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Kleist, Heinrich von --- Kleist, Heinrich von, --- Kleist, Heinrich von.
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The topics of physicality and face in Kleist and Kafka as well as the problem of perception, which are the focus of this work, fit seamlessly into the context of a fruitful exchange of different scientific experiences. The present work underlines and promotes a double perspective: the methodology of German studies, which is based on philosophy and cultural anthropology, on the one hand, and the literary and art-historical approach of the Italian, historical and humanistic tradition on the other, which is still clinging, in a certain way, to the canon of beauty of the late Renaissance.
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The topics of physicality and face in Kleist and Kafka as well as the problem of perception, which are the focus of this work, fit seamlessly into the context of a fruitful exchange of different scientific experiences. The present work underlines and promotes a double perspective: the methodology of German studies, which is based on philosophy and cultural anthropology, on the one hand, and the literary and art-historical approach of the Italian, historical and humanistic tradition on the other, which is still clinging, in a certain way, to the canon of beauty of the late Renaissance.
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Kleist, Heinrich von, --- Kleist, Heinrich {von. --- Amphitryon (Kleist, Heinrich von). --- Amphitryon.
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Ich-Identität (Motiv). --- Ich-Identität. --- Ich-Identität. --- Motiv. --- Poetik. --- Kleist, Heinrich ((von)). --- Kleist, Heinrich von, --- Kleist, Heinrich von.
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