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Dieser Band greift erstmals das Thema ,Intermedialität', das seit einigen Jahren zu einem Leitbegriff der Kulturwissenschaften geworden ist, aus Sicht der Sprachwissenschaft auf. Er zeigt auf, wie tief medienspezifische Gegebenheiten und intermediale Bezüge die Gebrauchsformen von Sprache prägen. Sprache wird in den Beiträgen des Bandes als Spannungsphänomen theoretisiert, für das sowohl die Materialität seiner Erscheinungsformen wie seine medialen und kommunikativen Bezüge auf Nichtsprachliches konstitutiv sind. Zusammenhänge und Konkurrenzen, Eigenart und Austauschbarkeit dieser Formen und Bezüge werden in drei Themenkomplexen diskutiert: - Die Materialität von Sprache als Stimme und Schrift- Intermediale Relationen zwischen Text, Bild und Ton in Druckmedien, Film und Internet- Multimodale und leibvermittelte Kommunikation im Raum.Die Beiträge des Bandes führen grundlegend in die verschiedenen Facetten der Intermedialität von Sprache ein, diskutieren deren sprachtheoretische Implikationen und präsentieren neueste Forschungsergebnisse.

Communication. --- Intermediality. --- Semiotics. --- German philology --- Study and teaching. --- Germanic philology --- Voice. --- Writing.

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This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance.

Theatrical science --- Mass communications --- Digital media. --- Intermediality. --- Performance art. --- Intermediality --- Digital media --- Performance art --- Art, Architecture & Applied Arts --- Fine Arts - General --- Arts. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Electronic media --- New media (Digital media) --- Humanities --- Arts, Modern --- Happenings (Art) --- Performing arts --- Mass media --- Digital communications --- Online journalism --- Semiotics --- Influence (Literary, artistic, etc.) --- Digitale technieken. --- Intermedialiteit. --- Massamedia. --- Toneel. --- Uitvoerende kunsten. --- Arts, Primitive

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The 'narrative turn' in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the 'medial turn' in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a variety of media, and often combines signs belonging to different semiotic categories: visual, auditory, linguistic and perhaps even tactile. The essays gathered in this volume apply the newly gained awareness of the expressive power of media to particular texts, demonstrating the productivity of a medium-aware analysis. Through the examination of a wide variety of different media, ranging from widely studied, such as literature and film, to new, neglected, or non-standard ones, such as graphic novels, photography, television, musicals, computer games and advertising, they address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created in media other than language; how do different types of signs collaborate with each other in so-called 'multi-modal works', and what new forms of narrativity are made possible by the emergence of digital media.

Literary rhetorics --- Fiction --- Art --- Mass communications --- Mass media --- Narration (Rhetoric) --- Discourse analysis, Narrative --- Intermediality --- Digital media --- Mass media and the arts --- Influence --- 82:659.3 --- Literatuur en massacommunicatie --- 82:659.3 Literatuur en massacommunicatie --- Mass media. --- Discourse analysis, Narrative. --- Intermediality. --- Mass media and the arts. --- Influence. --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Narratees (Rhetoric) --- Arts and mass media --- Arts --- Mass communication --- Media, Mass --- Media, The --- Communication --- Semiotics --- Influence (Literary, artistic, etc.) --- Narrative discourse analysis --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- MAD-faculty 13 --- literaire techniek --- literaire analyse --- Digital media - Influence --- Image and Text. --- Media. --- Storytelling.

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Proust était fasciné par l’étrange et par l’étranger, qui le lui a bien rendu. Sa notoriété de premier auteur « moderne » est née hors des frontières hexagonales. Son œuvre a été traduite très tôt. D’ailleurs, puisqu’elle est traduite, nous ne lisons sans doute plus de la même manière le texte français, lui aussi devenu « étrange et étranger ». Peut-on imaginer un Proust anglais, italien, américain, turc? Que deviennent les auteurs étrangers une fois entrés dans, et assimilés par l’univers proustien? Comment lire Dante, Cervantès, Ruskin après Proust, et avec lui? Ces questions et quelques autres sont au centre du présent volume. Le visage familier de l’auteur de La Recherche du temps perdu s’en trouvera sans doute transformé, comme un portrait cubiste, fait de facettes brisées et de profils inattendus.

Novelists, French --- French literature --- French literature. --- Influence (Literary, artistic, etc.) --- Novelists, French. --- French novelists --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- History and criticism. --- Proust, Marcel, --- Prust, Marselʹ, --- Proust, Valentin Louis Georges Eugène Marcel, --- Pʻŭrusŭtʻŭ, Marŭsel, --- Pʻu-lu-ssu-tʻe, --- Criticism and interpretation. --- Influence. --- 1900-1999 --- Psychology in literature. --- Psychology as a theme in literature --- Пруст, Марсель, --- פרוסט, מארסל --- פרוסט, מרסל --- ,פרוסט, מרסל --- بروست، مارسيل،, --- Comparative literature --- Proust, Marcel

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Turgenev is in many ways the most enigmatic of the great nineteenth-century Russian writers. A realist, he was nevertheless drawn towards symbolism and the supernatural in his later career. Renowned for his authentic depictions of Russian life, he spent long periods in Europe and was more Western in outlook than many of his contemporaries. Though he stood aloof from politics, the major political issues of nineteenth-century Russia are central to his fiction. Interest in Turgenev remains strong in the twenty-first century, sustained by the amenability of his work to contemporary critical approaches and also by a recognition of the continuing relevance of his perspective on the perennial complexities of Russia’s relations with Europe. This volume provides ample evidence of this interest. The chapters which comprise it are written by specialists on the writer and cover many aspects of Turgenev’s creativity from his artistic method to such issues as the Jewish Question and Europe. It also examines his cultural legacy - in film and recent popular re-writes of his novels - as well as his influence on writers as diverse as Rozanov and Robert Dessaix. This work will be of interest to students, postgraduates and specialists in the field of Russian literary culture.

Authors, Russian --- Russian literature --- Aesthetics. --- Influence (Literary, artistic, etc.) --- Russian literature. --- Soviet literature --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Proportion --- Symmetry --- Russian authors --- History and criticism. --- Psychology --- Turgenev, Ivan Sergeevich, --- Ṭarjan̲īv, Aivān̲, --- Toergenjew, Iwan, --- Tourghenieff, Ivan, --- Tourguéneff, Ivan, --- Tourguénev, Ivan, --- Tourguéniev, --- Tourguéniev, Ivan, --- Tourguényev, Ivan Szergeevics, --- Tʻu-ko-nieh-fu, --- Tuó̂cghênhép, Ivan, --- Turgenef, Ivan Sergheïevitch, --- Turgenev, I. S. --- Turgenev, Ivan, --- Turgéněv, J. S., --- Turgénieff, Ivan S., --- Turgenjeff, Iwan, --- Turgenjev, --- Turgenjew, Iwan, --- Turgenuvha, --- Turgenyev, --- Turgieniew, Iwan, --- Turguenef, Iván, --- Turguéniev, Iván, --- Turheni︠e︡v, I. S., --- Тургенев, Иван Сергеевич, --- טורגניב, א. ס. --- טורגניב, א. ס., --- טורגניב, איב --- טורגניב, איוואן סרגיביץ׳, --- טורגניב, איוון, --- טורגניב, י. --- טורגניב, י.ס --- טורגניוב, איבן --- טורגנייב --- טורגנייב, א. ס., --- טורגנייב, איוואן סרגיביץ׳, --- טורגענעװ, אי. ס. --- טורגעניעף, איוואן --- טורגעניעף, י. --- טורגעניעװ, א., --- טורגעניעװ, א. ס. --- טורגעניעװ, איװאן, --- טורגעניעװ, י. ס. --- טורגעניעוו, א. ס., --- טורגעניעוו, אי. ס., --- טורגעניעוו, איוו. סערג., --- טורגעניעוו, איוואן --- טורגעניעוו, י.ס --- טורגעניעוו, י. ס., --- טורגיענעוו, א. ס. --- I. S. ツルゲーネフ, --- Turgheniev, I. S., --- Tūrginīf, Īvān Sirgiyivīch, --- Tūrginīf, Īvān Sirgīvīch, --- تورگنيف، ايوان سرگيويچ --- Turheni͡ev, I. S., --- Criticism and interpretation. --- Influence. --- 1800-1899 --- Turgenev, Ivan Sergeevich