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The 1920s constituted a decade of change and contrast, when modern America began to emerge from the shadow of World War I. Updated and expanded from the last edition with new information in many sections, "The Roaring Twenties, Revised Edition" offers new coverage of the social, political, and economic history of this decade, including developments in science, from astrophysics to laboratory science to discoveries and inventions; the creation of new professional sports leagues; the labor union movement; censorship, and writers, artists, and moviemakers are looked at in more depth. This volume captures the complexities of the 1920s and brings to life the various events that occurred during this tumultuous yet exhilarating decade. "The Roaring Twenties, Updated Edition" provides hundreds of firsthand accounts of the period - from diary entries, letters, speeches, and newspaper accounts - that illustrate how historical events appeared to those who lived through them. New eyewitness testimonies to this edition include J. Edgar Hoover, Emma Goldman, Calvin Coolidge, William Randolph Hearst, Eugene O'Neill, William Faulkner, Walt Disney, Thomas Edison, John D.
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Faire vite, faire bien, connaître les trois œuvres au programme dans leur rapport au thème de la justice, ne pas se tromper dans l’analyse des sujets, disposer des clés pour construire au mieux son devoir et faire la différence … Voici le guide intelligent, efficace, pour réussir l’épreuve de français/philo aux concours. - Une analyse critique des trois œuvres - Synthèse sur le thème de la justice
Aeschylus --- Pascal, Blaise, - 1623-1662 --- Steinbeck, John
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"D'où vient que je frissonne ?" s'écrie Oreste gagné par la folie. Si ces mots sont ceux que Racine a placés dans la bouche du héros grec, ils conviendraient parfaitement à la tragédie éponyme d'Eschyle, et plus généralement à tout son théâtre. Sous toutes ses formes, métaphorique, sentimentale, religieuse, physique voire médicale, la peur habite les personnages d'Eschyle et gagne le spectateur. Dans cette étude qui fit date, Jacqueline de Romilly analyse les différents visages que prend la crainte dans la poésie eschyléenne ainsi que sa signification.
Fear in literature --- Aeschylus --- Criticism and interpretation --- Aeschylus - Criticism and interpretation
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Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Aeschylus' Oresteia, the only ancient tragic trilogy to survive, is one of the great foundational texts of Western culture. It begins with Agamemnon, which describes Agamemnon's return from the Trojan War and his murder at the hands of his wife Clytemnestra
Electra (Greek mythology) --- Aeschylus --- Agamemnon, --- Orestes, --- Agamemnon (Greek mythology) --- Orestes (Greek mythology)
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"'Aeschylus' 'Suppliants' dramatises the myth of the fifty daughters of Danaos, who flee Egypt and come to Argos as suppliants, trying to escape forced marriage to their Egyptian cousins. It was long considered to be the earliest surviving tragedy. Even after the mid-20th century, when new evidence established a later date for the play, critics tended to condemn it for its alleged 'archaic' features. As a result it has long been underestimated, although a careful examination reveals it to be one of the most exciting tragedies. This companion employs a variety of critical approaches to set the play in its literary, dramatic, social and historical contexts, and also offers a thorough examination of the performance of the tragedy, investigating topics such as stage, action, music, song and dance."--Bloomsbury Publishing Aeschylus' 'Suppliants' dramatises the myth of the fifty daughters of Danaos, who flee Egypt and come to Argos as suppliants, trying to escape forced marriage to their Egyptian cousins. It was long considered to be the earliest surviving tragedy. Even after the mid-20th century, when new evidence established a later date for the play, critics tended to condemn it for its alleged 'archaic' features. As a result it has long been underestimated, although a careful examination reveals it to be one of the most exciting tragedies. This companion employs a variety of critical approaches to set the play in its literary, dramatic, social and historical contexts, and also offers a thorough examination of the performance of the tragedy, investigating topics such as stage, action, music, song and dance
Greek drama (Tragedy) --- Greek drama --- Aeschylus. --- Aeschylus --- Eskhil --- Eschylus --- Aischylos --- Esquilo --- Eschilo --- Aiskhilos --- Eshil --- Æskílos --- Ajschylos --- Eschil --- Esḳilos --- Eschyle --- Äschylos --- Eskili --- Aiszkhülosz --- Eschylos --- Iskilos --- Эсхил --- אייסכילוס --- איסכילאס --- איסכילוס --- إيسخولوس --- ايسخيلوس --- Αἰσχύλος --- Criticism and interpretation. --- Criticism, Textual.
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The book studies the past of the characters in Aeschylus and Sophocles, a neglected but crucial topic. The characters' beliefs, values, and emotionsbear on their view of the past. This view reinforces their beliefs and their conception of themselves and others as agentsof free will and members of a family and/or community. The study reveals that, although the characters' idea of the past is fixed, the impact of the past is not. The characters consider, review, and construct narratives of it, as they seek to mould a future they perceive as morally just for themselves and others.
Aeschylus - Characters. --- Aeschylus -- Characters. --- Characters and characteristics in literature. --- Sophocles - Characters. --- Sophocles -- Characters. --- Characters and characteristics in literature --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Aeschylus --- Sophocles --- Characters. --- Personnages dans la littérature --- Character sketches --- Characterization (Literature) --- Literary characters --- Literary portraits --- Portraits, Literary --- History and criticism --- Sofokles --- Sophocle --- Sofocle --- Sophokles --- Sofocles --- Eskhil --- Eschylus --- Aischylos --- Esquilo --- Eschilo --- Aiskhilos --- Eshil --- Æskílos --- Ajschylos --- Eschil --- Eschyle --- Äschylos --- Eskili --- Aiszkhülosz --- Eschylos --- Iskilos --- Эсхил --- אייסכילוס --- איסכילאס --- איסכילוס --- إيسخولوس --- ايسخيلوس --- Αἰσχύλος --- E-books --- Sófocles --- Sofoklis --- Sofokl --- Sūfūklīs --- Sūtmūklīs --- Sofokŭl --- סופוקלס --- سوفوكليس --- Σοφοκλῆς --- Esḳilos --- Sophoclis --- Aeschylus. --- Free Will. --- Greek Tragedy. --- Sophocles. --- The Past. --- Sophocle (0496?-0406 av. J.-C.) --- Eschyle (0525?-0456 av. J.-C.) --- Thèmes, motifs --- Thèmes, motifs
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Le catalogue accompagnant et prolongeant la 11e édition de l'exposition internationale, organisée par la commissaire argentine Victoria Noorthoorn (avec 78 artistes du monde entier, venus principalement d'Europe, d'Afrique et d'Amérique latine), conçu comme un montage autonome d'œuvres visuelles et textuelles ouvrant sur une multiplicité de significations.
Art, Modern --- Art --- Art contemporain --- Typographie --- Illustration --- Photographie --- Installation-art --- kunst --- eenentwintigste eeuw --- Biennale de Lyon --- twintigste eeuw --- kunst en literatuur --- Acevedo Velarde Gabriel --- Anastas Ayreen --- Arit Roberto --- The artic perspective intiative --- Azevedo Ronaldo --- Baladran Zbynek --- Ballestreros Ernesto --- de Barros Lenora --- van Bart Hannah --- Basualdo Eduardo --- Beckett Samuel --- Beltran Erick --- Benjamin Walter --- Bernhard Thomas --- Blanchi Diego --- Bijl Guillaume --- Bispo do Rosario Arthur --- Bismuth Pierre --- Bock Katinka --- Borges Jorge Luis --- Bowles Paul --- von Brandenburg Ulla --- Bret Cyrille --- Bryce Fernando --- Bucher François --- Büchner Georg --- Burroughs William --- Cage John --- Lohner Henning --- de Campos Augusto --- Catani Beatriz --- The center for historical reenactments --- Chiota Virginia --- Cornelissen Robbie --- De Caro Marina --- Dehn Jochen --- Discrit Julien --- Drucaroff Elsa --- Dumas Marlene --- Aeschylus --- Farace Ariel --- Feldman Morton --- Filliou Robert --- Filko Stano --- Friedman Yona --- Froment --- uller Richard Buckminster --- Gabri René --- Gamerro Carlos --- Gombrowicz Witold --- de Gongora y argote Luis --- Grygar Milan --- Hadjithomas Joana --- Hernandez Felisberto --- Herrera Arturo --- Homerus --- Huisman Michel --- Hutchins Jessica --- Jacoby Roberto --- Ji Yun-Fei --- Joreige Khalil --- Kafka Franz --- Keller Christoph --- Kirchuk Irina --- Koch Lucia --- Kotatkova Eva --- Kusmirowski Robert --- Lamborghini Osvaldo --- Lamothe Luciana --- Langa Moshekwa --- Langer --- Laskey Ruth --- Leblon Guillaume --- Lehulere Kemang Wa --- Lhopital Christian --- Lima Laura --- Lopes Jarbas --- Macchi Jorge --- Matalon Linda --- Meireles Cildo --- Mira Ruben --- Montaron Laurent --- Moreno Maria --- Mujica Hugo --- Noorthoorn Victoria --- The Otolith group --- Ortiz Bernardo --- Ortiz Juan L. --- Paris Nicolas --- Pierce Sarah --- Petitgand Dominique --- Phelan Garrett --- Rapson Sarah --- Raspail thierry --- Rose Tracey --- Restrepo José Alejandro --- Schellow Alexander --- Seror Benjamin --- Sierra Gabriel --- Stoppard Tom --- Strik Elly --- Swift Jonathan --- Tait Neal --- Tantanian Alejandro --- Tellez Javier --- Thomas Daniela --- Toguo Barthélémy --- Verzutti Erika --- Vitagliano Miguel --- Wavelet Christophe --- Werthein Judi --- Yeats William Butler --- Yiadom-Boakye Lynette --- Zamora Hector --- 7.039 --- Exhibitions --- Ortiz Juan L --- Art, Modern - 21st century - Exhibitions
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