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Renaissance --- viewpoint --- site-specific works --- observation --- Barocci, Federico --- anno 1500-1599
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Art --- installations [visual works] --- video art --- site-specific works --- Aitken, Doug
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Art --- installations [visual works] --- art [discipline] --- public art --- site-specific works --- Buren, Daniel
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Museology --- Art styles --- Iconography --- Art --- Sculpture --- outdoor sculpture --- earthworks [sculpture] --- art [discipline] --- museology --- site-specific works --- gardens [open spaces] --- parks [public recreation areas] --- public spaces --- sculpting --- museumcollectie --- landscapes [representations] --- anno 1900-1999 --- anno 2000-2099
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Sculpture --- sculpture [visual works] --- found objects --- site-specific works --- Conceptual --- Djordjadze, Thea --- Cruzvillegas, Abraham --- Black, Karla --- Bock, Katinka --- Leblon, Guillaume --- Panchal, Gyan --- Sibony, Gedi --- Kuri, Gabriel --- anno 2000-2009 --- anno 2010-2019
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Museology --- Art --- art [discipline] --- architecture [discipline] --- museology --- Nature --- site-specific works --- open-air museums --- tentoonstellingsorganisme --- Chichu Art Museum [Naoshima] --- Lee Ufan Museum [Naoshima] --- Teshima Art Museum [Teshima] --- Benesse Art Site [Naoshima] --- Inujima Seirensho Art Museum [Inujima] --- Benesse House Museum [Naoshima] --- Japan
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Art --- paintings [visual works] --- mural paintings [visual works] --- sculpture [visual works] --- found objects --- installations [visual works] --- color [perceived attribute] --- luminous paint --- site-specific works --- duct tape --- branches [plant components] --- paper [fiber product] --- handmade paper --- pressure-sensitive tape --- masking tape --- watercolor [paint] --- Grzymala, Monika
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First monograph on the work of multidisciplinary artist Sarah Wespthal (born 1981), with an essay by Lut Pil and a philosophical reflection by Antoon Van den Braembussche. In her work Sarah Westphal examines the character of worn out or rotten material, the traces people leave behind in their environment and the play of light and dust particles on the surface of an object. Steadily she is working on a collection of two- and three-dimensional images that walk the thin line between fiction and reality.
inkjet prints --- installations [visual works] --- mixed media --- performance artists --- sculpture [visual work] --- photography [process] --- in situ --- laser prints --- Westphal, Sarah --- hedendaagse kunst --- 7.07 --- (069) --- Beeldende kunst ; installaties ; fotografie ; 2011 ; S. Westphal --- Westphal, Sarah °1981 (°Wermelskirchen, Duitsland) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties. Tentoonstellingen) --- Westphal, Sarah, --- kunst --- Westphal Sarah --- 7.071 WESTPHAL --- fotografie --- installaties --- Duitsland --- België --- Exhibitions --- 77.092.07 --- Fotografen A-Z --- sculpture [visual works] --- Contemporary art --- Germany --- site-specific works --- hedendaagse kunst. --- Westphal, Sarah.
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Installations (Art) --- Site-specific art --- Performance art --- 7.07 --- 791.43.07 --- 741.5.07 --- Collages --- Performing arts ; dans ; theater --- Beeldende kunst ; 21ste eeuw ; 2002-2010 ; M. Dzama --- Dzama, Marcel °1974 (°Winnipeg, Canada) --- Site art --- Site-specific arts --- Arts, Modern --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Filmregisseurs, acteurs, filmografen --- Tekenkunst ; striptekenaars ; cartoonisten A - Z --- Exhibitions --- Art --- installations [visual works] --- drawing [image-making] --- performance art --- site-specific works --- Dzama, Marcel
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