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In this VSI, Thomas Forrest Kelly frames chapters on the forms techniques, and repertories of the medieval, Renaissance, and baroque periods with discussion of why old music has been and should be revived, along with a short history of early music revivals.
Performance practice (Music) --- Music --- Articulation (Music) --- Dynamics (Music) --- Interpretation, Musical --- Musical interpretation --- Phrasing (Music) --- Musical performance practice --- Performing practice (Music) --- Interpretation (Phrasing, dynamics, etc.) --- History and criticism. --- Dynamics, phrasing --- Phrasing, dynamics --- Performance --- 78 --- muziekgeschiedenis --- muziek
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Building on the insights of the first volume on Music and Gesture (Gritten & King, Ashgate 2006), the chapters are structured in a broad narrative trajectory moving from theory to practice, embracing Western and non-Western practices, real and virtual gestures, live and recorded performances, physical and acoustic gestures, visual and auditory perception, among other themes of topical interest. The main areas of enquiry include psychobiology; perception and cognition; philosophy and semiotics; conducting; ensemble work and solo piano playing.
Music --- Performance practice (Music) --- Musique --- Pratique de l'exécution (Musique) --- Psychological aspects. --- Aspect psychologique --- Gesture in music. --- Music -- Psychological aspects. --- Performance practice (Music). --- Gesture in music --- Music, Dance, Drama & Film --- Music Philosophy --- Psychological aspects --- Pratique de l'exécution (Musique) --- Musical performance practice --- Performing practice (Music) --- Music psychology --- Psychology --- Performance
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