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Sculpture, Ancient --- Sculpture, Greek --- Sculpture antique --- Sculpture grecque --- Waywell, Geoffrey B. --- Festschrift - Libri Amicorum

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Athena (Greek deity) --- Sculpture, Classical --- Sculpture, Greco-Roman --- Athéna (Divinité grecque) --- Sculpture antique --- Sculpture gréco-romaine --- Art --- Athéna (Divinité grecque) --- Sculpture gréco-romaine --- Athena

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Trajan's Column (Rome, Italy) --- Relief (Sculpture), Ancient --- Armor, Ancient --- Weapons, Ancient --- Monuments --- Colonne Trajane (Rome, Italie) --- Relief (Sculpture) antique --- Armures anciennes --- Armes anciennes --- Monuments --- Trajan, --- Monuments.

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Cet ouvrage s’intéresse à la culture visuelle de l’époque hellénistique et romaine et à la réception des collections artistiques auprès des lettrés de ces deux périodes. À partir d’un éventail de documents qui vont du IIIe siècle avant J.-C. à l’Antiquité tardive, il cherche à montrer comment les œuvres d’art pouvaient constituer, pour les Anciens, les supports d’un discours, que celui-ci soit d’ordre esthétique, idéologique ou même érotique. Les descriptions d’œuvres d’art dues aux érudits du début de l’époque hellénistique appellent un décryptage attentif ; en effet, les poètes utilisent le discours sur les œuvres d’art pour exposer leurs positions esthétiques ou pour répondre aux œuvres de leurs prédécesseurs. Il s’agit aussi de penser les relations complexes qui se noueront ensuite entre le discours érotique et le discours esthétique : chez certains auteurs, le corps de l’être aimé sera contemplé à la manière d’une œuvre d’art et l’introspection de l’amoureux s’appuiera sur des allusions à des schémas iconographiques courants, de manière à formuler un discours sur le sentiment amoureux. Ce livre, qui tente d’esquisser une histoire du regard ancien, s’attache tout particulièrement aux textes et ensembles de textes qui décrivent non pas une, mais plusieurs œuvres d’art. Il s’intéresse ainsi au discours suggéré par la juxtaposition signifiante d’une série d’images.

Aesthetics, Ancient. --- Esthétique ancienne --- Art et littérature --- Art, Hellenistic --- Ekphrasis --- Esthétique ancienne --- Greek poetry, Hellenistic --- Art, Roman --- Latin poetry --- Art and literature --- History and criticism --- Art, Ancient --- Art antique --- Art et littérature --- Appreciation --- History. --- History --- Appréciation --- Histoire --- Appreciation. --- mythologie grecque --- culture hellénistique --- poésie antique --- sculpture antique --- Cyrénaïque

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This publication offers a new, revised edition of a work that was hailed, when it first appeared, as “the most useful art-historical reference book to have been published in recent decades”. It is a Handbook of Sources, documenting and illustrating the most significant antique works of art known to Renaissance artists. More than 500 illustrations show Greek and Roman statues, mythological and historical reliefs as well as triumphal arches together with Renaissance drawings, engravings, bronzes and paintings to demonstrate how and where these classical monuments were discovered and recorded, and how they were copied, adapted, combined and transformed into the style and iconography we now recognize as Renaissance art.



The authors, Professor Phyllis Bober and Dr Ruth Rubinstein, based their selection on the Census of Antique Works of Art and Architecture known in the Renaissance, begun at the Warburg Institute in London as a reference catalogue, but continuously extended thereafter and now transferred into a modern web-based database system accessible on the internet. The auhors arranged their illustrative material and their encyclopaedic catalogue thematically, giving full descriptions and history of each antique work, listing Renaissance representations and adaptations, and citing relevant literature. In addition, the myths and legends featured in the classical works are retold briefly in each case to help the reader follow the narrative particularly in the many sarcophagus reliefs reproduced.



Although the book has been reprinted twice since its first appearance, only minor revisions had until now been included. Sadly, neither author has lived to see the present publication, but corrections and additions to the Catalogue and the Appendices continued up to the time of their deaths, and Ruth Rubinstein spent the last decade of her life preparing this second edition with substantial catalogue revisions and significant additions to the Bibliography.

Sculpture --- Iconography --- anno 1400-1499 --- anno 1500-1599 --- Beeldhouwkunst [Klassieke ] --- Sculpture [Classical ] --- Sculpture classique --- Sculpture, Classical --- Art, Renaissance --- Sculpture antique --- Art de la Renaissance --- Catalogs. --- Reproduction --- Catalogs --- Classical influences --- Catalogues --- Influence ancienne --- 7 <45> --- 73 <45> --- 733 --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië --- Beeldhouwkunst. Sculptuur--Italië --- Arts Sculpture Greek Etruscan Roman --- Sculpture, Classical. --- Classical influences. --- Reproduction. --- 7 <45> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Italië --- Reproduction of classical sculpture --- Classical sculpture --- Classical antiquities --- Civilization, Classical --- Art [Renaissance ] --- mythology [literary genre] --- Renaissance --- Antiquity --- antieke beeldhouwkunst