratives, including ethnography, recorded (auto)biography, testimonial life narrative, documentary, myth, legend, and song, Sophie McCall explores the multifaceted implications of the choices that editors, translators, narrators, and filmmakers make as they channel these narratives into new forms. Focused on the 1990s, when debates over voice and representation were particularly explosive, this comprehensive study examines collaboratively produced texts in conjunction with key political events that have shaped the struggle for Aboriginal rights in Canada. Emphasizing the scope rather than the limits of the told-to narrative, McCall considers how Aboriginal voices have been represented in a range of forums such as public inquiries, commissioners' reports, and land claims court cases. A captivating inquiry, First Person Plural offers a vital, interdisciplinary discussion of how told-to narratives contribute to larger debates about Indigenous voice and literary and political sovereignty."--pub. website. "Sophie McCall's splendid First Person Plural enlarges the genre of works purporting to be collaborative. Beyond writing, she includes land claims negotiations, commissioners' reports, media representations, and film. She traces the rise of Indigenous voice in Canada through the final decades of the twentieth century. Students, scholars, and anyone interested in First Nations and Native American literature will welcome this book." -- J. Cruikshank (review) "First Person Plural gets at the crux of one of the most important issues in contemporary indigenous studies: the problem of cultural location in the interpretive situation. In this fascinating study, McCall complicates the division between cultural insides and outsides, and she accomplishes this through a series of nuanced and beautifully modulated readings. This timely book moves beyond polemics to present us with a newly invigorated mode of interpretation that will open many new possibilities in the field." -- W. Cariou (review), pub. website.
Intercultural communication --- Authorship --- Oral tradition --- Collaboration.
Choose an application
Une anthropologie de la voix consiste dans ce paradoxe de ne plus écouter la parole mais la qualité de sa formulation, ses vibrations sonores, affectives, ses singularités. Non plus s’arrêter sur le sens des mots mais sur la tessiture de la voix. Détachée de la parole, la vocalité se donne comme émission subtile d’un corps, elle nous touche, nous bouleverse ou nous irrite, elle est d’emblée un lieu de désir ou de méfiance. Objet de fantasme, elle suffit parfois à susciter l’amour ou la haine envers une personne inconnue entendue seulement à distance à la radio ou au téléphone. Aucune science n’en épuise l’interrogation, même si l’acoustique, la phonétique ou la linguistique essaient de la résorber dans leur savoir. Elle fuit de partout, elle ne se laisse pas circonvenir. L’émotion liée à l’écoute d’une voix ne tient pas à ses propriétés acoustiques mais à son impact sur le désir de celui qui écoute. Il en va de même du visage, les deux éléments les plus intimes, les plus singularisés de l’humain et ceux qui se dérobent le plus. En donnant chair au langage, la voix le donne à entendre. Quand elle disparaît la parole s’efface aussi car elle n’existe pas sans la voix qui lui donne corps. La voix qui nous importe ici est celle de la vie quotidienne, celle qui fait sens et dont l’influence marque nos existences. Il s’agit ici de frayer le chemin à une anthropologie sensible et d’explorer le mi-dire de la voix.
Voice --- Oral tradition --- Oral communication --- Voix --- Tradition orale --- Communication orale --- Social aspects --- Voice. --- Voice - Social aspects
Choose an application
English language --- English language --- Oral tradition --- English language. --- English language --- Oral tradition. --- History --- Variation --- Variation. --- England.
Choose an application
English language --- English language --- Oral tradition --- English language. --- English language --- Oral tradition. --- History --- Variation --- Variation. --- England.
Listing 1 - 10 of 74 | << page >> |
Sort by
|