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Strijkers --- Basso continuo --- Concerti grossi
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Viole --- Basso continuo --- Basso continuo --- Facsimiles --- Frankrijk --- 18e eeuw --- Stukken --- 17e eeuw
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Strijkers --- Basso continuo --- Italië --- 18e eeuw --- 17e eeuw --- Concerti grossi
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Basso continuo --- Partimenti --- Muziektheorie --- Uitvoeringspraktijk --- 18e eeuw --- 17e eeuw
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Duo's --- Sopraan --- Basso continuo --- Duitsland --- Groot-Brittannië --- 18e eeuw
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Duo's --- Sopraan --- Basso continuo --- Duitsland --- Groot-Brittannië --- 18e eeuw
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Academic collection --- Counterpoint --- Music theory --- Partimenti --- Performance practice (Music) --- Continuo --- Polyphony --- Musical performance practice --- Performing practice (Music) --- Music --- History --- Performance
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This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation''. Hence the point of departure was not 'Music Theory'' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions to this book.Thomas Christensen, in his contribution, shows how the development of tonal
Performance practice (Music) --- Music theory --- Counterpoint. --- Partimenti. --- Polyphony --- Continuo --- Musical performance practice --- Performing practice (Music) --- Music --- History. --- Performance --- Counterpoint --- Partimenti --- History
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