Listing 1 - 4 of 4 |
Sort by
|
Choose an application
Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.
Pound, Ezra, --- Critique et interprétation --- Criticism and interpretation. --- Crítica e interpretación. --- Pound, Ezra Loomis, --- Atheling, William, --- Bawnd, Izrā, --- Paount, Ezra, --- Pʻaundŭ, Ejŭra, --- Pavnd, Ezra, --- E. P. --- P., E. --- T. J. V., --- V., T. J., --- Pangde, --- Poet of Titchfield Street, --- Pound, Ezra Loomis --- Criticism and interpretation --- English poetry. --- English literature --- Pound, Ezra --- Critique et interprétation. --- Atheling, William --- Bawnd, Izrā --- Paount, Ezra --- Pʻaundŭ, Ejŭra --- Pavnd, Ezra --- T. J. V. --- V., T. J. --- Pangde --- Poet of Titchfield Street
Choose an application
Ezra Pound is a central figure in the development of modern English poetry, yet his poetry is often regarded as too difficult. This classic study, available for the first time in paperback, provides a comprehensive and accessible introduction to Pound's work. Michael Alexander - himself a poet and translator - brings out the life and originality of Pound's poetry and shows how he contributed to the modernist movement through his own writing as well as through his impact on Yeats, Eliot, Joyce and others.
Pound, Ezra, --- Pound, Ezra Loomis, --- Atheling, William, --- Bawnd, Izrā, --- Paount, Ezra, --- Pʻaundŭ, Ejŭra, --- Pavnd, Ezra, --- E. P. --- P., E. --- T. J. V., --- V., T. J., --- Pangde, --- Poet of Titchfield Street, --- Criticism and interpretation. --- Pound, Ezra Loomis --- Criticism and interpretation --- LITERARY CRITICISM / Poetry. --- Pound, Ezra --- Atheling, William --- Bawnd, Izrā --- Paount, Ezra --- Pʻaundŭ, Ejŭra --- Pavnd, Ezra --- T. J. V. --- V., T. J. --- Pangde --- Poet of Titchfield Street
Choose an application
True Friendship looks closely at three outstanding poets of the past half-century-Geoffrey Hill, Anthony Hecht, and Robert Lowell-through the lens of their relation to their two predecessors in genius, T. S. Eliot and Ezra Pound. The critical attention then finds itself reciprocated, with Eliot and Pound being in their turn contemplated anew through the lenses of their successors. Hill, Hecht, and Lowell are among the most generously alert and discriminating readers, as is borne out not only by their critical prose but (best of all) by their acts of new creation, those poems of theirs that are thanks to Eliot and Pound. "Opposition is true Friendship." So William Blake believed, or at any rate hoped. Hill, Hecht, and Lowell demonstrate many kinds of friendship with Eliot and Pound: adversarial, artistic, personal. In their creative assent and dissent, the imaginative literary allusions-like other, wider forms of influence-are shown to constitute the most magnanimous of welcomes and of tributes.
American poetry --- English poetry --- History and criticism. --- Hill, Geoffrey --- Hecht, Anthony, --- Lowell, Robert, --- Eliot, T. S. --- Pound, Ezra, --- Eliot, Thomas Stearns --- Khekt, Ėntoni, --- Pound, Ezra Loomis, --- Atheling, William, --- Bawnd, Izrā, --- Paount, Ezra, --- Pʻaundŭ, Ejŭra, --- Pavnd, Ezra, --- E. P. --- P., E. --- T. J. V., --- V., T. J., --- Pangde, --- Poet of Titchfield Street, --- Friends and associates. --- Influence. --- Ai-lüeh-tʻe, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס. --- Pound, Ezra --- Pound, Ezra Loomis --- Atheling, William --- Bawnd, Izrā --- Paount, Ezra --- Pʻaundŭ, Ejŭra --- Pavnd, Ezra --- T. J. V. --- V., T. J. --- Pangde --- Poet of Titchfield Street
Choose an application
This text will "make one see something new [by granting] new eyes to see Other," as Ezra Pound remarked of Imagism. Still he soon dissociated himself from the movement he helped found, to which T. S. Eliot never belonged. Why, then, study Pound and Eliot as Imagists? As the former phrased it, to offer "language to think in" regarding their shared premium on precision; and to explicate differing reasons for this emphasis. Pound plies accuracy to carve distinctions. By carving, he sought to del...
American poetry --- Modernism (Literature) --- Subjectivity in literature. --- Objectivity in literature. --- Poetics --- History and criticism --- Theory, etc. --- History --- Pound, Ezra, --- Eliot, T. S. --- Eliot, Thomas Stearns --- Pound, Ezra Loomis, --- Atheling, William, --- Bawnd, Izrā, --- Paount, Ezra, --- Pʻaundŭ, Ejŭra, --- Pavnd, Ezra, --- E. P. --- P., E. --- T. J. V., --- V., T. J., --- Pangde, --- Poet of Titchfield Street, --- Criticism and interpretation. --- Ai-lüeh-tʻe, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס. --- Pound, Ezra --- Pound, Ezra Loomis --- Atheling, William --- Bawnd, Izrā --- Paount, Ezra --- Pʻaundŭ, Ejŭra --- Pavnd, Ezra --- T. J. V. --- V., T. J. --- Pangde --- Poet of Titchfield Street
Listing 1 - 4 of 4 |
Sort by
|