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Global Crusoe travels across the twentieth-century globe, from a Native American reservation to a Botswanan village, to explore the huge variety of contemporary incarnations of Daniel Defoe's intrepid character. In her study of the novels, poems, short stories and films that adapt the Crusoe myth, Ann Marie Fallon argues that the twentieth-century Crusoe is not a lone, struggling survivor, but a cosmopolitan figure who serves as a warning against the dangers of individual isolation and colonial oppression. Fallon uses feminist and postcolonial theory to reexamine Defoe's original novel and several contemporary texts, showing how writers take up the traumatic narratives of Crusoe in response to the intensifying transnational and postcolonial experiences of the second half of the twentieth century. Reading texts by authors such as Nadine Gordimer, Bessie Head, Derek Walcott, Elizabeth Bishop, and J.M. Coetzee within their social, historical and political contexts, Fallon shows how contemporary revisions of the novel reveal the tensions inherent in the transnational project as people and ideas move across borders with frequency, if not necessarily with ease. In the novel Robinson Crusoe, Crusoe's discovery of 'Friday's footprint' fills him with such anxiety that he feels the print like an animal and burrows into his shelter. Likewise, modern readers and writers continue to experience a deep anxiety when confronting the narrative issues at the center of Crusoe's story.
Robinsonades. --- Crusoe, Robinson (Fictitious character) --- Identity (Psychology) in literature. --- Islands in literature. --- Postcolonialism in literature. --- Literature and globalization. --- Literature and transnationalism. --- Postkoloniale Literatur. --- Postkolonialismus. --- Rezeption. --- Robinsonade. --- Crusoe, Robinson (Fictitious character). --- Identity (Psychology). --- Influence (Literary, artistic, etc.). --- Islands. --- Literature. --- Literature --- Postcolonialism. --- Adaptations. --- Defoe, Daniel, --- Influence. --- Robinson Crusoe. --- Defoe, Daniel, 1661?-1731 -- Adaptations. --- Defoe, Daniel, 1661?-1731 -- Influence. --- Globalization and literature. --- Transnationalism and literature. --- Robinsonades --- Identity (Psychology) in literature --- Islands in literature --- Postcolonialism in literature --- Literature and globalization --- Literature and transnationalism --- Languages & Literatures --- Literature - General --- Littérature comparée --- Postcolonialisme --- Transnationalisme
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"Because I am not silent," George Oppen wrote, "the poems are bad." What does it mean for the goodness of an art to depend upon its disappearance? In Being Numerous, Oren Izenberg offers a new way to understand the divisions that organize twentieth-century poetry. He argues that the most important conflict is not between styles or aesthetic politics, but between poets who seek to preserve or produce the incommensurable particularity of experience by making powerful objects, and poets whose radical commitment to abstract personhood seems altogether incompatible with experience--and with poems. Reading across the apparent gulf that separates traditional and avant-garde poets, Izenberg reveals the common philosophical urgency that lies behind diverse forms of poetic difficulty--from Yeats's esoteric symbolism and Oppen's minimalism and silence to O'Hara's joyful slightness and the Language poets' rejection of traditional aesthetic satisfactions. For these poets, what begins as a practical question about the conduct of literary life--what distinguishes a poet or group of poets?--ends up as an ontological inquiry about social life: What is a person and how is a community possible? In the face of the violence and dislocation of the twentieth century, these poets resist their will to mastery, shy away from the sensual richness of their strongest work, and undermine the particularity of their imaginative and moral visions--all in an effort to allow personhood itself to emerge as an undeniable fact making an unrefusable claim.
Poetry, modern --- Modern poetry --- Poetry --- History and criticism --- Theory, etc. --- Poetry, Modern --- A. R. Ammons. --- Anglo-American poetry. --- Bob Perelman. --- Discrete Series. --- Frank O'Hara. --- George Oppen. --- Language poetry. --- Leningrad. --- Robinson Crusoe. --- The Materials. --- William Butler Yeats. --- aesthetics. --- collective intention. --- collectivity. --- completeness. --- conversation. --- counterfactual identity. --- cultural determinism. --- ethics. --- eugenics. --- freedom. --- grammaticality. --- inattention. --- interpretation. --- judgment. --- literary life. --- love. --- minimalism. --- particularity. --- perfection. --- person. --- personhood. --- poem. --- poet. --- poetic agency. --- poetic community. --- poetic difficulty. --- poetic knowledge. --- poetic mastery. --- poetic politics. --- poetry. --- preference. --- reading. --- silence. --- slightness. --- social life. --- social recognition. --- symbolism. --- translation.
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