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Parodie --- Les aventures de Tintin --- Hergé,
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Parody. --- Intertextuality. --- Intertextualität. --- Kontrafaktur. --- Palinodie. --- Parodie. --- Intertextualité --- Parodie (littérature) --- Parodies, pastiches, etc. --- Satire
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Parody: The Art That Plays with Art explodes the near-universal belief that parody is a copycat genre or that it consists of a collection of trivial and derivative forms. Parody is revealed as an über-technique, a principal source of innovation and invention in the arts. The technique is defined in terms of three major variations that bang, bind, and blend artistic conventions into contrasting pairings, the results of which are upheavals of existing conventions and the formation of unexpected and sometimes startling and revolutionary new configurations. Parodic art fashions a galaxy of contrasts, and from these stem an illusionistic sense of multiplicity and an array of divergent meanings and interpretive paths. This book, an extreme departure from existing analyses of parody, is nonetheless highly accessible and will be of major interest not only to scholars but to general readers and to professional writers as well. Parody: The Art That Plays with Art is particularly suited for readers interested in modernism, postmodernism, meta-art, criticism, satire, and irony.
Thematology --- parodieën --- Literature --- Comparative literature --- Parodie (littérature) --- Parodies, pastiches, etc
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Some film and novel revisions go so far beyond adaptation that they demand a new designation. This critical collection explores movies, plays, essays, comics and video games that supersede adaptation to radically transform their original sources. Fifteen essays investigate a variety of texts that rework everything from literary classics to popular children's books, demonstrating how these new, stand-alone creations critically engage their sources and contexts. Particular attention is paid to parody, intertextuality, and fairy-tale transformations in the examination of these works, which occupy a unique narrative and creative space.
Literature --- Intertextuality. --- Parodies --- Adaptations --- History and criticism. --- Littérature --- Intertextualité --- Parodie (littérature) --- Pastiche --- Histoire et critique --- Littérature --- Intertextualité --- Parodie (littérature)
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Etude sur la parodie et le pastiche cinématographique dans le but de soulever les enjeux esthétiques de ces notions. Grâce à de nombreuses analyses de films, l'auteure insiste sur l'importance esthétique de ces phénomènes dans l'histoire du cinéma.
Parody in motion pictures --- Pasticcio --- Motion pictures --- Parodie au cinéma --- Pastiches --- Cinéma --- Aesthetics --- Esthétique
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La parodie est une forme d'intertextualité qui adapte, de manière ludique, comique ou satirique un texte source. L'auteur dresse un historique de la parodie dessinée, en analyse les procédés, au travers de nombreux exemples : Töpffer, Cham, Doré, Liquier, des auteurs de comics, Walt Disney, les superhéros, Gotlieb, la production "underground", la parodie de genre (western, fantasy, policier), la parodie littéraire (Oupabo, sur le modèle de l'Oulipo), les autoparodies et les auteurs contemporains.
Bandes dessinées --- Parodie (art) --- Parodie (littérature) --- Parody in literature --- Comic books, strips, etc. --- Thèmes, motifs. --- Dans les bandes dessinées. --- Histoire et critique. --- Themes, motives --- History and criticism --- Parody in literature - Exhibitions --- Comic books, strips, etc. - Themes, motives - Exhibitions --- Comic books, strips, etc. - History and criticism - Exhibitions --- Drawing --- Literature --- beeldverhalen --- Bandes dessinées --- Parodie (littérature) --- Thèmes, motifs. --- Dans les bandes dessinées. --- Comic books, strips, etc
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