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Susan Hiller was born in the United States in 1940. Rather than attending art school she studied anthropology, moving to London in the early 1960s where she became an artist. Employing a wide variety of media, Hiller has done much in recent decades to redefine what a work of art can be. Much of her work is centred on the subconscious mind and ideas of the paranormal present in cultures around the world. Specific works have investigated auras, extra sensory perception, close encounters, dreams and automatic writing. Many are large-scale installations, variously employing film, audio, video and projection. She makes use of found material, ranging from overlooked aspects of popular culture like wallpaper and postcards, to audio interviews with members of the public. Comprehensive and extensively illustrated, this book will cover Hiller's entire career. It will include an introductory essay by Tate curator Ann Gallagher; a conversation between the critics Guy Brett, Yves-Alan Bois and the artist; and, fresh perspectives on her work from Jorg Heiser, Alexandra Kokoli and Jan Verwoert. Also reprinting key, previously published responses to Hiller by critics, this will be the most thorough and up to date survey of this extraordinary artist yet published.

Conceptual art --- Graphic arts --- 7.071 HILLER --- antropologie --- artists' books --- concept art --- conceptuele kunst --- eenentwintigste eeuw --- fotografie --- Groot-Brittannië --- Hiller Susan --- installaties --- kunst --- kunstenaarsboeken --- kunst en antropologie --- paraconceptualisme --- paraconceptuele kunst --- tekenkunst --- twintigste eeuw --- Verenigde Staten --- video --- videokunst --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Hiller, Susan --- Hiler, Suzan --- הלר, סוזן --- Criticism and interpretation.

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Charles Bernstein has described conceptual "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Editors Craig Dworkin and Kenneth Goldsmith chart the trajectory of the conceptual aesthetic from early precursors such s Samuel Beckett and Marcel Duchamp through major avant-garde groups of the past century, including Dada, Oulipo, Fluxus, and language poetry, to name just a few. The works of more than a hundred writers from Aasprong to Zykov demonstrate a remarkable variety of new ways of thinking about the nature of texts, information, and art, using found, appropriated, and randomly generated texts to explore the possibilities of non-expressive language. --Book Jacket.

Literature, Experimental. --- Literature, Modern --- Experimental poetry. --- Conceptual art. --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Avant-garde poetry --- Literature, Experimental --- Poetry --- Literature --- Avant-garde literature --- Experimental literature --- Avant-garde (Aesthetics) --- Modernism (Literature) --- Style, Literary --- Conceptual art --- Experimental poetry --- Literary style --- Littérature expérimentale --- Poésie expérimentale --- Art conceptuel --- Littérature

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Ginckels, Pieterjan --- kunst --- België --- eenentwintigste eeuw --- Ginckels Pieterjan --- conceptuele kunst --- concept art --- e-mail --- spam --- 7.071 GINCKELS --- 7.07 --- Beeldende kunst en digitale media ; 21ste eeuw ; P. Ginckels --- Ginckels, Pieterjan °1982 (°Tienen, België) --- Performances --- Installaties ; environments --- Belgische kunstenaars --- Tentoonstellingscatalogi ; Waregem ; BE-PART Platform voor actuele kunst --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions --- Art [Modern ] --- 21st century --- Art --- art [fine art] --- offices [work spaces] --- electronic mail --- texts [documents] --- interactive art --- art [discipline]

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"There they rest, inert, impertinent, in gallery space-those book forms either imitated or mutilated, replicas of reading matter or its vestiges. Strange, after its long and robust career, for the book to take early retirement in a museum, not as rare manuscript but as functionless sculpture. Readymade or constructed, such book shapes are canceled as text when deposited as gallery objects, shut off from their normal reading when not, in some yet more drastic way, dismembered or reassembled." So begins Bookwork, which follows our passion for books to its logical extreme in

Artists' books. --- Altered books. --- Books in art. --- Conceptual art. --- 7.05 --- Sculpturale objecten ; installaties ; gemaakt van boeken en papier --- Materialen ; papier ; boeken --- Thema's in de kunst ; boeken --- Beeldende kunst ; installaties ; met boeken --- Kunstenaarsboeken --- Artists Books --- Livres d'artistes --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Altered book art --- Artist books --- Book art --- Book works (Art) --- Books, Artists' --- Bookworks (Art) --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Artists' books --- Altered books --- Books in art --- Conceptual art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Books --- Collage

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During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Allen looks at the most important of these magazines in their heyday and compiles an illustrated directory of hundreds of others.

Journalism --- artists' books [books] --- Conceptual --- Art --- art theory --- Fluxus --- Minimal --- kunstenaarsboeken --- Nauman, Bruce --- Burden, Chris --- Kosuth, Joseph --- Andre, Carl --- Warhol, Andy --- Ruscha, Ed --- Weiner, Lawrence --- Levine, Sherrie --- Sherman, Cindy --- Graham, Dan --- Buren, Daniel --- Lozano, Lee --- Smithson, Robert --- Baldessari, John --- Beuys, Joseph --- Matta-Clark, Gordon --- Mullican, Matt --- Acconci, Vito --- Morris, Robert --- Buchloh, Benjamin --- Vree, De, Paul --- Durant, Rudo --- Oppenheim, Dennis --- Judd, Donald --- Haacke, Hans --- Bochner, Mel --- LeWitt, Sol --- anno 1900-1999 --- Art, Modern --- Historiography --- 050 <73> --- 655.534 --- 655.4 --- 655.262 --- Tijdschriften. Periodieken. Serials--(werken over)--Verenigde Staten van Amerika. VSA. USA --- Stofomslag. Cover. Boekomslag --- Uitgeverij. Boekhandel--algemeen --- Boekdesign--algemeen --- Historiography. --- 050 <73> Tijdschriften. Periodieken. Serials--(werken over)--Verenigde Staten van Amerika. VSA. USA --- kunst --- concept art --- conceptuele kunst --- 7.038 --- artists' books --- artists' magazines --- kunstenaarstijdschriften --- tijdschriften --- Verenigde Staten --- twintigste eeuw --- Modern art --- Conceptual art --- Nieuwe Ploeg (Group of artists) --- artists' periodicals --- Art, Modern - 20th century - Periodicals --- Art, Modern - 20th century - Historiography