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Writing Routes is an essential roadmap for anybody setting out on the journey of self-discovery through words. Seventy contributors from a variety of different backgrounds and circumstances explain how they came to write a particular piece and why, how they found ways of transforming their experience into writing, and how it was beneficial to them.
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This accessible book explores the therapeutic possibilities of poetry and stories, providing techniques for facilitating personally relevant and growth-enhancing sessions. The author provides ideas for writing activities that emerge from this discussion, and explains how participants can create their own poetic and narrative pieces.
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"Short Fiction in Theory and Practice is an interdisciplinary journal celebrating the current resurgence in short-story writing and research. Looking at short fiction from a practice-based perspective, it explores the poetics of short-story writing, adaptation, translation and the place of the short story in global culture"--Publisher's description.
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Write Yourself is the ideal introduction to how to facilitate groups and individuals in finding inspiration for their creative personal writing voices. This book explains how and why writing is such an illuminative and cathartic process, and provides many practical exercises that encourage the exploration of emotions, memories and experiences.
Creative writing --- Maturation (Psychology) --- Therapeutic use.
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This book describes an alternative way to teach Creative Writing, one that replaces the silent writer taking criticism and advice from the teacher-led workshop with an active writer who reflects upon and publically questions the work-in-progress in order to solicit response, from a writers' group as well as from the teacher. Both accompany the writer, first as readers and fellow writers, only later as critics. Because writers ask, they listen, and dialogues with responders become an inner dialogue that guides later writing and revision. But when teachers accompany writers, teaching CW becomes even more a negotiation of the personal because this teacher who is listener and mentor is also a model for some students of the writer and even the person they would like to become - and still the Authority who gives the grades.
Creative writing -- Study and teaching. --- Writing centers. --- Creative writing --- Writing centers --- Languages & Literatures --- English --- English Language --- Literature - General --- Laboratories, Writing --- Writing laboratories --- Rhetoric --- Study and teaching
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In this passionate, iconoclastic, survey of Creative Writing as an academic discipline, Stephanie Vanderslice provides a provocative critique of existing practice. She challenges enduring myths surrounding creative writing - not least, that writers learn most from workshops. Through case studies of best practice from America and elsewhere, Vanderslice provides a vision of change, showing how undergraduate and postgraduate programs can be reformed to re-engage with contemporary culture.
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For many years now the professional "creative writer" within universities and other institutions has encompassed a range of roles, embracing a plurality of scholarly and creative identities. The often complex relation between those identities forms the broad focus of this book, which also examines various, and variously fraught, dialogues between creative writers, "hybrid" writers and academic colleagues from other subjects within single institutions, and with the public and the media. At the heart of the book is the principle of "creative writing" as a fully-fledged discipline, an important subject for debate at a time when the future of the humanities is in crisis; the contributors, all writers and teachers themselves, provide first-hand views on crucial questions: What are the most fruitful intersections between creative writing and scholarship? What methodological overlaps exist between creative writing and literary studies, and what can each side of the "divide" learn from its counterpart? Equally, from a pedagogical perspective, what kind of writing should be taught to students to ensure that the discipline remains relevant? And is the writing workshop still the best way of teaching creative writing? The essays here tackle these points from a range of perspectives, including close readings, historical contextualisation and theoretical exploration.
Creative writing. --- English literature --- History and criticism. --- Writing (Authorship) --- Authorship --- Creation (Literary, artistic, etc.) --- Academic Colleagues. --- Academic Institutions. --- Creative Identity. --- Creative Writer. --- Creative Writers. --- Creative Writing. --- Humanities Crisis. --- Interdisciplinary Dialogue. --- Literary Studies. --- Literature and Scholarship. --- Methodological Overlaps. --- Pedagogy. --- Richard Marggraf Turley. --- Scholarship. --- Writing Workshop. --- Creative writing (Higher education)
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Can techniques traditionally thought to be outside the scope of literature, including word processing, databasing, identity ciphering, and intensive programming, inspire the reinvention of writing? The Internet and the digital environment present writers with new challenges and opportunities to reconceive creativity, authorship, and their relationship to language. Confronted with an unprecedented amount of texts and language, writers have the opportunity to move beyond the creation of new texts and manage, parse, appropriate, and reconstruct those that already exist.In addition to
Authors -- Effect of technological innovations on. --- Creation (Literary, artistic, etc.). --- Creative writing -- Data processing. --- Creative writing -- Study and teaching. --- Literature and technology. --- Literature and the Internet. --- Modernism (Literature) -- History and criticism. --- Poetics. --- Literature and technology --- Creation (Literary, artistic, etc.) --- Creative writing --- Authors --- Literature and the Internet --- Modernism (Literature) --- Poetics --- Data processing --- Study and teaching --- Effect of technological innovations on --- History and criticism
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'Writing Poetry Through the Eyes of Science' presents a unique & effective interdisciplinary approach to teaching science poems & science poetry writing in secondary English & science classrooms.
Poetry --- Creative writing (Secondary education) --- Science --- Science in literature. --- Language experience approach in education. --- Interdisciplinary approach in education. --- Integrated curriculum --- Interdisciplinarity in education --- Interdisciplinary studies --- Curriculum planning --- Holistic education --- Whole language approach in education --- Education --- Creative writing --- Study and teaching (Secondary)
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Art d'écrire (Littérature) --- Creatief schrijven --- Creative writing --- Création littéraire --- Créativité (Ecriture) --- Créativité (Littérature) --- Créativité littéraire --- Génie littéraire --- Métier d'écrivain --- Stelkunst --- Écriture (Littérature) --- Dutch language --- Stilistics --- Dutch literature --- Rhetoric --- Style
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