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Gorgeously quiet in color and composition, Agnes Martin’s paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce—until now. This important new anthology brings together the most current scholarship on Martin’s paintings by twelve multidisciplinary essayists who consider various aspects of the artist’s four-decade career.

Martin, Agnes - 1912-2004 --- Martin, Agnes - 1912-2004

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Monastic and religious life of women --- Christian women saints --- Vie religieuse et monastique féminine --- Saintes chrétiennes --- History --- Biography --- Histoire --- Biograhies --- Agnes, --- Poor Clares --- Christian saints --- Vie religieuse et monastique féminine --- Saintes chrétiennes --- Monastic and religious life of women - Czech Republic - Bohemia - History - Middle Ages, 600-1500 --- Christian saints - Czech Republic - Bohemia - Biography --- Agnes, - Princess of Bohemia, - 1205-1282

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Religious studies --- Sociology of the family. Sociology of sexuality --- Sexology --- History as a science --- History --- Gender --- Historiography --- Homosexuality --- Female homosexuality --- Religious communities --- Sexuality --- Images of women --- Book --- Etchingham, Elizabeth --- Oxenbridge, Agnes --- anno 500-1499 --- anno 1500-1799 --- Europe

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Sculpture --- sculpture [visual works] --- earthworks [sculpture] --- ecology --- interactive art --- Holt, Nancy --- Ballengée, Brandon --- Bell, Vaughn --- Bonanno, Alfio --- Buis, Douglas --- Haeg, Fritz --- Hull, Lynne --- Ikeda, Ichi --- Johanson, Patricia --- Jordan, Lorna --- Kac, Eduardo --- Kunce, Samm --- Levy, Stacy --- Prigann, Herman --- Sacks, Shelley --- Nash, David --- Siegel, Steven --- Simpson, Buster --- David, Michael --- Long, Richard --- Ukeles, Mierle Laderman --- Gutierrez, Yolanda --- Hashimoto, Barbara --- Kahn, Ned --- Jones, John Paul --- Goldsworthy, Andy --- Dion, Mark --- Drury, Chris --- Chin, Mel --- Denes, Agnes --- Gilardi, Piero --- Lin, Maya --- Potrč, Marjetica --- Ai Weiwei

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art [discipline] --- labyrinths [motifs] --- Eyck, van, Aldo E. --- Andre, Carl --- Michaux, Henri --- Constant --- Curlet, François --- Gego --- Khedoori, Toba --- Stella, Frank --- Lang, Fritz --- Duchamp, Marcel --- Friedman, Yona --- Cointet, de, Guy --- Discrit, Julien --- Ferrari, León --- Morris, Robert --- Citroen, Paul --- Kiarostami, Abbas --- Kolarova, Bela --- Smithson, Robert --- Kopystiansky, Igor --- Lesage, Augustin --- Lombardi, Mark --- Moulin, Nicolas --- Nashashibi, Rosalind --- Pettena, Gianni --- Renaudie, Jean --- Koolhaas, Rem --- Long, Richard --- Rodtschenko, Alexander Michajlowitsch --- François, Michel --- Zarka, Raphaël --- Kopystiansky, Svetlana --- Kiesler, Frederick --- Hatoum, Mona --- Isou, Isidore --- Debord, Guy --- Kelley, Mike --- Colombo, Gianni --- Parc, le, Julio --- Uecker, Günther --- Schöffer, Nicolas --- Acconci, Vito --- Celmins, Vija --- Hirschhorn, Thomas --- Mullican, Matt --- Alÿs, Francis --- Denes, Agnes --- Dominicis, de, Gino --- Kurokawa, Kisho --- Le Va, Barry --- Medina, Valcárcel --- Molnár, Vera --- Malevitsj, Kasimir --- Grigely, Joseph --- Farocki, Harun --- McCorkle, Corey --- Bontecou, Lee --- Ader, Bas Jan --- Coop Himmelblau [Vienna] --- Art & Language --- Eyck, van, Aldo