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Literary landmarks --- Authors, Russian --- Homes and haunts --- Odesa (Ukraine) --- History of civilization --- History of Eastern Europe --- Odessa
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Folk religion --- Gagauz (Turkic people) --- Religion populaire --- Gagaouzes --- Religion --- Moldova --- Odesa (Ukraine) --- Moldavie --- Odessa (Ukraine) --- 269*2 --- 2 <478.9> --- Gagauzi --- Gagauzy (Turkic people) --- Ethnology --- Oghuz (Turkic people) --- Religion. --- Volksreligie. Volksgodsdienstigheid --- Godsdienst. Theologie--Moldavië --- Religious life and customs. --- 2 <478.9> Godsdienst. Theologie--Moldavië --- 269*2 Volksreligie. Volksgodsdienstigheid --- Odessa --- Одеса (Ukraine) --- Одесса (Ukraine) --- Jumhūrīyat Mūldūfā --- Mo'erduowa --- Mo'erduowa Gongheguo --- Moldavia (Republic) --- Moldavii︠a︡ --- Moldovah --- Morudoba --- Mūldūfā --- Republic of Moldova --- República de Moldova --- Republica Moldova --- Republica Moldovenească --- République de Moldova --- Respublika Moldavii︠a︡ --- Respublika Moldova --- RSS Moldova --- Sovetskai︠a︡ Sot︠s︡ialisticheskai︠a︡ Respublika Moldova --- Sovetskaya Sotsialisticheskaya Respublika Moldova --- Soviet Socialist Republic of Moldova --- SSR Moldova --- SSRM --- Республика Молдова --- Молдова --- מולדובה --- جمهورية مولدوفا --- مولدوفا --- モルドバ --- 摩尔多瓦 --- 摩尔多瓦共和国 --- Moldavian S.S.R. --- Moldavia
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"Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks."--Pub. desc.
Video art --- 778.5.038 --- Moholy-Nagy, Laszlo 1895-1946 (°Bacsborsod, Hongarije) --- Rist, Pipilotti (volledige naam Elisabeth Charlotte Rist) (Grabs, 21 juni 1962) --- Snow, Michael (Toronto, Canada 10 december, 1928) --- Sommerer, Christa --- Wearing, Gillian (Birmingham, 10 december 1963) --- Weibel, Peter (5 March 1944 in Odessa, Rusland) --- Wilson, Jane & Louise (Newcastle upon Tyne, 1967) --- Akerman, Chantal 1950 - 2015 (°Brussel, België) --- Broodthaers, Marcel 1924-1976 (°Brussel, België) --- Dean, Tacita --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Kunst nieuwe technieken ; 1950-2000 --- Mixed media. --- Video art. --- Time-based art --- Video installations (Art)
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