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The Codrus Painter was a painter of cups and vases in fifth-century B.C.E. Athens with a distinctive style; he is named after Codrus, a legendary Athenian king depicted on one of his most characteristic vases. He was active as an artist during the rule of Pericles, as the Parthenon was built and then as the troubled times of the Peloponnesian War began. In contrast to the work of fellow artists of his day, the vases of the Codrus Painter appear to have been created almost exclusively for export to markets outside Athens and Greece, especially to the Etruscans in central Italy and to points further west. Amalia Avramidou offers a thoroughly researched, amply illustrated study of the Codrus Painter that also comments on the mythology, religion, arts, athletics, and daily life of Greece depicted on his vases. She evaluates his style and the defining characteristics of his own hand and of the minor painters associated with him. Examining the subject matter, figure types, and motifs on the vases, she compares them with sculptural works produced during the same period. Avramidou's iconographic analysis not only encompasses the cultural milieu of the Athenian metropolis, but also offers an original and intriguing perspective on the adoption, meaning, and use of imported Attic vases among the Etruscans.
Vase painting, Greek --- Codrus Painter. --- Kodrus Painter --- Vase-painting, Greek --- Peinture de vases grecque --- Greek vase-painting
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Black-figured drinking cups --- Vase-painting, Greek --- Vases, Greek --- Inscriptions, Greek. --- Tasses à figures noires --- Peinture de vases grecque --- Vases grecs --- Inscriptions grecques --- Inscriptions. --- Inscriptions --- Tasses à figures noires
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Menschliche Figuren mit Flügeln kennt der Betrachter von Bildern auch heutzutage, vor allem als Engel. Auf griechischen Vasenbildern sind Flügelfiguren ebenfalls häufig zu sehen. Dort stehen sie jedoch in einem ganz anderen kulturellen und speziell religiösen Zusammenhang. Welche Bedeutung haben sie in diesen Kontexten, und was sagt uns das darüber, wie wir die Bilder insgesamt verstehen können? Die Antworten auf diese Fragen, die das Buch sucht, verraten viel darüber, wie die antiken Griechen die Welt und ihren Platz darin sahen und wie sie ihr Verhältnis zu den Göttern verstanden.0.
Vase-painting, Greek --- Wings in art --- Art and religion --- Peinture de vases grecque --- Ailes (Zoologie) dans l'art --- Art et religion --- Themes, motives. --- Thèmes, motifs --- Wings (Anatomy) in art. --- Greece. --- Art and religion - Greece. --- Art and religion -- Greece. --- Vase-painting, Greek - Themes, motives. --- Vase-painting, Greek -- Themes, motives. --- Wings (Anatomy) in art --- Visual Arts --- Art, Architecture & Applied Arts --- Decorative Arts --- Themes, motives --- Greece --- Thèmes, motifs --- Art --- Arts in the church --- Religion and art --- Religion --- Religious aspects --- Athens. --- Nike. --- Sparta, Laconia. --- Vase painting. --- Éros --- Nikê --- divinité grecque --- Dans l'art --- Éros --- Nikê --- divinité grecque
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Vases, Greek --- Vase-painting, Greek --- Vases --- Vases grecs --- Peinture de vases grecque --- Marketing --- History --- Catalogs --- Commercialisation --- Histoire --- Catalogues --- Musée du Louvre --- Catalogs. --- Paestum (Extinct city) --- Paestum (Ville ancienne) --- Antiquities --- Antiquités --- Musée du Louvre --- Antiquités --- Containers --- Urns --- Greek vases --- Greek vase-painting --- Musée national du Louvre --- Museo del Louvre --- Luvr (Museum) --- Luwr (Museum) --- Louvre (Museum) --- Musée impérial du Louvre --- Luvŭra (Museum) --- Лувъра (Museum) --- Muzeĭ Luvŭr --- Музей Лувър --- Rūburu Bijutsukan --- Lufu gong bo wu guan --- Musée Napoléon --- Paestum (Ancient city) --- Poseidonia (Extinct city) --- Italy --- History.
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Setting as a starting point the introduction of the black-figure technique in Attic workshops at around 630 BCE, this book attempts a contextual analysis of Attic pottery until late in the first quarter of the sixth century BCE. The shapes and their functions, as well as the iconographic themes are explored through this perspective. This offers an interesting insight into funerary, cultic and profane activities in Athens and the Attic countryside, which is completed by an extensive study of the trade and distribution of Attic vases during this period. The result is a complete overview of early black-figure Attic production, enabling an afresh archaeological approach to late seventh-and early sixth-century Attic society.
Ancient history --- History of civilization --- Applied arts. Arts and crafts --- Pottery, Greek --- Vases, Black-figured --- Vase-painting, Greek --- Céramique grecque --- Vases à figures noires --- Peinture de vases grecque --- Themes, motives --- Thèmes, motifs --- Attike (Greece) --- Attique (Grèce) --- Antiquities. --- Social life and customs --- Commerce --- Antiquités --- Moeurs et coutumes --- 738.30938 --- Arts Ceramic Earthen ware and stoneware Ancient world Greece --- Céramique grecque --- Vases à figures noires --- Thèmes, motifs --- Attikē (Greece) --- Attique (Grèce) --- Antiquités --- Greek pottery --- Classical antiquities --- Pottery, Classical --- Black-figure vases --- Black-figured vases --- Vases, Black-figure --- Vases, Ancient --- Greek vase-painting --- Attiki, Greece --- Atiki (Greece) --- Attica (Greece) --- Attika (Greece) --- Attikēs Nomos (Greece) --- Attiki (Greece) --- Attikis Nomos (Greece) --- Attique (Greece) --- Periféreia Attikís (Greece) --- Periphereia Attikēs (Greece) --- Region of Attica (Greece) --- Αττική (Greece) --- Commerce. --- Social life and customs. --- Themes, motives. --- Kunst (Romeinse). (Reeks) --- Art romain. (Collection) --- Art grec. (Collection) --- Kunst (Griekse). (Reeks)
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