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L'urbanisation des territoires de transition entre la ville et la campagne ceux de la suburbia, est oublieuse de l'épaisseur du passé, des transformations complexes des sites, aussi bien que des représentations que l'on s'en fait. La notion de sub-urbanisme, définie par l'auteur comme une " subversion de l'urbanisme ", remet profondément en question un telle attitude. Cet essai plaide pour une démarche qui appréhenderait le site comme la matrice d'un projet explorant les multiples strates spatio-temporelles du territoire : l'architecture comme instrument de la mémoire et la mémoire comme matière de l'architecture. Quatre sources alimentent la démarche : les travaux de Frances Yates sur L'Art de la mémoire, consacrés aux pratiques mnémotechniques des anciens ; la "métaphore romaine" proposée par Sigmund Freud pour évoquer le mode de conservation du passé dans la structuration de la psyché ; la démarche de l'artiste américain Robert Smithson avec son concept de non-site ; et enfin le parc de Lancy réalisé dans la banlieue de Genève par l'architecte Georges Descombes. A l'instar du sub-urbanisme qu'elle entreprend d'illustrer, cette démon tration s'aventure dans l'épaisseur narrative des lieux, et invite le lecteur-visiteur à frayer son chemin à travers de nombreuses couches de mémoire et de culture. Le mot d'ordre est extrapolation.

Landscape architecture --- City planning --- Regional planning --- Architecture du paysage --- Urbanisme --- Aménagement du territoire --- Philosophy --- Philosophie --- Space (Architecture) --- Place (Philosophy) in architecture --- Amenagement du territoire --- Théorie de l'urbanisme --- Sociologie urbaine --- Banlieue --- Théorie du paysage --- Aménagement du territoire --- Mémoire --- Descombes, Georges --- Smithson, Robert --- Freud, Sigmund --- Yates, Frances Amelia --- Suisse --- Place (Philosophy) in architecture. --- Space (Architecture). --- Philosophy. --- Smithson, Robert, 1938-1973 --- City planning - Philosophy

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Approximately 30 texts (richly illustrated), published and unpublished, written between 1966 and the present: letters, essays, interviews, articles, facsimiles of illustrated texts, transcripts of talks as well as completed sections of a book-in-progress. The items are of disparate length and tone and cover subjects ranging from optics to orchids, cultural politics to ancient Greek iconography, art theory and philosophy to the mixed pleasures of living in a drafty castle in the Irish countryside. To all these diverse topics Baer brings formidable powers of analysis, rigorous logic, a penchant for provocation, lively wit and an inimitable, exacting use of language - the same ingredients that go into her art.

Women artists --- Art --- Art, American --- Ästhetik. --- Philosophy. --- Baer, Jo, --- kunst --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Baer Jo --- Parthenon --- Athene --- Griekenland --- 75.071 BAER --- minimalisme --- minimal art --- radical figuration --- schilderkunst --- abstractie --- abstracte schilderkunst --- Morris Robert --- Kienholz Robert --- Flavin Dan --- LeWitt Sol --- Smithson Robert --- Graham Dan --- Judd Donald --- Bochner Mel --- Kienholz Edward --- Andre Carl --- Robbins Bruce --- 7.071 BAER

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Iconography --- Art --- art [discipline] --- language [general communication] --- art theory --- texts [documents] --- Andre, Carl --- Warhol, Andy --- Haacke, Hans --- Smithson, Robert --- Weiner, Lawrence --- MacLow, Jackson --- Burgin, Victor --- Cage, John --- Serra, Richard --- Ashbery, John --- Acconci, Vito --- Graham, Dan --- Barry, Robert --- Brecht, George --- Huebler, Douglas --- Young, La Monte --- Kosuth, Joseph --- Art & Language

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Iconography --- Art --- Sculpture --- art [discipline] --- art theory --- studios [work spaces] --- sculpting --- Brancusi, Constantin --- Maillol, Aristide --- Buren, Daniel --- Warhol, Andy --- Stella, Frank --- Duchamp, Marcel --- Picasso, Pablo --- Donovan, Tara --- Segal, George --- Smithson, Robert --- Pollock, Jackson --- Beuys, Joseph --- Storr, Robert --- Kabakov, Ilija Iosefovich --- Cage, John --- Schneemann, Carolee --- Matisse, Henri --- Rodin, Auguste --- Brassaï --- Bacon, Francis --- Moore, Henry --- Nauman, Bruce --- Courbet, Gustave --- Rosler, Martha --- Baldessari, John --- Genzken, Isa --- Malevitsj, Kasimir --- Harrison, Rachel --- Swallow, Ricky --- Kooning, de, Willem --- Giacometti, Alberto --- anno 2000-2099

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art [fine art] --- private collections --- César --- Tinguely, Jean --- Andre, Carl --- LeWitt, Sol --- Oppenheim, Dennis --- Stella, Frank --- Plensa, Jaume --- Smith, Tony --- Duchamp, Marcel --- Johns, Jasper --- Morris, Robert --- Christo --- Smithson, Robert --- Weiner, Lawrence --- Kawara, On --- Byars, James L. --- Vautier, Benjamin --- West, Franz --- Hutchinson, Peter --- Klein, Yves --- Serra, Richard --- Merz, Mario --- Rauschenberg, Robert --- Honegger, Gottfried --- Morellet, François --- Acconci, Vito --- Graham, Dan --- Motherwell, Robert --- Judd, Donald --- Flavin, Dan --- Kelly, Ellsworth --- Kounellis, Jannis --- Barry, Robert --- Hains, Raymond --- Villeglé, Jacques --- Maria, de, Walter --- Mosset, Olivier --- Noland, Kenneth --- Rotella, Mimmo --- Venet, Bernar --- Arman --- Kosuth, Joseph --- Art & Language --- influence --- art [discipline] --- private collections [object groupings]