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"Rancière, Public Education and the Taming of Democracy introduces the political and educational ideas of Jacques Rancière, a leading philosopher increasingly important in educational theory. In light of his ideas, the volume explores the current concern for democracy and equality in relation to education. The book introduces and discusses the works of Jacques Rancière, a leading philosopher increasingly important in the field of educational theory and philosophy The volume will have a broad appeal to those in the field of education theory and philosophy, and those concerned with democracy, equal opportunities and pedagogy Balanced in its introduction of the political and educational ideas of this author and in its exploration in line with his work of some important issues in education and policy today Contributors from diverse countries and intellectual and cultural backgrounds, including the UK, US, Belgium, Sweden, Spain, France, Canada"--
37.01 --- 373.67.01 --- 37.02 --- 1.07 --- 111.852 --- Onderwijs ; theorie ; over onderwijsfilosofie van J. Rancière --- Rancière, Jacques °1940 (°Algiers, Algerije) --- Academic collection --- Onderwijs ; theoretische beschouwingen --- Onderwijs ; kunst- architectuuronderwijs ; beschouwingen --- Onderwijs ; algemene vraagstukken van didactiek en methode --- Filosofie ; filosofen (A - Z) --- Filosofie ; Kunstfilosofie. Esthetica --- Education --- Philosophy --- Rancière, Jacques --- Philosophy. --- Political and social views.
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Education, Higher --- Universities and colleges --- Academic collection --- 37.01 --- 378.672 --- Onderwijs ; rol van de Europese universiteiten ; 21ste eeuw --- 378.4 <4> --- Onderwijs ; theoretische beschouwingen --- Onderwijs ; hogescholen --- Universiteiten--Europa --- Conferences - Meetings --- 378.4 <4> Universiteiten--Europa --- Colleges --- Degree-granting institutions --- Higher education institutions --- Higher education providers --- Institutions of higher education --- Postsecondary institutions --- Public institutions --- Schools --- Education, Higher - Europe - Congresses --- Universities and colleges - Europe - Congresses
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The design process involves researching, inventing, and expressing ideas. Sometimes concepts seem to pop out of nowhere, but just as often they result from deliberate techniques. Many designers start a project wit brainstorming, an open-ended search for initial directions. Brainstorming, however, is just the beginning in a designer's quest for useful and inspiring ideas. Graphic Design Thinking: Beyond Brainstorming presents dozens of tools and techniques, ranging from quick, seat-of-the-pants approaches to more formal research tools, such as focus groups and co-design. At the book's core are techniques for releasing creative energy and stimulating fresh thinking to arrive at compelling and viable solutions. Each method is illustrated with visual demonstrations and case studies that show design processes at work. Also featured are discussions with leading professionals--including Art Chantry, Ivan Chermayeff, Jessica Helfand, Steven Heller, Maira Kalman, Abbott Miller, Christoph Niemann, Paula Sher, and Martin Venezky--about how they get ideas and what they do when the well runs dry.
Grafische kunst. --- Grafische technieken. --- Grafische vormgeving. --- grafische vormgeving --- graphic arts --- Graphic arts --- graphic design --- Design thinking --- Creative thinking --- 766.01 --- 7.01 --- Grafische vormgeving en webdesign ; beschouwingen --- Creative thinking (Education) --- Creative ability --- Thought and thinking --- Technique --- Gebruiksgrafiek ; theorie, filosofie, esthetica --- Kunst ; theorie, filosofie, esthetica --- Grafische vormgeving --- Brainstorming
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The concept of artistic research has raised many questions during the past decade accompanied by intense and heated debates. What form of research could the domain of visual art produce? Do the rhetorics of the concept of research include novel practices or does research rather exclude and/or marginalize certain practices? Could the dual pair of art versus not-art be substituted by the opposition research-based art versus non-research-based creating a novel mechanism of exclusion? Or does a research discourse and its vocabulary point to an already existing practice that could be accommodated in an academic architecture focused on knowledge production through a process of translation? And last but not least, what does the concept of artistic research mean for setting up a Graduate School for Fine Art? Especially the issue of the role and signification of the academization of visual art served as a starting point for the collaborative project A Certain Ma-Ness started up by Sint-Lukas Brussels University College of Art and Design and MaHKU (Utrecht Graduate School of Visual Art and Design) in 2008 and that ultimately resulted in three projects. Besides A Certain Ma-Ness, the projects Becoming Bologna and The Academy Strikes Back came into being as follow-ups in a series of collaborations. At the core of these projects were the following three questions: 1. What does the current academization and thinking in terms of research competencies mean for the student in art education? Could these competencies be charted in a clear and distinct way? During the A Certain Ma-Ness conference and exhibition (VCH De Brakke Grond, Amsterdam, April 2008) the so-called Dublin Descriptors—be able to cope in a research environment, problem solving attitude, well-considered in dealing with complexities, communicative skills, and independent learning—established for dealing with such questions were critically evaluated. 2. What does the Bologna process mean for the didactic role of the lecturer? That was the leading question in the follow-up project Becoming Bologna, a collateral event of the Venice Biennale 2009 consisting of a series of research interventions (Tolentini Building) and a symposium (IUAV, University of Venice). Central questions during Becoming Bologna were, “What is the specificity of the didactic strategies developed because of the academization of art education?” “How is a research-based curriculum designed,” and “how could the research competencies be judged adequately?” 3. What do the novel forms of didactic interaction mean for the art academy in itself? During the concluding conference, The Academy Strikes Back (Sint-Lukas Brussels, June 2010), that question was tackled from the perspective of the Graduate School as research environment and sanctuary for artistic (knowledge) production. The various responses from these three symposiums emphasize various challenging educative elements such as a clear connection between artistic production and critical studies, a curriculum with chiefly dialogic situations, a focus on public space, and a laboratory-type curriculum experimenting with both novel forms of presentation—for example contextual studies and curatorial studies—and various forms of communication as “agonistic forms of address.”
art education --- kunstonderwijs --- Research on teaching --- research [function] --- onderzoek in de kunsten --- Art --- academisering --- onderwijs --- Bolognaverklaring --- vakdidactiek --- kunstpedagogie --- 373.67 --- 700.8 --- 7.01 --- 373.67(493) --- Kunsttheorie ; academisering van de kunstopleidingen --- Kunstonderwijs ; Brussel ; 2011 ; Sint-Lukas --- Onderzoek in de kunsten --- Artistiek onderzoek --- Bolognaverklaring ; gevolgen voor het kunstonderwijs --- Beeldende kunst, beroep en opleiding --- Kunst ; theorie, filosofie, esthetica --- Onderwijs ; kunst- architectuuronderwijs ; België --- Research --- Congresses --- Onderwijs ; kunst- architectuuronderwijs ; België --- 373.67.01 --- Onderwijs ; kunst- architectuuronderwijs ; beschouwingen
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Art's recent “educational turn” is viewed within a wider-ranging narrative of alternative ideas of education through art. This book will be an original and indispensable resource for all who believe in the importance of art in the wider educational realm. Framing the recent “educational turn” in the arts within a broad historical and social context, this anthology raises fundamental questions about how and what should be taught in an era of distributive rather than media-based practices. Among the many sources and arguments traced here is second-wave feminism, which questioned dominant notions of personal and institutional freedom as enacted through art teaching and practice. Similarly, education-based responses by the art community to the catastrophes of World War II and postcolonial conflict critically inform contemporary art confronting the interrelationships of education, power, market capitalism, and—as Michael Hardt and Antonio Negri describe it—the global condition of war. These writings by artists, philosophers, educators, poets, and activists center on three recurring and interrelated themes: the notion of “indiscipline” in theories and practices that challenge boundaries of all kinds; the present and future role of the art school; and the turn to pedagogy as medium in a diverse range of recent projects. Other writings address such issues as instrumentalism and control, liberation and equality, the production and the politics of culture, and the roots of research-based practice and experimental participatory works.
art theory --- kunstonderwijs --- art education --- art appreciation --- Art --- art [fine art] --- Higher education --- onderzoek in de kunsten --- research [function] --- Pujol, Ernesto --- Levine, Les --- Helguera, Pablo --- Oldenborgh, van, Wendelien --- Rooney, Paul --- Althamer, Paweł --- Clark, Lygia --- Frei, Luca --- Young, Carey --- Albers, Josef --- Kelley, Mike --- Durham, Jimmie --- Hullfish Bailey, Dave --- Schmitz, Edgar --- Gillick, Liam --- Heron, Patrick --- Thubron, Harry --- Pask, Maria --- Camnitzer, Luis --- Sekula, Allan --- Siekmann, Andreas --- Fletcher, Harrell --- Basbaum, Ricardo --- Beuys, Joseph --- Stark, Frances --- Brook, Julie --- Ascott, Roy --- Bruguera, Tania --- Shapiro, Miriam --- Scott, Judith --- Lacy, Suzanne --- Żmijewski, Artur --- Riley, Bridget --- Kaprow, Allan --- Kelly, Mary --- Krikorian, Tamara --- Rosler, Martha --- Fraser, Andrea --- Hirschhorn, Thomas --- Albers, Anni --- Perjovschi, Lia --- Lange, Darcy --- Group Material [New York, N.Y.] --- Art and society --- Study and teaching --- History --- 82:7 --- kunst --- kunsttheorie --- onderwijs --- pedagogie --- kunstpedagogie --- twintigste eeuw --- eenentwintigste eeuw --- Albers Anni --- Albers Josef --- Althamer Pawel --- Basbaum Ricardo --- Beuys Joseph --- Bruguera Tania --- Clark Lygia --- Frei Luca --- Gillick Liam --- Group Material --- Hirschhorn Thomas --- Hullfish Bailey Dave --- Kelley Mike --- Lange Darcy --- Pask Maria --- Perjovschi Lia --- Riley Bridget --- Rooney Paul --- Rosler Martha --- Schmitz Edgar --- Scott Judith --- Siekmann Andreas --- van Oldenburgh Wendelien --- Zmijewski Artur --- Young Carey --- 373.67 --- 373.67.01 --- Literatuur en kunst --- Onderwijs ; kunst- architectuuronderwijs ; beschouwingen --- 82:7 Literatuur en kunst --- 7.01 --- Kunstonderwijs ; relatie kunst en onderwijs --- Kunst ; theorie, filosofie, esthetica --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Bailey, David Hullfish --- Art, Primitive --- art [discipline] --- Iconographie --- Art contemporain --- Processus de création --- Psychologie --- Création artistique --- Sociologie de l'art --- Education --- Pédagogie --- Sciences humaines --- Féminisme --- École d'art --- Économie politique --- Schapiro, Miriam
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