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Book
Don Juan le profane, le défi du diable
Authors: ---
ISBN: 9782916094281 2916094288 Year: 2010 Volume: *1 Publisher: Paris Éditions Detrad aVs

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Don Juan le Profane, le Défi du Diable ", c'est l'histoire d'un mythe celui d'un homme qui a fait de sa vie un défi : défi contre le roi, défi contre la loi, défi contre la foi : " Je suis mon roi, mon maître, et mon sort et mes dieux ", s'enorgueillit-il sous la plume de Villiers. La transgression est sa règle. Il ne respecte rien : " Moi et mes sens ", voilà toute sa philosophie ! Mais ce personnage, par ses excès mêmes, pose une question essentielle : Peut-on vivre uniquement pour ses sens, sans jamais donner un sens à sa vie ? Le châtiment apporte la réponse : l'homme est un être de raison, Il a besoin d'un minimum de spiritualité pour pouvoir être soi-même... et parfois se dépasser. Ce livre est le premier d'une trilogie qui fait le tour du personnage de Don Juan. Il annonce les suivants : Don Juan l'Initié, le Défi de l'Homme et Don Juan le Saint, le Défi de Dieu.


Book
Don Juan
Authors: ---
Year: 2010 Publisher: Neuilly-lès-Dijon: Ed. du murmure,

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Book
La séduction : donjuanismes européens et littératures émergentes : actes du séminaire de littérature comparée. Equipe littérature et herméneutique. Université de Toulouse II
Authors: --- ---
ISBN: 9782848301389 Year: 2010 Publisher: Paris Eurédit

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Book
The Vienna Don Giovanni
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ISBN: 1280488948 9786613584175 1846158990 184383586X Year: 2010 Publisher: Woodbridge : The Boydell Press,

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In the year following its 1787 Prague première, Don Giovanni was performed in Vienna. Everyone, according to the well-known account by Da Ponte, thought something was wrong with it. In response, Mozart made changes, producing a Vienna 'version' of the opera, cutting two of the original arias but inserting three newly-composed pieces. The dilemma faced by musicians and scholars ever since has been whether to preserve the opera in these two 'authentic' forms, or whether to fashion a hybrid text incorporating the best of both.
This study presents new evidence about the Vienna form of the opera, based on the examination of late eighteenth-century manuscript copies. The Prague Conservatory score is identified as the primary exemplar for the Viennese dissemination of Don Giovanni, which is shown to incorporate two quite distinct versions, represented by the performing materials in Vienna [O.A.361] and the early Lausch commercial copy in Florence. To account for this phenomenon, seen also in early sources of the Prague Don Giovanni and Cosìfan tutte, a general theory of transmission for the Mozart Da Ponte operas is proposed, which clarifies the relationship between the fluid text produced by re-creation (performing) and the static text generated by replication (copying). Aspects of the compositional history of Don Giovanni are uncovered. Evidence to suggest that Mozart first considered an order in which Donna Elvira's scena precedes the comic duet 'Per queste tue manine' is assessed. The essential truth of Da Ponte's account - that the revision of the opera in Vienna was an interactive process, involving the views of performers, the reactions of audiences and the composer's responses - seems to be fully borne out. The final part of the study investigates the late eighteenth-century transmission of Don Giovanni. The idea that hybrid versions gained currency only in the nineteenth century or in the lighter Singspiel tradition is challenged.

IAN WOODFIELD is Professor and Director of Research at the School of Music and Sonic Arts, Queen's University Belfast.

The formation of the historical world in the human sciences.
Authors: --- ---
ISBN: 9780691149318 0691006490 0691149313 069114933X 9780691149332 Year: 2010 Volume: 3 Publisher: Princeton (N.J.) Princeton university press

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This volume provides Dilthey's most mature and best formulation of his Critique of Historical Reason. It begins with three "Studies Toward the Foundation of the Human Sciences," in which Dilthey refashions Husserlian concepts to describe the basic structures of consciousness relevant to historical understanding.The volume next presents the major 1910 work The Formation of the Historical World in the Human Sciences. Here Dilthey considers the degree to which carriers of history--individuals, cultures, institutions, and communities--can be articulated as productive systems capable of generating value and meaning and of realizing purposes. Hegel's idea of objective spirit is reconceived in a more empirical form to designate the medium of commonality in which historical beings are immersed. Any universal claims about history need to be framed within the specific productive systems analyzed by the various human sciences. Dilthey's drafts for the Continuation of the Formation contain extensive discussions of the categories most important for our knowledge of historical life: meaning, value, purpose, time, and development. He also examines the contributions of autobiography to historical understanding and of biography to scientific history.The finest summary of Dilthey's views on hermeneutics can be found in "The Understanding of Other Persons and Their Manifestations of Life." Here, Dilthey differentiates understanding relative to three kinds of manifestations of life. After giving his analysis of elementary understanding, he examines the role of induction in higher understanding and interpretation, and the relevance of transposition and re-experiencing for grasping individuality.

Keywords

Dilthey, Wilhelm, --- Hermeneutics. --- Geesteswetenschappen. --- History as a science --- Theory of knowledge --- Hermeneutics --- History --- History. --- Philosophy. --- Geschiedfilosofie. --- Social sciences --- Herméneutique --- Histoire --- Philosophie --- Philosophy --- Buckle, Henry Thomas, --- Schlosser, Friedrich Christoph, --- Schleiermacher, Friedrich, --- Burckhardt, Jacob, --- PHILOSOPHY / Ethics & Moral Philosophy. --- Social philosophy --- Social theory --- Mental philosophy --- Humanities --- History, Modern --- History - Philosophy --- Buckle, Henry Thomas, - 1821-1862. - History of civilization in England --- Schlosser, Friedrich Christoph, - 1776-1861 --- Schleiermacher, Friedrich, - 1768-1834 --- Burckhardt, Jacob, - 1818-1897. - Cultur der Renaissance in Italien --- Social sciences - Philosophy --- Aristotle. --- Bacon, Francis. --- Bossuet, Jacques-Bénigne. --- Catholic mysticism. --- Comte. --- Descartes, Ren. --- Don Juan. --- Florence. --- French Revolution. --- Galileo. --- German Enlightenment. --- Gibbon, Edward. --- Guicciardini, Francesco. --- Handel, Georg Friedrich. --- Herodotus. --- Koch, Johannes. --- Lutheranism. --- Macbeth. --- Müller, Johannes. --- Niebuhr, Barthold Georg. --- Quakers. --- Ritschl, Albrecht. --- Schlegel, Friedrich. --- Sigwart, Christoph. --- abstraction. --- anthropological reflection. --- association. --- awareness. --- biography. --- categories. --- community. --- consciousness. --- education. --- elementary operations. --- ethical life. --- evaluation. --- external world. --- human sciences. --- humanism. --- idealism. --- intentional relation. --- justification. --- knowledge. --- literature. --- presentification. --- psychological analysis. --- reciprocal influence. --- sensation. --- solidarity. --- state of affairs. --- tendency. --- transformation.

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