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Painting --- painting techniques --- oil painting [technique] --- acrylic painting [technique] --- oil paint [paint] --- acrylic paint
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Slinkard, Rex --- Exhibitions --- Painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Slinkard, Rex, --- Criticism and interpretation. --- Iris & B. Gerald Cantor Center for Visual Arts at Stanford University --- Cantor Center for Visual Arts at Stanford University --- Stanford University. --- Iris and B. Gerald Cantor Center for Visual Arts at Stanford University --- Cantor Arts Center --- Slinkard, Rex.
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Painting --- Art museums --- History. --- Karl Theodor, --- Pigage, Nicolas de, --- Art collections --- Catalogs. --- Exhibitions --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Art --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- History --- Galleries and museums --- Carl Theodor von der Pfalz, --- Carl Theodor von Pfalz-Sulzbach, --- Carl Theodor zu Pfalz, --- Charles Theodore, --- Karl Theodor von der Pfalz, --- Karl Theodor von Pfalz-Bayern, --- Karl Theodore, --- Pfalz, Karl Theodor von der, --- Collectors and collecting --- Private collections
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On January 23-24, 2008 the University of Groningen hosted an international symposium entitled 'Understanding Art in Antwerp. Classicising the Popular, Popularising the Classic (1540-1580)', where art historians, literary historians and musicologists explored how art was understood in Antwerp in the sixteenth century, how that art understood itself and conveyed such understanding to others, and how students of early modern Antwerp should understand that concept of art historically. Attention was paid to the factors which influenced the vision of the nature and function of art, including those of a non-artistic nature. Central to the idea of art was the relationship between the classical and the popular and between various synonyms, such as the foreign and the vernacular. Antwerp artists in all fields covered by this volume participated in cultural exchange, attempting to incorporate and assimilate elements from different origins into their work. Likewise, contemporary audiences (either as spectators, readers or listeners) were challenged to follow and understand what amounted to a kind of play or playfulness that was so charcateristic of sixteenth-century culture.
Art --- Painting --- Artists --- Painters --- Art criticism --- Arts --- Criticism --- Persons --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Aesthetics --- Analysis, interpretation, appreciation --- Kunstbeschouwing. --- Volksopvattingen. --- Het klassieke. --- Culturele invloeden. --- Popularisering. --- anno 1500-1599 --- Antwerpen (stad) --- Antwerpen --- anno 1500-1599. --- Antwerpen (stad). --- Antwerpen. --- Art, Renaissance --- Art de la Renaissance --- Critique d'art --- Artistes --- Peinture --- Peintres --- Classical influences --- Influence classique --- Antwerp (Belgium) --- Anvers (Belgique) --- Belgium --- History --- 16th century --- Congresses --- Art [Renaissance ] --- Biography --- Art appreciation --- Painting [Flemish ] --- Intellectual life --- Influence classique. --- Art, Primitive
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L'exposition Maîtres flamands et vénitiens (Palais des Beaux-Arts de Bruxelles) réunit une cinquantaine d'oeuvres issues de la collection de l'Accademia Carrara de Bergame, seize pièces maîtresses provenant du Musée Royal des Beaux-Arts d'Anvers, ainsi qu'un chef-d'oeuvre exceptionnel de Lorenzo Lotto de l'église de Sant'Alessandro in Colonna à Bergame. Ce choix permet de parcourir quatre siècles de peinture européenne et de révéler la réciprocité des influences entre Anvers et Venise. Le présent catalogue propose un parcours chronologique du XVe au XVIIIe siècle : quatre chapitres pour quatre siècles, à travers quatre angles, à savoir le portrait au Quattrocento, les paysages et la dévotion au Cinquecento, le sacré et le profane au Seicento et les vues panoramiques au Settecento. Nous voyons ainsi Pisanello confronté à un autre maître tel que Rogier van der Weyden, ou encore Giovanni Bellini à Jan van Eyck, qui par ailleurs enchante les collègues vénitiens par son attention au détail. Les Vénitiens s'émancipent au cours du siècle suivant de la technique des Primitifs flamands, voyant Titien, le Tintoret et Véronèse faire exploser la couleur. Rubens déteindra quant à lui sur Tiepolo et enfin, au XVIIIe siècle, les vues de Canaletto capturent une Venise sur son déclin, tandis que les scènes pittoresques de Guardi rappellent la démesure de Jordaens. Si d'autres régions d'Italie ont pu nouer de tels liens avec ces écoles du Nord, seule Venise pouvait se vanter de points de contacts aussi nombreux que réguliers et sur une période aussi longue.
Belgian painting --- Belgische schilderkunst --- Flemish painting --- Painting [Belgian ] --- Painting [Flemish ] --- Peinture belge --- Peinture flamande --- Schilderkunst [Belgische ] --- Schilderkunst [Vlaamse ] --- Vlaamse schilderkunst --- Painting, Italian --- Painting, Flemish --- Italian painting --- Accademia Carrara --- Koninklijk Museum voor Schone Kunsten (Belgium) --- Antwerp (Belgium). --- Museum van Schoone Kunsten (Antwerp, Belgium) --- Museum voor Schone Kunsten (Antwerp, Belgium) --- Royal Museum of Antwerp --- Antwerp. --- Musée royal des beaux-arts (Belgium) --- Royal Museum of Fine Arts (Belgium) --- KMSK --- Museu de Belas-Artes de Antuérpia --- Musée royal d'Anvers --- Musée royal des beaux-arts d'Anvers --- Koninklijk Museum voor Schone Kunsten Antwerpen --- KMSKA --- Königliches Museum für Schöne Künste zu Antwerpen --- Accademia Carrara di belle arti (Bergamo, Italy) --- Carrara Accademy --- Pinacoteca dell'Accademia Carrara --- Galleria dell'Accademia Carrara --- Galleria Lochis --- Galleria Morelli --- Bergamo. --- Exhibitions --- Accademia di belle arti G. Carrara --- Painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Flemish influences --- Koninklijk Museum voor Schone Kunsten (Antwerpen) --- Catalogs --- Painting, Renaissance --- Painting, Baroque
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This edition includes 115 artists from over thirty countries who represent the best of the new international painting.
hedendaagse kunst --- Contemporary [style of art] --- Painting --- schilderkunst --- painting [image-making] --- Megerle, Birgit --- Hylden, Nathan --- Borremans, Michaël --- Vance, Lesley --- Araujo, Juan --- Decrauzat, Philippe --- Kudo, Makiko --- Schutz, Dana --- Phokela, Johannes --- Ruckhäberle, Christoph --- Li Dafang --- Auerbach, Tauba --- Shaw, Raqib --- Thomas, Mickalene --- Bas, Hernan --- Schoorel, Maaike --- White, Wendy --- Liang Yuanwei --- Ballester Moreno, Antonio --- Quaytman, R.H. --- Unwin, Phoebe --- Smith, Josh --- Altfest, Ellen --- Ruby, Sterling --- Zerbini, Luiz --- Masriadi, I Nyoman --- Ziółkowski, Jakub Julian --- Heyl, Von, Charline --- Humphries, Jacqueline --- Vermeersch, Pieter --- de Balincourt, Jules --- Carnegie, Gillian --- Guyton, Wade --- Calvin, Brian --- Jia Aili --- Man, Victor --- Brice, Lisa --- Wulff, Katharina --- Molzan, Dianna --- Donachie, Kaye --- Hubbard, Alex --- Andersson, Karin Mamma --- Rojas, Clare E. --- Halvorson, Josephine --- Baumgärtel, Tilo --- Bush, Stephen --- Moran, Kristine --- Sorensen, Glenn --- Hawkins, Richard --- Madani, Tala --- Li Songsong --- Anderson, Hurvin --- Grotjahn, Mark --- Koether, Jutta --- Joffe, Chantal --- Harsha, N.S. --- Yiadom-Boakye, Lynette --- Dragicevic, Milena --- Olowska, Paulina --- Mortimer, Justin --- Caivano, Varda --- Wang Xingwei --- Kamura, Maki Na --- Nair, Surendran --- Otto-Knapp, Silke --- Savu, Serban --- Aldrich, Richard --- James, Merlin --- Daniels, William --- Gonzales, Wayne --- Moshiri, Farhad --- Kelly, Khalif --- Walker, Kelley --- Davis, Noah --- Moran, Katy --- Liu Xiaodong --- Eisenman, Nicole --- Wekua, Andro --- Fullerton, Michael --- Dorion, Pierre --- Eggerer, Thomas --- Timoney, Pádraig --- Tinei, Alexander --- Tait, Neal --- Jane, Xylor --- Wasmuht, Corinne --- Orr, Christopher --- Li, Shurui --- Crowner, Sarah --- Pushnitsky, Vitaly --- Ekblad, Ida --- Kobe, Martin --- Abney, Nina Chanel --- Herrera, Carmen --- Bradford, Mark --- Brätsch, Kerstin --- Rayne, Blake --- Kassay, Jacob --- Johanson, Chris --- Kürten, Stefan --- Zhang Enli --- Bujnowski, Rafal --- Weischer, Matthias --- Ghenie, Adrian --- Degen, Benjamin --- Odita, Odili Donald --- Pessoli, Alessandro --- Jitrik, Magdalena --- Pestoni, Jon --- Kallat, Jitish --- Sillman, Amy --- Kowalski, Tomasz --- Maciejowski, Marcin --- Malani, Nalini --- anno 2000-2099 --- Painting. --- Painting, Modern --- Peinture --- 75(03) --- 75.039 --- Naslagwerken ; schilderkunst ; 21ste eeuw ; 2006-2011 --- Abney Nina Canel --- Aldrich Richard --- Altfest Ellen --- Anderson Hurvin --- Andersson Karin Mamma --- Araujo Juan --- Auerbach Tauba --- Ballester Moreno Antonio --- Bas Herman --- Baumgärtel Tilo --- Borremans Michaël --- Bradford Mark --- Brice Lisa --- Brätsch Kerstin --- Bujnowski Rafal --- Bush Stephen --- Caivano Varda --- Calvin Brian --- Carnegie Gillian --- Crowner Sarah --- Daniels William --- Davis Noah --- Decrauzat Philippe --- Degen Benjamin --- Donachie Kaye --- Dorion Pierre --- Dragicevic Milena --- Eggerer Thomas --- Eisenman Nicole --- Ekblad Ida --- Ghenie Adrian --- Gonzales Wayne --- Grotjahn Mark --- Halvorson Josephine --- Harsha N.S. --- Hawkins Richard --- Herrera Carmen --- Hubbard Alex --- Humphries Jacqueline --- Hylden Nathan --- James Merlin --- Jane Xylon --- Jitrik Magdalena --- Joffe Chantal --- Johanson Chris --- Kallat Jitish --- Kamura Maki Na --- Kassay Jacob --- Kelly Khalif --- Kobe Martin --- Koether Jutta --- Kowalski Tomasz --- Kudo Makiko --- Kürten Stefan --- Li Shurui --- Lian Yuanwei --- Maciejowski Marcin --- Madani Tala --- Malani Nalini --- Man Victor --- Masriadi I Nyoman --- Megerle Birgit --- Molzan Dianna --- Moran Katy --- Moran Kristine --- Mortimer Justin --- Moshiri Farhad --- Nair Surendran --- Odita Odili Donaldo --- Olowska Paulina --- Orr Christopher --- Otto-Knapp Silke --- Pessoli Alessandro --- Pestoni Jon --- Phokela Johannes --- Pushnitsky Vitaly --- Quaytman R.H. --- Rayne Blake --- Rojas Clare --- Ruby Sterling --- Ruckhäberle Christoph --- Savu Serban --- Schoorel Maaike --- Schutz Dana --- Shaw Raqib --- Sillman Amy --- Smith Anj --- Smith Josh --- Sorensen Glenn --- Tait Neal --- Thomas Mickalene --- Timoney Padraig --- Tinei Alexander --- Unwin Phoebe --- Vance Lesley --- Vermeersch Pieter --- Walker Kelley --- Wasmuht Corinne --- Weischer Matthias --- Wekua Andro --- White Wendy --- Wulff Katharina --- Yiadom-Boakye Lynette --- Zerbini Luiz --- Ziolkowski Jakub Julian --- de Balincourt Jules --- eenentwintigste eeuw --- kunst --- von Heyl Charline --- 20e eeuw --- 735.9 --- Aili, Jia --- Dafang, Li --- De Balincourt, Jules --- Enli, Zhang --- Koether --- Malani, Nalani --- Rojas, Clare --- Shurui, Li --- Smith, Anj --- Songsong, Li --- Timoney, Padraig --- Vitamin P --- Von Heyl, Charline --- Walker, Kelly --- Wasmuth, Corinne --- Xiaodong, Liu --- Xingwei, Wang --- Yuanwei, Liang --- Ziolkowski, Jakub Julian --- kunstgeschiedenis --- Schilderkunst ; encyclopedieën --- Schilderkunst ; 2000 - 2050 --- geschiedenis der schilder- en tekenkunst, 21e eeuw, algemene stromingen --- departement Beeldende Kunst 11 --- hedendaagse schilderkunst --- Quaytman, R.H --- Harsha N.S --- Quaytman R.H --- Harsha, N.S --- Groupe Mémoires (Group of artists) --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Balincourt, de, Jules --- Andersson, Mamma --- Savu, Şerban
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