Narrow your search

Library

KU Leuven (2)

LUCA School of Arts (1)

Odisee (1)

Thomas More Kempen (1)

Thomas More Mechelen (1)

UCLouvain (1)

UCLL (1)

UGent (1)

ULB (1)

VIVES (1)

More...

Resource type

book (2)


Language

English (2)


Year
From To Submit

2011 (2)

Listing 1 - 2 of 2
Sort by

Book
United Nations Educational, scientific, and Cultural Organization (UNESCO) : creating norms for a complex world.
Author:
ISBN: 9780415491136 9780415491143 9780203838587 0415491142 0415491134 9781136878602 9781136878640 9781136878657 Year: 2011 Publisher: Abingdon Routledge


Book
Globalized arts : the entertainment economy and cultural identity.
Author:
ISBN: 1283135973 9786613135971 0231519192 9780231519199 9780231147194 0231147198 9780231147187 023114718X Year: 2011 Publisher: New York Columbia university press

Loading...
Export citation

Choose an application

Bookmark

Abstract

Our interactive world can take a creative product, such as a Hollywood film, Bollywood song, or Latin American telenovela, and transform it into a source of cultural anxiety. What does this artwork say about the artist or the world she works in? How will these artworks evolve in the global market? Film, music, television, and the performing arts enter the same networks of exchange as other industries, and the anxiety they produce informs a fascinating area of study for art, culture, and global politics.Focusing on the confrontation between global politics and symbolic creative expression, J. P. Singh shows how, by integrating themselves into international markets, entertainment industries give rise to far-reaching cultural anxieties and politics. With examples from Hollywood, Bollywood, French grand opera, Latin American television, West African music, postcolonial literature, and even the Thai sex trade, Singh cites not only the attempt to address cultural discomfort but also the effort to deny entertainment acts as cultural. He connects creative expression to clashes between national identities, and he details the effect of cultural policies, such as institutional patronage and economic incentives, on the making and incorporation of art into the global market. Ultimately, Singh shows how these issues affect the debates on cultural trade being waged by the World Trade Organization, UNESCO, and the developing world.

Listing 1 - 2 of 2
Sort by