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L'urbanisation des territoires de transition entre la ville et la campagne ceux de la suburbia, est oublieuse de l'épaisseur du passé, des transformations complexes des sites, aussi bien que des représentations que l'on s'en fait. La notion de sub-urbanisme, définie par l'auteur comme une " subversion de l'urbanisme ", remet profondément en question un telle attitude. Cet essai plaide pour une démarche qui appréhenderait le site comme la matrice d'un projet explorant les multiples strates spatio-temporelles du territoire : l'architecture comme instrument de la mémoire et la mémoire comme matière de l'architecture. Quatre sources alimentent la démarche : les travaux de Frances Yates sur L'Art de la mémoire, consacrés aux pratiques mnémotechniques des anciens ; la "métaphore romaine" proposée par Sigmund Freud pour évoquer le mode de conservation du passé dans la structuration de la psyché ; la démarche de l'artiste américain Robert Smithson avec son concept de non-site ; et enfin le parc de Lancy réalisé dans la banlieue de Genève par l'architecte Georges Descombes. A l'instar du sub-urbanisme qu'elle entreprend d'illustrer, cette démon tration s'aventure dans l'épaisseur narrative des lieux, et invite le lecteur-visiteur à frayer son chemin à travers de nombreuses couches de mémoire et de culture. Le mot d'ordre est extrapolation.
Landscape architecture --- City planning --- Regional planning --- Architecture du paysage --- Urbanisme --- Aménagement du territoire --- Philosophy --- Philosophie --- Space (Architecture) --- Place (Philosophy) in architecture --- Amenagement du territoire --- Théorie de l'urbanisme --- Sociologie urbaine --- Banlieue --- Théorie du paysage --- Aménagement du territoire --- Mémoire --- Descombes, Georges --- Smithson, Robert --- Freud, Sigmund --- Yates, Frances Amelia --- Suisse --- Place (Philosophy) in architecture. --- Space (Architecture). --- Philosophy. --- Smithson, Robert, 1938-1973 --- City planning - Philosophy
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Art --- earthworks [sculpture] --- art theory --- Nature --- landscapes [representations] --- Oppenheim, Dennis --- Ikeda, Ichi --- Smithson, Robert --- Fulton, Hamish --- Beuys, Joseph --- Long, Richard --- Goldsworthy, Andy --- Eliasson, Olafur --- Dion, Mark --- Drury, Chris --- Maria, de, Walter --- Mendieta, Ana
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Approximately 30 texts (richly illustrated), published and unpublished, written between 1966 and the present: letters, essays, interviews, articles, facsimiles of illustrated texts, transcripts of talks as well as completed sections of a book-in-progress. The items are of disparate length and tone and cover subjects ranging from optics to orchids, cultural politics to ancient Greek iconography, art theory and philosophy to the mixed pleasures of living in a drafty castle in the Irish countryside. To all these diverse topics Baer brings formidable powers of analysis, rigorous logic, a penchant for provocation, lively wit and an inimitable, exacting use of language - the same ingredients that go into her art.
Women artists --- Art --- Art, American --- Ästhetik. --- Philosophy. --- Baer, Jo, --- kunst --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Baer Jo --- Parthenon --- Athene --- Griekenland --- 75.071 BAER --- minimalisme --- minimal art --- radical figuration --- schilderkunst --- abstractie --- abstracte schilderkunst --- Morris Robert --- Kienholz Robert --- Flavin Dan --- LeWitt Sol --- Smithson Robert --- Graham Dan --- Judd Donald --- Bochner Mel --- Kienholz Edward --- Andre Carl --- Robbins Bruce --- 7.071 BAER
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"The text proposes original approaches to the creation and study of performance outside the auditorium. It suggests innovative strategies, methods and techniques for making theatre in various locations, and through examples, case studies and projects develops distinctive theoretical insights into the relationship of site and performance"--
Art --- Theatrical science --- art [fine art] --- theater [discipline] --- scenography [discipline] --- performance art --- art theory --- site-specific works --- public spaces --- Trier, von, Lars --- Cardiff, Janet --- Greenaway, Peter --- Feenstra, Wapke --- Smithson, Robert --- Myers, Misha --- Rees, Marc --- Long, Richard --- Brith, Gof --- Brookes, Mike --- Jeff, Paul --- Ladd, Eddie --- Pearson, Mike --- Rowley, John --- Savage, Jenny --- Shanks, Michael --- Whitehead, Simon --- Tschumi, Bernard --- Royal de Luxe --- Site-specific theater. --- art [discipline]
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Iconography --- Art --- art [discipline] --- language [general communication] --- art theory --- texts [documents] --- Andre, Carl --- Warhol, Andy --- Haacke, Hans --- Smithson, Robert --- Weiner, Lawrence --- MacLow, Jackson --- Burgin, Victor --- Cage, John --- Serra, Richard --- Ashbery, John --- Acconci, Vito --- Graham, Dan --- Barry, Robert --- Brecht, George --- Huebler, Douglas --- Young, La Monte --- Kosuth, Joseph --- Art & Language
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Iconography --- Architecture --- Sculpture --- art [discipline] --- architecture [discipline] --- public art --- art theory --- monuments --- public spaces --- kunst in de openbare ruimte --- commissions [orders for works] --- Oppenheim, Dennis --- Deller, Jeremy --- Haacke, Hans --- Galaccio, Anya --- Kawamata, Tadashi --- Smithson, Robert --- Beuys, Joseph --- Koolhaas, Rem --- Horn, Roni --- Graham, Dan --- Calle, Sophie --- Dean, Tacita --- Gillick, Liam --- Maria, de, Walter --- Whiteread, Rachel --- Wodiczko, Krysztof --- Zittel, Andrea --- Atelier Van Lieshout [Rotterdam]
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Iconography --- Art --- Sculpture --- art [discipline] --- art theory --- studios [work spaces] --- sculpting --- Brancusi, Constantin --- Maillol, Aristide --- Buren, Daniel --- Warhol, Andy --- Stella, Frank --- Duchamp, Marcel --- Picasso, Pablo --- Donovan, Tara --- Segal, George --- Smithson, Robert --- Pollock, Jackson --- Beuys, Joseph --- Storr, Robert --- Kabakov, Ilija Iosefovich --- Cage, John --- Schneemann, Carolee --- Matisse, Henri --- Rodin, Auguste --- Brassaï --- Bacon, Francis --- Moore, Henry --- Nauman, Bruce --- Courbet, Gustave --- Rosler, Martha --- Baldessari, John --- Genzken, Isa --- Malevitsj, Kasimir --- Harrison, Rachel --- Swallow, Ricky --- Kooning, de, Willem --- Giacometti, Alberto --- anno 2000-2099
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fotografie --- fotografietheorie --- Verenigde Staten --- twintigste eeuw --- landschap --- landschapsfotografie --- documentaire fotografie --- New Topographics --- Adams Robert --- Gohlke Frank --- Baltz Lewis --- O'Sullivan Timothy H. --- Deal Joe --- Schort John --- Shore Stephen --- Stackpole Peter --- Smithson Robert --- Jackson William Henry --- Adams Ansel --- Becher Bernd & Hilla --- Ruscha Ed --- Graham Dan --- Wessel Henry --- Black James Wallace --- Nixon Nicholas --- Garnett William --- Lawrence George --- Antonioni Michelangelo --- Godard Jean-Luc --- Kepes Gyorgy --- Alajalov Constantin --- Orloff Deborah --- Burtynsky Edward --- Hanson David T. --- 77.047 --- Landscape photography --- New topographics (Photography) --- Hanson David T --- O'Sullivan Timothy H
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art [fine art] --- private collections --- César --- Tinguely, Jean --- Andre, Carl --- LeWitt, Sol --- Oppenheim, Dennis --- Stella, Frank --- Plensa, Jaume --- Smith, Tony --- Duchamp, Marcel --- Johns, Jasper --- Morris, Robert --- Christo --- Smithson, Robert --- Weiner, Lawrence --- Kawara, On --- Byars, James L. --- Vautier, Benjamin --- West, Franz --- Hutchinson, Peter --- Klein, Yves --- Serra, Richard --- Merz, Mario --- Rauschenberg, Robert --- Honegger, Gottfried --- Morellet, François --- Acconci, Vito --- Graham, Dan --- Motherwell, Robert --- Judd, Donald --- Flavin, Dan --- Kelly, Ellsworth --- Kounellis, Jannis --- Barry, Robert --- Hains, Raymond --- Villeglé, Jacques --- Maria, de, Walter --- Mosset, Olivier --- Noland, Kenneth --- Rotella, Mimmo --- Venet, Bernar --- Arman --- Kosuth, Joseph --- Art & Language --- influence --- art [discipline] --- private collections [object groupings]
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MAD-faculty 13 --- kunstkritiek --- Art --- art [fine art] --- philosophy of art --- Mauri, Fabio --- Nagasawa, Hidetoshi --- Jakober, Ben --- Vu, Yannick --- Turcato, Giulio --- Andre, Carl --- LeWitt, Sol --- Dibbets, Jan --- Tremlett, David --- Buren, Daniel --- Oppenheim, Dennis --- Paik, Nam June --- Warhol, Andy --- Fox, Terry --- Schifano, Mario --- Watts, Robert --- Fabro, Luciano --- Pistoletto, Michelangelo --- Garutti, Alberto --- Morris, Robert --- Bourgeois, Louise --- Spalletti, Ettore --- Smithson, Robert --- Weiner, Lawrence --- Abramovic, Marina --- Nannucci, Maurizio --- Beuys, Joseph --- Pisani, Vettor --- Boltanski, Christian --- Xhafa, Sislej --- West, Franz --- Paolini, Giulio --- Tuttle, Richard --- Fabre, Jan --- Merz, Mario --- Rauschenberg, Robert --- Durham, Jimmie --- Vautier, Ben --- Acconci, Vito --- Ryman, Robert --- Cucchi, Enzo --- Graham, Dan --- Kentridge, William --- Cattelan, Maurizio --- Boetti, Alighiero --- Calzolari, Pier Paolo --- Chia, Sandro --- Clemente, Francesco --- Gilbert and George --- Kounellis, Jannis --- Nauman, Bruce --- Paladino, Mimmo --- Accardi, Carla --- Ontani, Luigi --- Reis, Pedro Cabrita --- Toroni, Niele --- Amer, Ghada --- Barry, Robert --- Dominicis, de, Gino --- Huebler, Douglas --- Maria, de, Nicola --- Moorman, Charlotte --- Piacentino, Gianni --- Quinn, Marc --- Burroughs, William S. --- Rotella, Mimmo --- Sieverding, Katharina --- Vostell, Wolf --- Wilson, Ian --- Dimitrijević, Braco --- Kosuth, Joseph --- art [discipline]
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